The War Master: Rage of the Time Lords (Big Finish)Bookmark and Share

Tuesday, 16 July 2019 - Reviewed by Ken Scheck
The War Master: The Rage of the Time Lords (Credit: Big Finish)

Written By: Tim Foley & David Llewellyn

Directed By: Scott Handcock

Starring Derek Jacobi, Paul McGann, Mina Anwar, Taj Atwal, Paul Clayton, Lu Corfield, Su Douglas, Ryan Forde Iosco, Youssef Kerkour, James MacCallum, Shvorne Marks, Ricky Nixon, Katherine Pearce, Laura Riseborough, Anjela Lauren Smith, Liz Sutherland-Lim, Dominic Thorburn

Released by Big Finish - July 2019

 

 

As much as I have enjoyed Big Finish's exploration of the Time War the last few years, I don't think any series they have running explores this corner of the Doctor who universe better than The War Master. While the Gallifrey series has taken to exploring the political consequences on the Time Lord's homeworld in an interesting way, it is still exploring the earliest days of the conflict and is all about the political strife that comes with it. The War Doctor and Eighth Doctor series did/do a  good job of exploring the Time War and it's effects on the universe, but the Doctor as the lead character does limit how far they can take the concept.  Even the War Doctor has to be inherently good, otherwise the audience may turn on him.  They could only take the character too dark.  But that isn't the case with the War Master, you can take him as dark and deep as you want, as as such, you can really explore the cruelest aspects of the Time War.  

Throughout Rage of the Time Lords, the Master is collecting unique individuals for nefarious reasons (what else), and this plot begins with The Survivor.  He has infiltrated a small rural British town during World War II, posing as a Minister and has taken a particular liking to a young girl named Alice.  He tricks her into causing some trouble, culminating in her hurting another girl, and then he exploits this to turn the entire town against her, and then takes her away.

In The Coney Island Chameleon the Master chases down an Italian Strongman and a girl who can change her skin to match her surroundings (even taking on the properties of brick walls and velvet curtains), seemingly after the young girl and her powers.  Here the Master doesn't make any attempt to play a good guy, and is more of a sinister figure from the outset. First offering to buy the girl, then chasing them down until he gets what he wants.  

From there we travel off of Earth, to a facility where the Master has been keeping all of his specimens. We find that he is working on creating some kind of weapon from all these beings he has collected and caged.  The Master is searching for the very thing that will complete his project, the titular Missing Link, and finally he arrives:  The Doctor.  Obviously a big draw for this set is that we get to hear Derek Jacobi's Master face off with Paul McGann's Eighth Doctor.  And it's worth it.  The moment McGann shows up I perked right up....and I'd been loving the set up this point.  

The big finale for the set comes in Darkness and Light, and sees the Doctor forced to help the Master as his creation, The Rage, breaks loose in the facility.  It's a great ending to the set, fun to hear Jacobi and McGann spar...and the conclusion for the Doctor is painful and sad...but totally works. 

The set is excellent. Not a bad story in the bunch.  The build-up to the Mastyer's plan, the introduction of the Doctor in the back half, the reveal of the Master's scheme: it is all perfectly executed.  And the fact that the Master is a villain means that Big Finish can truly explore the most sinister aspects of the Time War.  Highly recommended. 






Doctor Who - The Fourth Doctor - The Syndicate Master Plan Volume 2Bookmark and Share

Saturday, 16 March 2019 - Reviewed by Matt Tiley
The Syndicate Masterplan: Volume 2 (Credit: Big Finish)
Writer: John Dorney
Director: Nicholas Briggs
 

Big Finish Release (United Kingdom):

First Released: February 2019

Running Time: 4 hours

Time's Assassin – GUY  ADAMS

 

"Please! Don't explain you're nefarious plot - I don't think I can bear it!"

The true identity of the Director has been revealed and he wants vengeance upon the Doctor for past crimes….

But the Director is not the only danger to the crew of the TARDIS. Deadly experiments are coming to a head, and everyone’s life is at risk.

However, the greatest threat is yet to come. The Syndicate’s plans are in motion….and no one is safe from them.

When we left the Doctor and Ann at the end of the last episode (and volume) they were still stranded and in peril. Jon Culshaw was chewing scenery, and monsters were about to be unleashed. Part two is much the same, and provides some major hints and themes of the coming episodes, further developing this series story arc as all really is not what it seems.

Writer Guy Adams ensures that events in this second part of the story proceed at breakneck speed. He has a real feel for the characters.

The story is a lot of fun, with major call-backs to this classic era of the show. There are lots of growling monsters, moustache twirling villainy. There is also a rather dashing rescue from a very special ‘Old Girl’ that made this listener grin like a ten-year-old.

 

Fever Island  – BY JONATHAN BARNES

 

"Not at all, Mr Vain....what I expect of both of you, is to die....horribly!"

Jason Vane is England’s suavest secret agent, and today he is on his deadliest mission yet. Tracking down the evil Okulov….before he destroys the world.

The Doctor, Ann and K9 are, in contrast finding their own mission a little hard to complete. A strange storm in the vortex has swept them back in time, back to Earth in 1978, and to a strange place called ‘Fever Island’.

A place where their worst nightmares are about to come true….

From the above, you can deduce that Fever Island is a James Bond spoof….of sorts anyway. But it is actually quite a bit more than that, and a great deal of fun. The story twists reality in such a way that Tom Baker and John Leeson get to play an evil megalomaniac and his fierce sidekick, Severous. I thought the writing by Jonathan Barnes was excellent, a great balance pastiche, tension and humour.

The cast is perfect – with the stand out being Gethin Anthony as Jason Vane, who plays the role with oodles of very ironic smarm.

 I wasn’t really looking forward to Fever Island from its story summary, but it turned out to be a real gem.

 

The Perfect Prisoners Part 1  – JOHN DORNEY

 

You know what they say K9? If it aint broke, don’t adjust the polarity.”

The Doctor, Ann and K9 are hot on the trail of The Syndicate, and straight into trouble.

After contending with killer robots and dangerous aliens, the clues lead straight to a machine that can literally make you dreams come true. A device that in the wrong hands could lead to misery for millions.

But who’s the real villain here? And what exactly is their masterplan?

The Perfect Prisoners stats at a breakneck pace, with the Doctor and Ann already well into an adventure, in fact we catch up with them as danger draws in and hope seems lost. The Perfect Prisoner could almost be a direct sequel to The Daleks' Master Plan. If you thought that The Syndicate Masterplan was cannon heavy, wait a while.

I’m probably going to disappoint you now Reader, I was never a plan of The Daleks' Masterplan. To me, it felt that the Daleks had already been heavily overused, and I found the plot just….dull. So it was with some trepidation that I started listening to this story, especially when I realised it was four episodes. I couldn’t have been more wrong.  All four parts positively romp along. The characters are all integrated perfectly, and there isn’t a lot of presumption that you know The Daleks Masterplan inside out. The twists come thick and fast, as do the clever sleight of hand that seems around every corner.

 

The Perfect Prisoners Part 2 – JOHN DORNEY

 

“Geronimoooooooo!!!”

Secrets have been revealed, and the Doctor and his friends at least know who they’re fighting.

An epic journey across space leads them to the true mastermind of The Syndicate conspiracy.

Alliances will shift. Friends will die. Can even the Doctor come out of this alive?

As we emerge surprisingly quickly from the last cliff-hanger and catch our breath from a very dramatic rescue, courtesy of K9, we barely get time to take stock of events before we are being whisked off to a climax that looks hopeless for the Doctor.

Throughout these two volumes, there have been double-crosses and twists galore, and this final episode delivers even more, alongside a rather splendid dose of sleight of hand, which I do not want to spoil.

John Dorney ties these volumes up perfectly, picking up all the loose threads, and tying them neatly together. I’ve really enjoyed the character of Ann, and I love the way that Big Finish, Jane Slavin, and the writers involved have treated her, and let the character evolve over these two volumes, all coming pretty much full circle here, and leaving the Doctor (literally) a very different character than when she joined him. Well done Big Finish.






Doctor Who - The Fourth Doctor - Series 8 Volume 1 - The Syndicate Master Plan Volume 1Bookmark and Share

Thursday, 7 February 2019 - Reviewed by Matt Tiley
Fourth Doctor - The Syndicate Masterplan: Volume 1 (Credit: Big Finish)

Written By: Andrew Smith, Phil Mulryne, Simon Barnard,
Paul Morris, Guy Adams. Directed By: Nicholas Briggs

Cast

Tom Baker (The Doctor), Jane Slavin (Ann Kelso), John Leeson (K9), Frank Skinner (DCI Scott Neilson), Glynis Barber (Kathy Blake), Ewan Bailey (Hugo Blake), Nicholas Khan (Jimmy Lynch), Leon Williams (Tony Reynolds), Fenella Woolgar (Vanessa Seaborne), Jeremy Clyde (Lord Braye), Lizzie Roper (Trencher), Andrew Ryan (Titus Wayland), Finty Williams (Ada Lovelace), Andrew Havill (Colonel Wildman), Eve Webster (Hettie / Lady Cleverley), Barnaby Edwards (Mr Hobhouse), Glen McCready (Edvard Scheutz / Lord Byron / Harry), John Shrapnel (Nigel Colloon), Anna Acton (Brox), Blake Ritson (Elmore), Roger May(Mac Foley), Tracy Wiles (Drones).
Other parts played by members of the cast.

Producer David Richardson 
Script Editor John Dorney 
Executive Producers Jason Haigh-Ellery and Nicholas Briggs

The Sinestran Kill by Andrew Smith

 

"Oh...I see...you're THAT Doctor..."

 

When the Doctor decides to trace an anomalous energy signature on twentieth century Earth, he stumbles into an assassination attempt.

Gangland thugs are trying to murder a seemingly innocent shopkeeper, and it’s only the intervention of the Doctor and Ann Kelso – a WPC who happens to be on the scene – that prevents a tragedy. 

But why do the gangsters want the shopkeeper dead? And what does this have to do with alien technology?

The first stages of a grand conspiracy are about to be revealed. And finding the answers will take Ann Kelso on a journey like no other.

 

This new box set could almost be described as Series 15A. We find the Doctor travelling alone after leaving Leela on Galifrey. K9 Mark II isn't (quite) unpacked yet, and we are introduced to a brand new companion, WPC Ann Kelso, played by Jane Slavin. An actress  who is no stranger to Big Finish.

This first story is set in 1970's London, and written by Andrew Smith. After penning the classic episode Full Circle, Smith joined the police, and it is here that this knowledge is utilised well, as the Met feature heavily in what is essentially a plot about an interstellar, shapeshifting hit mob trying to kill a witness who has taken refuge on Earth. The action ends up as a wonderfully staged siege in New Scotland Yard.

Amongst the guest cast are Frank Skinner (DCI Scott Nelson), who is wary of the Doctor as in a previous role, the character had links with UNIT, and Glynis Barber who plays a classic East End gangsters moll.

The Sinestran Kill is a very strong opener, which ably introduces Ann Kelso as a new companion. The Alien threat is believable, and seemingly quite unstoppable. The mash up between classic East End villains and a professional alien hit squad is genius.

Andrew Smith has crafted a rather brilliant story, that positively romps along. Jane Slavin is great as the new companion, but the stand out performance for me was Frank Skinner as the world-weary DCI, who is surprised by nothing that might have the Doctor involved.

 

Planet of the Drashigs by Phil Mulryne

 

"Welcome's to Drashig World."

 

When the TARDIS lands on an alien planet, the Doctor’s intentions to show Ann Kelso an advanced future society are thrown into disarray.  Because they have arrived on DrashigWorld - a park where every known species of the terrifying predators has been gathered together to entertain and thrill the public. The familiar wetland Drashigs, the albino burrowing Drashigs of the desert, and deadliest of all, the tiny Emerald Drashigs of the rain forests.

And it’s not the best day to have arrived. The park has been shut down due to a visitor fatality. A Galactic Attractions inspector is on site meaning everyone is extremely tense and under pressure.

It’s exactly the right circumstances in which someone might make a mistake. And on Drashigworld, mistakes are deadly.

 

Ah! The Drashigs! Those memorable chompers from 1973's Carnival of Monsters - who would have thought they would ever get a whole story dedicated to them? 

Having just assembled the new K9, The Doctor and Liz land on a strange, marshy world. They soon find a Drashig on their tails and manage to escape via teleport to safety, only to find that they are in a theme park full of Drashigs, and the natives are getting VERY restless.

Planet of the Drashigs does fall in on itself a little by trying to be a bit too clever with its own theme. It is obviously a take on Michael Crichton's  Jurassic Park (the Doctor even stumbles across a pile of goat bones). Different breeds of Drashigs are in various enclosures for the amusement of the paying public. Oh - and of course there is the Emerald Drashig (read Tyrannosaurus Rex) which is extra fierce and intelligent. When these escape and run riot across the compound all hell really does breaks loose. 

The story should be so by the numbers, but it really is quite enjoyable. I loved it that the new K9 needs an overnight charge before proper use (his batteries kept failing because he only had a partial charge). There are some great set pieces, especially the Aliens homage where our heroes are trapped in a ventilation tunnels, being hunted down by ferocious Emerald Drashigs, all the while with K9 acting as a motion sensor in the dark.

The story is written by Phil Mulryne, who is obviously having a whale of the time with the source material. Vocal talent includes Fenella Woolgar (Call the Midwife), Jeremy Clyde and Lizzie Roper.

 

The Enchantress of Numbers by Simon Barnard and Paul Morris

 

"We’ll just have to make-do with my unerring sense of direction!"

 

The TARDIS lands in the grounds of Newstead Abbey, Nottinghamshire, in 1850. Mistaken for a medic and his maid, the Doctor and Ann are brought to meet Ada Lovelace - the mother of computing and daughter of Lord Byron - who has recently fallen ill. 

But the travellers are not here by chance. Something odd is happening on Earth, and they’ve determined that this place is the centre of it. 

Strange figures are walking the land. Strange figures wearing bird-like masks. What do they want with Ada? And how will it change the future of humanity?

 

I felt that The Enchantress of Numbers was the weakest story of this volume. It tries very hard, but I just didn’t find the story that involving. The whole idea of Bryon’s ghost, tied in with Block Transfer Computation, Ada Lovelace and mysterious figures shrouded in fog should really have been a perfect recipe for a Who story from this era. It just didn’t grab me, and felt rather run of the mill. I also felt that because of Lovelace’s larger than life characterisation (played with gusto by Finty Williams), it left Slavin’s Ann Kelso somewhat out in the cold.

 

The False Guardian by Guy Adams

 

"Maybe I left the HADS on!?"

 

Ann Kelso doesn’t like mysteries. Keen to investigate the trail of the Sinestrans, she sets the TARDIS on a new course... but flies into danger.

Arriving on a desolate world that the Doctor finds somehow familiar, the TARDIS crew discover that something is wrong with time. The inhabitants of an unusual complex are experimenting at the command of their enigmatic director... somebody who has quite a strong grudge against the Doctor.

Facing an old foe who was presumed dead, the travellers are soon trapped in a diabolical scheme. But is it just the tip of the iceberg?

 

Varga plants, HADS, Mavic Chen, Zephon, Kemble - The False Guardian is heavily steeped in Doctor Who history, and may at first seem like quite a daunting listen - but don’t worry - it isn’t. Guy Adams has crafted a fine story, dropping a few red herrings along the way that might just lead the listener to believe the story is heading one way, before it takes a sudden left turn in another direction. The cliff hanger at the end of part one of this story is brilliant, and so simply wrapped up at the start of part two…..and then there is the cliff hanger at the end of part two….

The False Guardian is of course essentially a means to set up parts three and four (which are coming in the next box set folks!), but is still an enjoyable ride, with a very rich guest cast, and brilliant sound design. Voice actors include John Shrapnel and Anna Acton.

I will never tire of Tom Baker in this role, and here we delve into a rather interesting, and so far unexplored time in the show’s history, that opens up new possibilities for this Big Finish range. I’m rather looking forward to volume two!

Doctor Who - The Fourth Doctor - Series 8 Volume 1 - The Syndicate Master Plan Volume 1 is available from Big Finish HERE.






The War Master: Master of Callous (Big Finish)Bookmark and Share

Monday, 7 January 2019 - Reviewed by Ken Scheck
The War Master: The Master of Callous (Credit: Big Finish)

Written By: James Goss, Guy Adams

Directed By: Scott Handcock

Cast

Derek Jacobi (The Master), Silas Carson (The Ood), Maeve Bluebell Wells (Cassandra King), Samantha Béart (Martine King), Simon Ludders (Elliot King), Pippa Haywood (Teremon), David Menkin (Herschel), Barnaby Edwards (Jaques), Richard Earl (Sassanby), Kai Owen (Porrit), Joe Shire (Calia), Angela Bruce (Mother), Wilf Scolding (First Soldier) and Tom Forrister (Second Soldier). Other parts played by members of the cast.

Producer Scott Handcock

Script Editor Nicholas Briggs

Executive Producers Jason Haigh-Ellery and Nicholas Briggs

Derek Jacobi returns to the role of the Master for the second set of stories, this time it is four episodes that follow a single storyline, as opposed to the slightly more episodic nature of the first box set.  The story takes place on a colony planet called Callous, in which a small group of artists attempted and sort of failed to make a home. Their livelihood depends upon a mine, and the story revolves around this mine, its contents, the people who give everything to make the mine viable, the planetary governor who wants to take everything she can from the inhabitants, and the Master who has his own secret plans and machinations.  In short...it is an excellent story. I recommend this box set, there will likely be SPOILERS ahead, so reader beware.

The opening episode, Call for the Dead follows Elliot King, the frustrated would-be leader of Callous, whose long attempts to make the mine worthwhile have yielded very few positive results, and the Governor bleeds him dry whenever she gets the chance.  He has spent so much time trying to make the mine earn just enough money to keep up with his payments that he has basically lost his family...his wife and daughter moved off-world, and while his wife is very ill, his daughter misses him daily. Meanwhile, he is being stalked by an odd with a ringing telephone, and when he finally answers the call, the Master is on the line.  Without getting too deep into it, Elliot decides to take his own life not long after his chat with the Master, and whatever plans the Master has are clearly set into motion.  Elliot's daughter Cassie and her wife Martine come to Callous to take over where her father left off.  Only Cassie is more adept with the mine than her father ever was.  He was an artist trying to make a living digging in a mine, as she went to school specifically to learn how to mine properly.  But when she too runs into trouble...another Ood phone call comes her way, only this time the Master offers his help.

The set continues with The Glittering Prize, and this time the Master is posing as Mr. Orman, a kindly gentleman helping Cassie to get the mine working.  They strike a substance that could make them all rich...but if the Governor finds out they have it, she is sure to come and attempt to skim even more profits off their hard work.  The Master offers his help yet again, helping them plot to sneak the substance off the planet and hide it from the governor until they can safely make their money off of it.  But the substance has a psychic side effect, as it slowly can drive people mad or hallucinate, and it seems to drive the Ood workers completely out of sorts.

The Persistence of Dreams focuses solely on Martine as she tries to keep her sanity guarding the substance.  She is accompanied only by an Ood bt finds herself hallucinating about her late mother, Cassie, Mr Orman and more...never knowing what is real and being driven to the brink of sanity by the awful substance. When the Ood seems to go mad as well and attempt to kill her, she launches herself into space, and hopes that hope can reach her in time...but of course, the Master has other plans.

The set is closed out by Sins of the Father which sees the Governor arrive on Callous and demand the substance because someone tipped her off that they had found it.  She has captured and is torturing the Master daily for answers, but no mere Governor can really get anything out of the Master! Cassie has been cast out by most of the inhabitants of Callous, who blame her of much of their current woes, particularly the homicidal Governor who intends to kill them all for answers.  But the Governor didn't count on her prisoner actually being someone of influence.  She didn't count on his control of the Ood, or his ability to escape his chains...and the Master's plan finally comes into focus. He just needed the substance. Callous just happened to be his best route of getting the rare stuff, and he has beaten everyone before they even knew he was a threat.

The story concludes with the Master meeting a Time Lord to sell off the substance so the Time Lords can build a new weapon against the Daleks.  It seemed almost odd to me that the Master would do all this for such a petty thing as money and helping the Time Lord cause. Just seemed off...but then a smaller item was thrown in for his payment. The Chameleon Arch.  It nicely tied in with the very item he was using when we first met this Doctor on TV (and actually used at the end of the previous box set, putting this one ahead of that timeline wise), and makes all his efforts in this story seem perfectly worth it for his character.  It may have been a mild hassle putting all those pieces into place, but he got what he truly wanted out of it. An eventual escape from the Time War.

This is an excellent set, that somehow managed to top the first War Master set. And that was a tall order, as that first set was wonderful. I am already excited for more, as Big Finish have clearly been chomping at the bit for years to tell Time War tales, and they are reveling in it with every chance they get. Whether they focus on the War Doctor, the War Master, or just seeing the seeds of the war in the Eighth Doctor or Gallifrey sets. In all attempts, they have made some exciting stuff.






Doctor Who - Short Trips 8.10 - I Am The Master - Big FinishBookmark and Share

Sunday, 9 December 2018 - Reviewed by Matt Tiley
I Am The Master (Credit: Big Finish)

Producer Ian Atkins; Script Editor Ian Atkins
Executive Producers Jason Haigh-Ellery and Nicholas Briggs

Written By: Geoffrey Beevers; Directed By: Lisa Bowerman

Cast

Geoffrey Beevers (The Master)

"There is a message for you. It comes from a long way, from a dying world. No, not a dying world. A killed world. And the message is from the killer.

Please attend carefully. The message that follows is vital to your future...
 
However much longer that may be."
 
I am the Master is a story told by Geoffrey Beevers, in full character as the version of the Master that the fourth Doctor went head to head with in The Keeper Of Traken. The Master here is still the shrivelled, burnt cadaver that he was in that story, a character that Beevers seems to enjoy recreating with absolute relish.
 
We visit the Master whist he is in a very reflective mood, sharing his innermost secrets and desires. He discusses being a Master-chef (poisoned no end of people), and when he gave Master-classes in music (wonderful music....burnt people's ears off when they heard it).
 
The main crux of the story involves his triumph over the planet Glox, a very Earth like civilisation that the Master tears apart....essentially for fun. Nudging them over centuries, in slightly the wrong direction. The story is deliciously devilish, and a joy to hear Beevers smugly let the story unfold, using his smooth and sumptuous tones.
 
There are many a sly dig at not only the Doctor (past and future - well to this incarnation), and rather randomly David Attenborough (!), the story is darkly humorous throughout, but is also a morality tale that good and evil can actually be very similar....all really depending on which side of the fence you find yourself.
 
I am the Master is a solid and very enjoyable listen, that somewhat takes a sidestep from the usual format, and gives the listener a very interesting insight into one of the Doctor's greatest foes. The with a slightly longer runtime of forty-two minutes - this only benefitted the story.
 
You can download I Am The Master HERE from Big Finish for £2.99.

 






U.N.I.T Series 6- Cyber RealityBookmark and Share

Wednesday, 30 May 2018 - Reviewed by Callum McKelvie
UNIT: Cyber-Reality (Credit: Big Finish)

Big Finish Release (United Kingdom)
R
eleased  May 2018
Running Time: 5 hours

The sixth series of U.N.I.T, entitled ‘Cyber Reality’, sees a return to the format of one ‘blockbuster’ story across four one hour episodes as opposed to the previous series which featured single hour stories only loosely connected. Of course the big bad this time are the Cybermen, though the cover spoils another Who villain who makes his appearance in the final story. The regulars all reprise their roles, with Jemma Redgrave as Kate Stewart, Ingrid Oliver as Osgood, James Joyce as Josh Carter, Ramon Tikaram as Colonel Shindi and Warren Brown as Sam Bishop and the series picks up directly where the previous left of, with U.N.I.T on the hunt of the mysterious auctioneers…

Game Theory- Matt Fiton

‘Game Theory’ opens the series and sees U.N.I.T being put taught a lesson by the Auctioneers who seek to try and attempt to keep them out of their business once and for all. It’s a thrilling series opener, with Kate Stewart and Osgood being forced into a sick game that presents the Auctioneers as a palpable threat and a powerful foe. Meanwhile Warren Brown gets to take the spotlight after being conspicuously absent last series. His role here is an interesting one and although towards the end his segments do tend to get…repetitive, however intentionally so they do tend to drag. Unfortunately, the story is let down somewhat by a semi-obvious plot development but it’s at least interesting. A brilliant series opener and one of the highlights of the set.

Telepresence- Guy Adams

Picking up directly where the previous story left off, the U.N.I.T team are investigating some strange technology that sees’s Osgood, Shindi and Carter embarking, ‘virtually’ into a strange deserted desert-like world. It’s a deliciously creepy tale that is incredibly imaginative in its imagery, with strange metal worms bursting out of the ground and attempting to convert our heroes. There’s a genuine feeling of danger throughout, of something extremely malevolent and dangerous lurking (quite literally) beneath the surface. Of course, the listener knows who the secret rulers of this planet are, but that doesn’t make the build-up any the less effective and I kind of wish we could spend a little more time in this cyber-ruled post-apocalyptic nightmare. Another success for the sixth series of UNIT.

Code Silver- Guy Adams

Again following on directly, Code Silver sees an offshore UNIT base (which we’re told should be familiar to fans of The Sea Devils) invaded by a new breed of Cybermen. Guy Adams really works wonders with the Cybermen here, managing to do the impossible and bring something new to the table. He uses the idea of the Cybermen utilising modern technologies to its logical conclusion and we’re presented with a rip-roaring action fest that features Kate Stewart and Josh Carter trying to compete with a cyber-force that is constantly updating and bettering itself. A rip-roaring adventure.

Master of Worlds- Matt Fitton

Unfortunately, after three incredibly strong stories, what should be the explosive finale ends up being my least favourite. Now as a story, it’s not bad, not bad at all. As a season finale? It’s terrible. Why? A simple reason- the inclusion of the Master. Now I should say that in fact Derek Jacobi was actually my favourite thing in this story, if not the entire box set. This is my first experience of his version of the Master on Audio and he is incredible. Fitton also gives him some incredibly juicy moments but that’s just the problem. The Master is introduced only in this story and suddenly all the attention is on him. The result is that the other elements that have been built up throughout this series (and to an extent the last) are suddenly pushed aside. Indeed one particular element that felt should have been central to the plot had about two minutes and was dealt with in at least thirty seconds of those. It’s a shame really as the Master elements are the best part of this story but they result in a weak finale to the set. Big Finish really should have held off and had the Master as the villain for an entire series.

All in an all another amazing set of stories. Unfortunately, the last episode does let it down somewhat but it’s still an amazing set of audio dramas and whilst it may not work as a series finale, it still works as a brilliant showdown between UNIT and The Master.