The Clockwise War (Panini Graphic Novel)Bookmark and Share

Wednesday, 3 July 2019 - Reviewed by Ken Scheck
The Clockwise War  (Credit: Panini)
Written By: Scott Gray, Tim Quinn, Paul Cornell, Gary Gillatt, Alan Barnes
Artist: John Ross, John Ridgeway, Charlie Adlard, Martin Geraghty, Adrian Salmon
Paperback: 156 Pages
Publisher: Panini UK LTD

Whatever the reason, Panini made the decision to hold back on the Twelfth Doctor's final Doctor Who Magazine story for it's own titular volume, and included with that story are some reprints of older 90s comic stories, specifically some stories that were originally printed in the Doctor Who Yearbooks in the mid 90s.  This marks the first time that a Doctor from the new series has been combined in a Panini collection with Classic Series comics.  While it was annoying that the Phantom Piper had ended on a cliffhanger and I had to wait months for the conclusion to get released, the volume is finally here and I can now just pick it up when I finish the previous book.  I guess if anything they used it as an excuse to have a modern Doctor to sell the books, especially when the titular story for the book is actually quite good, to reprint some lesser known stories that don't really have a home otherwise.  

Having finally read “The Clockwise War” story…I can only express how much I wish it had been included with the rest of the stories in The Phantom Piper.  Part of what I really love about the Panini Graphic Novels is that they always seem to collect together stories that make sense. The best example is the Eighth Doctor’s run.  The first volume featured his debut up to the climax with the Threshold, his second volume featured a running storyline that saw the return of the Master and a major battle between the two Time Lords in the finale…his third began with the debut of the strip in colour and lasted right up until the exit of longtime companion Izzy, and the fourth featured the final set of adventures for the Eighth Doctor.  But since the Eleventh Doctor, the sets don’t always make as much sense. Sometimes storylines have been split up between two volumes…and it is clunkier.  I would love to sit down with a volume of comics that begin with Bill debuting, and then right up until this finale…because it is truly great.  And so much of the storyline of “The Clockwise War” hinges on the running stories that began in the previous volume’s opening story “The Soul Garden” and continued right up to the cliffhanging ending of “The Phantom Piper.”  This story is the climax to a whole year’s worth of stories…and it wasn’t included in the same book.  It seems like it is all coming down to release schedules. Why make a proper “graphic novel” when you’ve got schedules to keep.  I’d much rather have waited for this whole volume to get released properly, then split them up. A graphic novel is meant to tell a whole story…these collections don’t always feel like that is the goal anymore. Which is a bit of a shame. They still do a great job putting these books out there, they are high quality in terms of their production value…it is just a shame that the story element isn’t being as properly looked after as it should be.  Part of what I loved about “Doorway to Hell” is it collected together the full storyline of the Doctor’s life trapped in 70s Earth in one volume.  It’d have been nice if the Bill/Dreamscape storyline could’ve got the same lovely treatment. 
Now....with that all out of the way, I really loved the main story in this volume. We see the grand return of Eighth Doctor comics companion Fey Truscott-Sade, who is actually the main antagonist of the piece, and it is a big thrill ride that sees the exit of the Twelfth Doctor.  Despite my complaints about the split of volumes, the story itself is fantastic.  I loved the glimpse into a really bad day in the Time War, and seeing what turned Fey to the dark side…and it is in many ways the Doctor’s hubris that screwed her up. The story ties up all the storylines that have lingered throughout the run since Bill debuted on the strip, and it does it in a big exciting fashion.  As a story, it is highly recommended!
From there, the volume beefs up its page count with some older strips, some back-up stories that focused on the Cybermen, and others that never actually landed on the pages of Doctor Who Magazine, but were actually strips that were initially published in “Doctor Who Yearbooks” from the mid-90s.  This was during the Wilderness Years, a time when the show was off the air but somehow extended media thrived, including the continued publishing of a monthly magazine and even some annuals. The comics included from this era came from Yearbooks published in 1994, 1995, and 1996.  These stories feature the First, Fourth, and Fifth Doctors, as well as a brief cameo of the Seventh.  The Yearbook strips aren't as deep or extensive as the DWM strips, as they are all just one part shorts, as opposed to serializing for several months on the pages of the magazine.  It is nice to have them reprinted and remastered, but they aren't the best comic adventures for the Doctor and co.  
“The Cybermen” was actually a series of short one page strips that appeared as a back-up comic in Doctor Who Magazine, and were written by Alan Barnes and drawn by Adrian Salmon, and was meant to evoke the 60s Dalek strips that appeared in TV Century 21. Unlike the forgettable Yearbook strips, these are actually pretty cool. Each story lasted about 5 or so pages, and the entire run is collected here. 
On the whole, it is hard to not recommend this volume.  Obviously, the decision to hold back the Twelfth Doctor's final story is more about marketing than anything.  It is easier to sell a book with a more current Doctor on the cover, than various old Doctors with no cohesive theme.  That said the Cybermen stories are neat, and it is nice that Panini, however they do it, is still remastering and collecting together all of these old comics into nice shiny volumes. The efforts of preservation should be applauded. With Ground Zero on the way, it would seem that the DWM era back catalogue will be wrapping up, and one can only hope that Panini continues their collections by going back and collecting together the pre-DWM strips from TV Comic, TV Century 21, and Countdown/TV Action. Perhaps rights issues could prevent that, but as they have reprinted some of those comics in the past, I have to believe they are considering it. 




The War Machines (BBC Audiobook)Bookmark and Share

Sunday, 19 May 2019 - Reviewed by Ken Scheck
The War Machines
Written by Ian Stuart Black
Read By  Michael Cochrane
Released by BBC Audio - March 2019
Available from Amazon UK

I have always ranked The War Machines fairly high in First Doctor stories.  I've always felt Hartnell is quite good in it, and it drops dead weight companion Dodo in favor of the charming Ben and Polly, who at the time better represented modern youth. It also had fun robot villains trying to overtake London and the World, and what isn't fun about that? But somehow, I didn't really find myself that interested in this audiobook of the Target Novelization. 

Written by original script writer Ian Stuart Black, the novelization just isn't written with any energy. It highlights the deficiencies of the television story.  On TV they got away with some filler and a story that isn't full of action, because the performances of Hartnell, Anneke Wills, and Michael Craze keep you engaged. But as a novel or audiobook, I just found that there isn't much happening, and even though I finished listening to it a week ago, I've been struggling to think of much to really say about it. 

The only thing of note I truly remember is that the first chapter adds a bit of business between the Doctor and Dodo, in which both note secretly think they will be parting soon.  This is certainly more than the TV version ever did, as Dodo just disappears at one point, and at the end of the story, her replacements show up and say she's gone to live on a farm upstate somewhere, and then they callously steal her job. The book does the same, but at least there is this acknoweldgement of her exit in the beginning of the story.

I don't think it is the fault of the narrator, Michael Cochrane, who I think does a fine job.  His Hartnell impression is particularly great.  But the guy has little to work with. I find it so odd that a story I have always liked has left me so cold in the novelization. 





The First Doctor Adventures - Volume 3 (Big Finish)Bookmark and Share

Saturday, 16 February 2019 - Reviewed by Ken Scheck
The First Doctor Adventures - Volume 3 (Credit: Big Finish)

Written By: Marc Platt, Guy Adams
Directed By: Ken Bentley

Cast

David Bradley (The Doctor), Claudia Grant (Susan), Jemma Powell (Barbara Wright), Jamie Glover (Ian Chesterton), Carole Ann Ford (The Woman), Ajjaz Awad (Princess Elissa of Tyre), Jo Ben Ayed (King Pygmalion of Tyre), Orion Ben (Aiyaruc / Hanna), Youssef Kerkour (Bitias), Raad Rawi (Tubal / Maygo / King Hiarbas of Tunis), Mina Anwar (Horl), Susie Emmett (Katta), Belinda Lang (Nocta)

Big Finish's enjoyable series of adventures following the original TARDIS team as played by the cast of An Adventure in Time and Space continues for a third boxset, one which also sees a major guest appearance of Carole Ann Ford, the original Susan Foreman, whose younger self is played by Claudia Grant in these sets.  And Ford is the major draw of this set in more ways than one, as it is the story involving her that is vastly more entertaining then the first story featured here. 

The first story in this one is The Phoenicians, which is a pure historical that plays on legends and myths, and explores their true origins.  As classic pure historical stories go, this story features no sci-fi element beyond our heroes travelling to the past via the TARDIS.  I am not a huge fan of many of these historcials, which pretty much fell out of style for the series not long after the Second Doctor took over.  They only made one last attempt at a return in the early 80s, when the Fifth Doctor had a brief mystery to solve in the 1920s, with no alien threat whatsoever. But despite my own feelings that the historicals tend not to be terribly interesting, it doesn't mean I don't think they can't work.  In fact I secretly hope they can return to the show someday.  Not all the time, but I think it would be great to see a story where the adventure our heroes get embroiled in has nothing to do with aliens or monsters, but just the scariness of our own past.  They nearly did it in this most recent season, though there was an alien presence, it was incidental to the more historical turmoil our heroes got caught up in.  Someday, maybe once, Earth's ugly past can be enough for a Doctor Who threat again. 

That all said, this story is about as middle of the road and bland as so many historicals of the past had been. I just couldn't get into it, no matter how charming and likable I find the new versions of the original TARDIS crew. 

Luckily, the other story in the set, Tick-Tock World, is top notch entertainment.  With the TARDIS caught up in a planet that messes with time ships, which leaves the gang stranded in a place where time moves in mysterious ways, and ghosts of the past and future can appear and screw with them.  This is where Ford comes into play, as a mysterious figure that they all see. I doubt I am spoiling it for anyone as to who Ford turns out to be.  If you don't know that from the word go then I don't know how you ended up listening to a story based entirely on the show as it was in 1963. I just found this to be a really engaging story, and it felt like the kind of story that could have fit in really well with Big Finish's ongoing Time War tales, yet with that 60s flair that they capture so well with this cast. 

David Bradley is really a top notch replacement for William Hartnell.  He doesn't sound anything like him really, but the way he pauses and hems and haws, and stutters through his lines, it is truly like he captured the essence of the First Doctor.  Hartnell did most of it due to aging, ailing health, a giant year round workload with little to no rehearsal time...but that is part of what I find charming about the First Doctor.  Bradley captures it so well, but does it in his own way.  I definitely prefer this way of creating new 60s style Who to someone just doing an impression. 

I find this set to be somewhat harder to recommend, at least at full price. The first story is by no means awful, but it isn't really worth much either. The second story is tremendous though, which is what makes up for the whole set.  I'd say it was worth it just for that, but maybe at a sale price. If Big Finish set has 4 stories and only one is kind of a clunker, I usually can justify the price.  But with only 2 stories, the cost is essentially $10 a story, and I don't think The Phoenicians is worth $10.  Is Tick-Tock World? Absolutely.  And that's from a guy who was never much of a fan of Susan or Carole An Ford's performance in the 60s shows.  If you've enjoyed these First Doctor set so far?  It is a safer bet for you, for newcomers, I think start with the earlier sets and see if you want to spend the extra money on half of a good boxset. 






Doctor Who - Short Trips 8.09 - A Small Semblance Of HomeBookmark and Share

Thursday, 18 October 2018 - Reviewed by Matt Tiley
A Small Semblance Of Home (Credit: Big Finish)

Producer Ian Atkins; Script Editor Ian Atkins;
Executive Producers Jason Haigh-Ellery and Nicholas Briggs

Written By: Paul Phipps; Directed By: Lisa Bowerman

Cast

Carole Ann Ford (Narrator)

"Time is relative - the day is wherever we land - and if we are onboard the TARDIS - there are no days!"
 
It’s become his obsession. Through the hottest of deserts and the coldest of snows, the TARDIS crew have searched for the one remaining piece of the Doctor’s most important experiment. But now Barbara’s exhausted. Why hasn’t the Doctor learned his lesson? What’s so important that his scientific curiosity outweighs the safety of the crew once again? And will his latest arrogant trespass be the last he ever makes?
 
Paul Phipps brings us the latest Short Trips entry, which is a leisurely character piece, with Barbara Wright front and centre. We join the original TARDIS team quite early in their adventures. Barbara is starting to miss the normality of home. There is nothing in the TARDIS to indicate what time of day it is, or even what day of the week. The Doctor's new experiment is becoming something of an obsession to hi. He is looking for a plant, and seemingly finds it when him and Ian are captured by a local tribe on an alien planet. 
 
Carole Ann Ford narrates the story with passion, characterising the different characters very well. It actually made me feel rather sentimental for hearing more from this era of the Doctor Who, and with that sentimentality, rather sad also. Carole Ann Ford is seventy-eight years old now (something that I would never guess from her voice, which obviously sounds different from when she was on the show, but still quite youthful). These readings and dramatisations need to be cherished as only a handful of the original actors are still working.
 
A Small Semblance Of Home is about the simple comforts of home, and is a rather enjoyable little piece of story telling that would have fitted perfectly in the very first series of Doctor Who.
 
A Small Semblance Of Home is available here.




Men of War (BBC Audio)Bookmark and Share

Sunday, 26 August 2018 - Reviewed by Ken Scheck
Men Of War (Credit: BBC Audio)
Written by Justin Richards
Read By Peter Purves

Released by BBC Worldwide - May 2018
Available from Amazon UK

In this new original audiobook featuring the First Doctor, we have a short adventure built into the middle of the classic First Doctor epic serial The Dalek's Master Plan with the Doctor, Steven, and Sara Kingdom ending up in the middle of World War I, and finding that the timeline has been delayed, and it is causing havoc on the Web of Time. 

As a simple short story, Men of War is solid on atmosphere but feels incomplete. It has a good premise, a major battle of the war has not yet begun, and now the timeline is trying to fix itself by swallowing up all the lives that would've been lost if the battle had taken place.  The problems of this audio are in the ending, which feels like a lazy quick wrap up, leaving dangling threads for another story to solve. 

The big cliffhanging reveal is that Archduke Franz Ferdinand survived his assassination that launched the world into war, meaning the Timeline is even more screwed up than initially thought.  But the Doctor just sort of says that it will have to wait because they must avoid the Daleks, and the story is over. It is unsatisfying to the story being told.  It feels like this story has all this promise and then it just ends with a tease that basically tells the listener to buy another audio if it wants to get closure. 

This might not be a huge problem if the story felt like it had a more satisfying conclusion to it's contained story.  I've enjoyed many a Doctor Who adventure in a variety of formats that ends with a tease of tales to come...but if you have a self contained story that teases more to the story, the ending for the self contained bit ought to be a bit more interesting. 

As I already have the next story (Horrors of War), it takes the annoyance out of that ending.  And I've already seen that the title of BBC Audio's third release, also written by Justin Richards, is Fortunes of War, which has me more prepared for the story to end later.  But if I were a listener who purchased an audiobook and didn't know it was part of some bigger plot-line, I'd be a bit more irritated. 

But let me dial back the criticism a bit.  I actually liked the bulk of this story.  I thought Peter Purves did a lovely job reading it, and it has some brilliant ideas floating around. I am quite interested to hear this little series of audiobooks out. It doesn't have a great ending, and while the cliffhanger feels like a cheap way to not actually end this specific story...it is a good cliffhanger that left my interest peaked. 





The First Doctor Adventures: Volume 2 (Big Finish)Bookmark and Share

Friday, 3 August 2018 - Reviewed by Ken Scheck
The First Doctor Adventures: Volume 2 (Credit: Big Finish)

Big Finish Release (United Kingdom):
First Released: July 2018
Running Time: 5 hours

David Bradley, Claudia Grant, Jemma Powell, and Jamie Glover return to Big Finish for the second round of adventures in the iconic roles of the First Doctor and his original TARDIS team. Once again the cast proves to be quite fun in the roles, not mimicking but having their own takes on the characters. While I don't particularly care for Claudia Grant's Susan, I admittedly never really cared for the character of Susan in its original incarnation...so That could just be that the character will never work for me.

The set features two stories, the first The Invention of Death has the TARDIS land on a planet full of immortal beings, who somehow become infected by the mortal crew of the TARDIS and begin to die.  I like that it has some deeper themes about mortality and what drives people to create and invent and grow, it isn't just weird aliens and a bit of a mystery.  

The set continues with The Barbarians and the Samurai, which is a classic First Doctor styled Pure Historical, taking place in feudal Japan and has the Doctor and crew try to foil the plans of a Japanese leader who is plotting a coup against the current Shogun.  I liked this story, and though I was never a huge fan of the Pure Historical stories of yesteryear, I find it a bit refreshing to have a story that isn't about some alien hanging around a famous historical figure.  It is a good change of pace.  

I enjoy these boxsets, the recasting seems like it could be a huge mistake, but I think it manages to bring a new energy to these early Doctor Who-style adventures that having the older, and sadly more depleted, casts could currently have. Bradley is lovely as the Doctor, and his supporting cast does a fine job as well. 



Associated Products

Audio
Released 30 Sep 2018
The First Doctor Adventures Volume 2 (Doctor Who - The First Doctor Adventures)