Galaxy 4
Written By: William Emms
Starring William Hartnell, Maureen O'Brien, Peter Purves
Released November 2021 - BBC Studios

I was quite pleased when they announced an animation of Galaxy 4.  Not because I think it is a particularly good story (it is not), or that I even have some guilty pleasure love for it (I do not), but after a few years of animations focused primarily on the Second Doctor, it was nice to see the First doctor get a look in.  I can only hope that they are secretly working on "Marco Polo" and we can get the earliest missing story animated for the 60th Anniversary year.  

First, the story of Galaxy 4 I find to be rather average.  The Chumblies are really lame robots. While I like the idea of the more attractive aliens turning out to be alien, it has been done much better elsewhere (both in and out of Doctor Who). I also think for a four-parter there is a tremendous amount of filler in this story.  

But as for the animation?  I think it is pretty good.  It is certainly on par with the other recent Troughton animations.  Is it the greatest animation ever?  Certainly not, but with the budgets they can have they really do a really nice job of bringing these lost stories back to life, flaws and all.  For this review, the colour versions were made available.  I prefer black and white, as they originally aired...but then again I'd prefer the stories exist, so really none of that matters.  I do think, at least with past animations I have viewed, the color versions can be vibrant, but the black and white almost make me forgive the limited nature of the animations more.  Maybe that is just a quirk of my brain.  That said, I think having the animations in color is nice, as really having the stories revived with this much life is pretty amazing no matter what.  

In this story, we do have one original version currently existing, and I did watch that for some comparison, just out of curiosity.  At one point in this episode, The Doctor and Vicki must escape the Chumblies, and I actually think the animation is a lot clumsier with this.  In the original, they sneak behind a table to avoid detection, in the animation they just sort of walk past them and the Chumblies just seem to ignore them.  It makes it seem odd.  That said, they then run out of the building and a door comes down to lock Vicki in...and in the original that door looks cheap and wobbly as hell, and the animation makes it seem like a genuine barrier.  

In all, this is a fine addition to the animated line.  Is it perfect?  When compared to the existing episode it seems to fall short in some areas while excelling in others.  As a story I think Galaxy 4 is pretty lame and feels oddly padded for a 4-part adventure...but honestly, any Hartnell or Troughton given the animated treatment does please me, so I will take it.  

Order Galaxy 4 from Amazon

StarringTom Baker, Louise Jameson, John Leeson, Jane Slavin, Joe Sims, Nicholas Briggs, Jez Fielder, Anna Mitcham

Written by Nicholas Briggs

Directed by Nicholas Briggs

Released by Big Finish - April 2021

The Fourth Doctor and Leela land on Exxilon (the setting of the Third Doctor TV adventure “Death to the Daleks”) and end up stuck when a power-draining beacon, long dormant, is suddenly back. The Doctor also has his first encounter with a Space Security Service top agent, the android Mark Seven. But Mark Seven is not his usual self. 

Meanwhile, Anya Kingdom is also on the planet hoping to redeem herself in the Doctor’s eyes, but also not reveal herself to him because he has yet to meet her at all. And the Daleks are coming to take all the medicine mined on Exxilon because they also have the Space Plague! There is a lot going on!

There were some moving parts to this story I did feel like I was missing. I have not had a chance to listen to all the Fourth Doctor audios, and therefore the background between Anya Kingdom and the Doctor is not known to me.  But it does set up some elements of the upcoming Tenth Doctor series “Dalek Universe,” namely Mark Seven. I did enjoy it even when I was unsure who Anya was or what her relationship was to the Doctor. 

It may be more beneficial to have the Anya background known to you before going into this one, but it was still pretty good. 

Starring David Tennant, Jane Slavin, Joe Sims, Juliet Aubrey, Nicholas Briggs, Maria Teresa Creasey, Mark Gatiss, Chris Jarman, Kevin McNally, Gemma Whelan

Written by John Dorney & Andrew Smith

Directed by Ken Bentley

Released by Big Finish - April 2021

***THIS REVIEW MAY CONTAIN SPOILERS***

The pandemic has made so many ripples in our lives, and it has certainly affected the entertainment industry. But Big Finish may not be able to have everyone in their recording studios, but producing audio adventures just needs the actors to set up a microphone on their computer and maybe put some blankets over themselves to make the sound better. It also means that former Doctors who are also in demand actors (like Eccleston and Tennant) are suddenly more available for paid audio work. 

Tennant’s schedule opening up allowed Big Finish to plan and record big multi-boxset adventures for the Tenth Doctor. Tennant had obviously joined Big Finish before, but his busy schedule meant he could fit in a small 3-episode boxset with Billie Piper or Catherine Tate. At any rate, releases for the Tenth Doctor have been limited and sporadic. But now that Tennant is stuck at home and needs paying work? Big Finish is able to nab him for some big stuff. 

So here, in Buying Time, The Tenth Doctor is picked out of time, away from the TARDIS, and is somehow pulled back to before the Time War. He is quickly teamed with Anya Kingdom and Mark Seven, as they try to avoid getting eaten by invisible monsters, and try and figure out the mystery of some odd time-shifting business. This leads then to a businessman trying to sell time travel to anyone with enough money. And in the end, the Doctor gets fatally hurt…and begins to regenerate? You know it can’t be real because we all know what really happened, but maybe the timeline is completely messed up! At least it is fun. 

The story picks up just as we left off in The Wrong Woman, in which the Doctor regenerates into a new female form. Anya and Mark struggle to keep this new Doctor on track in investigating Sheldrake, the man selling time travel (who somehow has a TARDIS powering his business). The big reveal and I just need to again warn of Spoilers, is that this new Doctor is not really the Doctor at all, but a female incarnation of the Meddling Monk, who tied the Doctor up and pretended to be him, then faked a regeneration so she could look like herself. 

I don’t know if casting Mark Gattis as Sheldrake was a good move or not. As a villain using a TARDIS for a time destroying scheme, I kept expecting him to be the Master. But that wasn’t the case, and then the casting began to annoy me. 

The set comes to an end with The House of Kingdom, which has the trio looking for the inventor of the Space Security Service time machine, hoping it would give the Doctor a route back to his own time and TARDIS, but after a pirate attack, they flee in an escape pod and end up rescued by Merrick Kingdom, Anya’s estranged grandfather. This one focuses more on the interpersonal conflict between Anya and her grandfather, but also has Mechonoids and Varga Plants being used to create a sort of weapon which could maybe be used to take out Dalek helpers like Ogrons or Robomen. But as you expect things get sticky. After things get really haywire, Merrick sacrifices himself to save Anya, and the trio is once again heading off with at least more info into who they need to find. Will they make it? A cliffhanger means it will likely be difficult!

I really liked this set. I was concerned that it was just another big Dalek heavy boxset or story. We’ve barely wrapped up the Time Lord Victorious story, and we are already plunging the Tenth Doctor into another big-time shenanigan Dalek-filled adventure? But that isn’t the case, the Daleks barely feature at all. It is, as was stated in the Behind the Scenes, more of a tribute to the various worlds created by Terry Nation within the Doctor Who Universe…so really any story he wrote are getting a chance to shine, not just his most famous creation. And that really works. The set is exciting and fun, and I enjoy the dynamics of this new trio. I look forward to more. 

Starring David Tennant, Alex Kingston, Peter Davison, Colin Baker, Mina Anwar, Sam Benjamin, Timothy Bentinck, Joe Jameson, Barnaby Kay, Glen McCready, Anjli Mohindra, Joe Sims, Emma Swan

Written by James Goss, Lizzie Hopley, and Jonathan Morris

Directed by Nicholas Briggs

Released by Big Finish - November 2020

River Song made her debut on TV alongside David Tennant’s Tenth Doctor, but the two-parter in which he first meets her (but as we all know is not when she first met him) would be their only adventure together.  Tennant left the role not long after, and the bulk of her adventures under showrunner Steven Moffat would be with the Eleventh Doctor (and a single adventure with the Twelfth as well).  Of course, her whirlwind timey-wimey adventures with the Doctor have now extended beyond TV and even without the Doctor, as she leads her own series on Big Finish.  But the stars have finally aligned, and now we get a boxset exploring the Tenth Doctor and River together.  This is basically the early days of the two having any sort of adventures together.  She is very familiar with him, but he still has no idea who she is, or how he should feel about this alleged friend from his future. 

This dynamic is perfectly explored in the opening adventure Expiry Date, in which the Doctor is basically trying like hell to avoid getting sucked into any of River’s misadventures.  The bulk of this story is told via letters between the two, as she tries to coax him into some shady sound scheme, and he writes back continually declining.  Unfortunately, some of her letters end up mixed up, and her plan to get the Doctor to be more interested backfires when the Fifth Doctor ends up slightly obsessed with her.  This is a fun and light comedy to launch the set with, with both Kingston and Tennant chewing it up. They have few moments actually together here, but the idea that the Doctor is trying to avoid the friendship developing makes so much sense from his point of view.  Hell even the first time she appeared alongside the Eleventh Doctor he initially tried to avoid falling into her plans.  

The second story, Precious Annihilation, feels like the weak link of the set.  It isn’t a total waste of time, but I did find myself less interested in the overall story.  That said, Tennant and Kingston play well off each other, and I would happily listen to more adventures exploring this dynamic because even in this mediocre story, they are a fun pair together.  

The set closes out with Ghosts.  The Doctor is summoned by River to a planet full of ghosts, or are they just holograms...and there is a mist that is somehow killing everyone and turning them into ghosts.  Although I don’t want to get too deep into it, as to not spoil the fun, I rather enjoyed the concepts in this one.  I felt it built up nicely and had a satisfying end, with a lot of neat ideas scattered throughout.  

I must say this is a part of River’s story I have long wanted to explore just a little bit. It is very clear that while her Doctor is very much the Eleventh when she saw the Tenth Doctor she had clearly spent time with him.  Had Tennant stayed on for even a single year when Moffat took over and the River storyline could really unfold, we may have had a chance to see that.  But as it was, we only had that one adventure between the two, and only seeing her ending with the Tenth Doctor feels like we are missing a crucial part of the story, his earliest encounters with her, her final encounters with him, and knowing that when she is saying goodbye to him, she knew that face well.  I like getting a taste of it...here is hoping for more. 

Writer: David Llewellyn & Lisa McMullin

 

Director: Scott Handcock

 

Featuring: Derek Jacobi, Paul McGann, Seán Carlsen, George Fletcher, Sam Hallion, Sandra Huggett, Alex Jordan, Luyanda Unati Lewis-Nyawo, Colin McFarlane, Tanya Moodie, Henry Nott, Julia Sandiford, Amanda Shodeko

Big Finish Release (United Kingdom)

Released: October 2020

Running Time: 5 hours

I have found that when it comes to Big Finish, and maybe just anything Doctor Who related, the things I am looking forward to most are the next instalments for the Eighth Doctor and the War Master.  I have long enjoyed McGann’s interpretation of the Doctor...but the evil machinations of Derek Jacobi’s War Master have been really great to listen to.  Luckily, we get the two brought together again here in this latest War Master set. I can say I recommend the set, but if you want some more details I will have some SPOILERS AHEAD:

The set begins with the Master being tasked by the Celestial Intervention Agency with tracking down and capturing the Doctor, who is allegedly up to something the Time Lords are frowning upon.  In the opener The Edge of Redemption, the Master begins his search by putting together a ragtag team to get to a remote planet and find the Doctor, but in order for the pilot to take the Master there, they must steal back his ship.  This is essentially a simple heist story, but it is a great way to launch the story and introduce the new characters.  

The Master and his pilot are on the way to the Doctor but are boarded by Space Pirates.  The leader of the Pirates wants to kill the Master as he played a heavy role in her downfall.  This episode, titled The Scaramancer after the lead pirate, ends in a great big twist.  I had been thinking that usually in the War Master sets, he plays the good guy for a good chunk until it no longer serves his purpose, but even then you can usually tell he is scheming. I had this weird sense that he was seemingly being too good this time around and that maybe Big Finish was starting to make him seem too much like the Doctor, they were lacking that underlying sense of evil that usually comes with the character.  And then they drop the bombshell...he isn’t the Master at all...but the Doctor. 

The third episode, The Castle of Kurnos 5, goes back and explains how the Doctor ended up looking like the Master.  In essence, the Master is planning to get some sort of grand weapon created by a long-dead crazy Time Lord scientist, so the Master resurrects his mind on a planet where the Time Lord once set up shop, but the Doctor is on his tail trying to figure out what he is up to. But the Doctor snooping around was all a part of the Master’s plan.  He intended for the Doctor to find him, swap bodies with him, which while the Time Lords wouldn’t be fooled for long, would at least give the Master enough time to get away and make his way to the weapon.  

The set closes with The Cognition Shift which has the Doctor (in the Master’s body) finally catching up to the Master (in the Doctor’s body) and finding a way to put a stop to the Master’s evil plan...which is one of his bigger and more mad ideas.  The true joy of this finale is McGann having a go at playing the Master, while Jacobi gets a chance at the Doctor.  Both are always so good in their usual roles, it is no real surprise that they can also nail swapping them for an episode.  

Honestly, I don’t think a Big Finish series has been more consistently good than the War Master.  I love McGann as the Doctor but even I can admit that his sets and ongoing stories aren’t always top-notch.  I usually end up liking them for nothing more than his portrayal as the Doctor.  But the stories in the War Master sets have been so fantastic.  The evil of the Master showcases the horrors of the Time War far better than the Time War sets focused on the Doctor can.  Even the John Hurt sets had to keep the Doctor firmly in the role of hero, but having an utterly evil bastard at the heart of the Time War makes the stories far more engaging than any other foray Big Finish has had into that era of the Doctor Who lore. I can’t recommend this enough. 

Writer: James Goss, Geoffrey Beevers, Simon Guerrier, Trevor Baxendale

 

Director: Lisa Bowerman, Nicholas Briggs, Ken Bentley

 

Featuring: Geoffrey Beevers, Mark Gatiss, Michelle Gomez, Derek Jacobi, Eric Roberts, John Simm, Alex Macqueen, Milo Parker, Jon Culshaw

Big Finish Release (United Kingdom)

Released: January 2021

Running Time: 4 Hours (Standard Edition)

8 Hours (Limited Edition)

It has been 50 years since the Master made his first appearance in Terror of the Autons, and as such, the character is being celebrated by Big Finish in a big way. Almost every incarnation of the Master still alive comes together in the story “Masterful.”

Before we begin, can we just discuss how difficult it can be to discuss multiple versions of the Master? With the Doctor, we have definitive numbers, but the Master never really got that. This issue is only complicated by the multiple Masters from spin-off media where their placement in the timeline is not always clear. Sure there is the “War Master” and “Missy” but do we call Simm “Saxon”? I will likely just use the actor’s name to help clarify which incarnation is being discussed, with the War Master and Missy being possible exceptions.  

At any rate, this story involves the Simm Master bringing several of his past incarnations together, as he claims he has finally won and is the ruler of the universe. Missy shows up and is bent on exposing him to be just as big a failure as the rest of them, and scatters the Masters in time. But they all seem to land somewhere connected to the same planet and event.  

All of the Masters together is really what this is all about.  Almost all the TV Masters (up to Missy) are represented with Beevers, Simm, Jacobi, Gomez, and Roberts reprising their roles.  The Ainley Master is brought to life (sort of) by Jon Culshaw.  Delgado’s Master does not appear, as the Time Scoop meant for him has accidentally taken Jo Grant instead (well...he did PUSH her into it).  In addition to those incarnations, we also get two Big Finish originals: the Alex Macqueen Master who appeared alongside McGann a few years ago and the Mark Gatiss Master from an Alternate Universe (from the Unbound series from even longer ago).  Milo Parker also appears as the first incarnation of the Master, who is still a teen and hasn’t quite gone completely evil yet.  

Having all these Masters bounce off of each other is the real joy. I must say I find the meta-humour that comes with Missy doesn’t always work for me. Too often the joke seems to be “boy I sure am an evil mustache twirler, huh?” and it feels like it is always undercutting the character’s impact.  At least they tried to do something more with her in Series 10, but in general, this was her characterization.  Too self-aware for my tastes. I could’ve used more Simm in the story, as I think he is a great incarnation.  Give me a boxset with him battling Tennant or even a later incarnation!  For my money, the best story for any Master once they are separated is the Beevers version.  His tortured and decaying body, constantly in pain but somehow finding some form of possible happiness?  That is interesting stuff. 

As a standalone story celebrating the Master?  This is good stuff.  It showcases what a varied character he has been throughout his many portrayals over the years.  It is a shame that Delgado and Ainley are both gone, it would be so nice if they could be better represented...but having Katy Manning there is a nice way to nod to Delgado, and Culshaw’s impression is pretty dead on.  But I think this is a good story to celebrate 50 Years of Obeying the Master.  

If you are considering opting for the Limited Edition version of this story, you get three bonus stories - two previously released Short Trips, and a new three-part enhanced audiobook that takes place in the UNIT years and features the Delgado Master. 

The First Short Trip, titled I Am the Master and is written and read by Geoffrey Beevers, as he details a bit about himself and one of his many schemes. Beevers is really good in the role, and it makes me wish we got a bit more of him on TV.  I like Ainley and all...but Beevers could have been great with more time in the role.  The Second Short Trip, The Switching is about the Delgado Master, still imprisoned by UNIT after the Daemons, managing to perform a body swap with the Doctor, hoping to escape Earth and leave the Doctor trapped in a prison cell to pay for the Master’s crimes.  It’s a fun little story. The boxset comes to an end with the three-part Terror of the Master read by Jon Culshaw.  It’s a solid adventure that feels very much in tone with the era in which the Master originated.  I could easily picture this story as a TV story in that era.  And as a tribute to Delgado and the era that invented the Master...I think it is fitting.  

This is a big boxset with a lot of content to enjoy.  If you enjoy the Master, Big Finish has given the character quite the tribute.  I think if you are curious which version to get, I would say most fans would get plenty out of the standard edition version.  The Masterful story is more than enough to satisfy the craving for a Master tribute.  Terror of the Master is enjoyable enough, but if you want a fitting tribute to the original Master?  It may honestly be just as well to just watch a classic serial featuring Delgado.  His debut season is soon to be released on blu-ray, pick that up instead.  The two Short Trips are both older releases and you can pick them both up now for about $5.  But I do recommend fans of the Master give Masterful a shot...it is a nice way to celebrate the Master’s big milestone.