Written by Terrance Dicks
Read By Carole Ann Ford

Released by BBC Audio - May 2017
Available from Amazon UK

Planet of Giants is kind of a lesser story in the long Doctor Who canon and it's Target Novelization, as well as this subsequent audiobook, are really no exceptions. While the shrunk TARDIS crew being terrorized by big bugs and giant cats or getting stuck inside matchbooks is at least visually fun, the story itself has always been somewhat forgettable for me. Before I began listening, I tried to think of anything I could actually remember of the story, beyond the visuals of The Doctor and company being the size of ants.  Nothing came to mind. I remembered there was some kind of plot involving the regular sized humans, but what they were up to I couldn't recall. Listening to the book I realized why, it just isn't that compelling a story. 

An accident in the TARDIS causes the doors to fling open before they've materialized, and to compensate for the pressure, the TARDIS shrinks, including it's passengers. The plot they must foil involves some scientists and an evil business man, who have developed an insecticide so powerful it destroys all bugs and creatures it touches, even humans if given enough dosage.  Of course being so tiny, Barbara's brief touch with it overwhelms her immune system, and if they don't get to normal size soon, she may die...and they have to somehow stop the businessman too, all while being no more than an inch tall. 

I think that there is potential in the story, but it just never really works. It probably never worked, as the original television serial was initially four parts, but they cut it down to three in editing. They probably saw a clunker and decided to shrink the effects of that. That pun is intended and I make no apologies. But that is at least an interesting thing about the novelization (and audiobook), as many scenes that were cut from the final televised version (and lost to time like so many 60s episodes) are adapted into the novel by Terrance Dicks.  So at least from a historical standpoint, there is something that was lost recaptured here. 

Not that what is restored makes this any more interesting. As an audiobook, Carole Ann Ford does a decent job reading it, though she doesn't have a wide range of voices to pull from, so it isn't as varied as some of the best audiobooks (in this range or otherwise).  The subtle sound effects and occasional bits of music help here and there, but again, it is a story that relied mostly on the visual gags of our heroes being tiny, that is completely lost in the audio version (or even, I'm sure, the prose version), so losing the most worthwhile gag of the story hurts the enjoyment factor a lot. 

Not a great story, not the most exciting narration by Ford, but at roughly two and a half hours (unabridged!), it at least doesn't waste too much of your time. 

Written by Scott Gray

Artwork by Michael Collins, David A. Roach, & Adrian Salmon

Paperback: 180 pages

Publisher: Panini UK LTD

The Eleventh Doctor's tenure in Doctor Who Magazine comes to a close in fine fashion, in The Blood of Azrael. Joining him in his final set of adventures is Clara, and together they meet Famous British Pilot Amy Johnson, battle Animated Characters in an evil Amusement park, take on a mental parasite, lose the TARDIS and save Cornucopia from an ancient Artist who kills for his art.

In the opening story featuring Amy Johnson, the Doctor and Clara take on an evil bug that uses telekinetic powers to make Sand Monsters, which is fun. They even save Johnson from her eventual young death at sea by saving her and placing her on Cornucopia (and not changing history because her body was never found). They then travel to Tickle Town, an Amusement Park where the walls are closed off and the visitors can never leave...and they are kept in line by Holograms of the Animated Characters the park is themed around. In a strip that was published in the 50th Anniversary Issue, they take on a mental parasite that makes the Doctor believe he is a boring bureaucrat afraid to change the rules, using a mental parasite as a good excuse to make a bunch of references to old friends and foes for the Anniversary.

The Doctor and Clara then end up in a corrupt auction world, where in order to save Clara from being auctioned off herself, the Doctor puts the TARDIS on the auction block, hoping to disrupt the systems of the Auction Planet.  It does the trick, but while Clara is saved, the TARDIS is lost.

This final story ties into some previous arcs as well, the Lake family and their Project Wonderland from Hunters of the Burning Stone are heavily featured in the final story, and the concept of the Necrotist (the artists that kill for their art) were first introduced in the Eighth Doctor era, and made a brief return in the Eleventh Doctor's "Sticks & Stones" (which can be found in The Chains of Olympus). The final story is nice because it doesn't involve having to save Earth, but save Cornucopia and a wide variety of aliens from a Human...which makes a nice twist on the usual. 

It's another great set of stories from writer Scott Gray and gives the Eleventh Doctor a nice exit from his pretty solid tenure in the strip (a tenure that was, in some ways, generally more consistent than his own TV run).  The best part is that instead of breaking things up again, the whole arc is nicely packaged in this one volume.  The Eleventh Doctor's time on the strip was an improvement over both the Ninth and Tenth Doctor strips, as they continued the trend of quality storytelling and solid arcs that returned to the strip during the Tenth Doctor's final year in the strip. 

N-FX Game Design Studio
Warlord Games
Released January 2018

For many fans of the classic “Doctor Who” Television Series, there isn’t a more iconic image than that of the Cybermen stirring from their lengthy hibernation in the first story of Season Five, “Tomb Of The Cybermen”. Carefully choreographed, with a hauntingly eerie music track and terrific sound effects, the sequence has been burnt into the memory of many a Patrick Troughton devotee since it was first broadcast way back in September 1967.

Now, for those wargamers who have long sought both the vault and its striking Cyber-head insignia as an appropriate backdrop for their Cybermen models “N-FX Game Design Studio” have released their excellent-looking “Doctor Who Cybermen Display Stand” as part of the “Doctor Who: Into The Time Vortex” miniatures range by “Warlord Games”.

Standing 170mm in height and made of MDF, this rack additionally comes already painted in a bright metallic silver, and despite its several pieces requiring some assembly, the parts fit together so snugly, that arguably no glue seems to be required whatsoever. Indeed, the joints are so tight that I'd actually recommend you don't try to simply push them together using brute strength, but rather cover the separate pieces with a piece of cardboard or some such, and then gently tap them into place with a small modeling hammer.

This process really does transform the platform into an extremely stable plinth for your Mondasians, and even though the stand is being advertised by the Nottingham-based company as "comfortably" accommodating nine figures, with three abreast on each row, I'd argue it can easily handle twelve of the silver giants if they’ve been mounted on just 25mm circular bases.

Ordinarily, I’d leave a review concerning a simple display stand there, but in this case the detail etched within the frame by “N-FX Game Design Studio” is so good that I’d recommend purchasing a few of them for use as Cyber-platforms within a Cyber-base. One could certainly bring out both the Cyber-head emblem at the rack's top, as well as all the grating and buttons carved into its sides, with just a straightforward black/brown wash (perhaps suggesting age) and subsequent silver dry-brush.

Considering that "Warlord Games" are imminently about to release both an actual “Tomb Of The Cybermen” scenic set (also designed/produced by the excellent "N-FX Game Design Studio") and an accompanying set of metal miniatures tied into the classic story, I think a bank of these platforms down one end of the tabletop or perhaps positioned in each corner, would look awesome and add some additional height to any Telosian battlefield...

Writer: Matt Fitton, John Dorney
Director: Ken Bentley
Featuring: 
Paul McGann, Rakhee Thakrar, Jacqueline Pearce, Nicholas Briggs

Big Finish
Released: Tuesday 31st October 2017
Running Time: 5 hours

Paul McGann’s Eighth Doctor has enjoyed something of a resurgence in recent years, most notably, in audio, via the Dark Eyes and Doom Coalition sagas.  Now, however, we journey back into a period of The Doctor’s canon that is largely undocumented compared to his classic incarnations, namely the war between the Daleks and the Time Lords, more commonly known as the Time War.

1.1: The Starship of Theseus

The eerie opening of this first episode evokes a time when Doctor Who, as a show, was less about the complicated story arcs and more about cybermen with silver foil suits.  However, with cinematic ideals close at hand, we join a commander of a squad of Time Lords on a mission that, at this point, still leaves us in the dark.  After an opening theme with sweeping orchestral tones, we are then hit by the comic relief of ending up in an unexpected scenario.  Specifically, in a broom cupboard with The Doctor and an unfamiliar individual who is, ostensibly, his companion.

As per usual though, the unfamiliarity with characters is quickly surpassed by the potential for comedy, curiosity and confusion, even if things seem to remain unclear for a while.  Eventually, however, the confusing and seemingly tenuously linked threads do converge and not really in the way you would necessarily expect.  Not wishing to spoil anything, the opening story of this box set, whilst it starts off rather mundanely in comparison to some, has a conclusion that is worth waiting for.

1.2: Echoes of War

This episode starts out with a rather comedic opening that, like the story preceding it, seems to share vague similarities with The Sirens of Time.  It also serves to make sure that the Daleks are in the foreground, as they rightly should be given the subject matter.  The jungle world that The Doctor and those traveling with him land on is nowhere near as peaceful as they might like.  Various elements of adumbration direct Whovians familiar with Dalek history to a particular train of thought that is unfortunately not explored further or quelled in any way.

Rather than an action-packed chase through the undergrowth, this is an interesting exploration of the impact of the Time War on those not directly on the front line.  Briggs’ delivery of the Dalek lines is almost certainly the highlight of the episode, with the insight into the psyche of The Doctor’s greatest enemy being interspersed with moments of reflection on just how volatile that foe can be.  We also gain a partial insight into the Time Lords determination to eliminate any opposition, regardless of the end result.

1.3: The Conscript

Instead of being a standard Doctor and an enemy story, this continuation introduces us directly to the Gallifreyan army and their training regimen.  References to some of The Doctor’s television appearances are very much appreciated, with confident scriptwriting and delivery showing a great difference between those fighting the Time War and those caught up in the chaos.  Whilst plot-wise, strictly speaking, very little actually happens, we as the audience get to see new sides to The Doctor and the Time Lords as a whole.  Regardless of opinions on the actual plot of this episode, the resultant cliff-hanger is worth the wait.

1.4: One Life

A so far linear story now takes a turn into the confusing, with the concept of a Time Lord weapon and it’s ramifications on the timeline.  Interspersed with flashbacks of two characters new to the Whoniverse, this final episode is very much the interesting denouement that is expected, even from a first box set in a series.

A well-formulated script, with several interesting twists and turns, combined with a cast who deliver their lines with a flare to bring this story to fruition.  This installment, if nothing else, shows promise for the rest of the exploration of The Eighth Doctor’s adventures during the Time War.

Written by Terrance Dicks
Read By Louise Jameson

Released by BBC Worldwide - February 2018
Available from Amazon UK

Louise Jameson, who portrayed Leela alongside the Fourth Doctor in the 70s, reads Terrence Dicks' Target Novelization of one of her earliest episodes, and it's another solid unabridged audiobook of this classic line of novels.  As I stated in my review of The Ambassadors of Death, my familiarty with the Target line is somewhat limited.  I only really knew that they existed and that in the years prior to home video, a lot of fans were more familiar with the books than they were the original TV episodes. But from what I've gathered just listening to these two audiobooks, this really was a wonderful line of books, faithfully adapting their TV counterparts, while still feeling fresh. I've seen The Robots of Death a couple of times, I know the story, and yet this audiobook still felt fresh.  There are scenes I remember quite clearly, like the early TARDIS scene with the yo-yo and the Doctor giving his enigmatic explanation of how the TARDIS can be bigger on the inside...but Jameson's reading of it felt like I was getting it new again.

One thing I am enjoying is that these audiobooks, while unabridged, aren't terribly long.  This one was only about three hours or so long.  I listened to it in an afternoon while cleaning up around the house. A real long novel unabridge on audio can be up to 11 hours long, but these little adaptations of the show weren't terribly long books, but they weren't dumbed down either. Dicks does a great job taking the televised version, and turning it into a book that is both short and sweet, yet not compromising what the television version was all about. 

Jameson does a solid job reading this as well, and the occassional bit of music or sound effects help make the action soar. I don't know if I'd ever have time to sit and actually read every Target Novelization, but getting to sample them via the audiobook is not a bad route to take.  If you are curious about these old books, find a story you like that has been released in this format by BBC Worldwide so far, and give them a listen.  This was always a good story, and at three hours your time commitment is minimal. 

Writer: Matt Fitton, Scott Handcock, Tim Foley, David Llewellyn
Director: Scott Handcock
Featuring
Louise Jameson, Lalla Ward, Sophie Aldred, Seán Carlsen, Miles Richardson, Sir Derek Jacobi CBE, Nicholas Briggs

Big Finish
 Released on: Wednesday 28th February 2018
Running Time: 5 hours

Just how did the Time Lords get into such a major conflict with the Daleks?  Big Finish's latest entry into their Time War saga attempts to answer just that via their long-running series Gallifrey, which has long focused on the adventures of Romana and Leela on the Time Lord homeworld, often in Political and Spy thrillers. It will be difficult to write this review without Spoilers, so reader beware, while I will try my best to limit them, but this review may feature an element of SPOILERS AHEAD! (Skip to Final Paragraph for my recommendation)

Celesital Intervention, the opening episode revolves around Romana (now heading up the Celestial Intervention Agency) and her increasing worry about the War Council and it's Secret Operations.  She and her CIA cohort Narvin recruit Leela to at first spy on the War Council, and then desperately recruit her again to travel into the Death Zone to see what the War Council may be cooking up there.  Meanwhile, a fellow time traveling race, and Time Lord ally, have had their planet destroyed by the Daleks, and the remaining 500 refugees from the Planet come to Gallifrey seeking asylum.  While the War Council initially opposes letting Refugees onto their homeworld, and thus open them up to more risk, political games are played and the poor souls are allowed in...but at a price that Romana fears may be too high, as it gives the War Council even more power and free reign.  In the end, the President Livia (the new TIme Lord President), declares War upon the Daleks...the Time War officially begins, and we find out that some of the creepy stuff the War Council is up to will have some long-lasting repercussions. 

This opening episode begins the set off with a bang, and Lalla Ward's increasingly desperate and frantic performance sells it.  You can just feel the stress and worry of what is happening to her and her world pushing down on her, and making her worry were they will end up when it is all said and done (and as we all know, it is nowhere pleasant).  While the whole cast is great, Ward's frustrated Romana makes this political thriller all the more entertaining. 

The box set continues with Soldier Obscura, and sees Ace and Braxiatel on a mission into The Obscura, a strange deadly region in Time and Space, which may hold a secret weapon within it. Ace is working for the CIA, having been left on Gallifrey by the Doctor at some point (at what exact point in Ace's mildly confusing spin-off material life this takes place, I've no real idea, but it doesn't really matter to the story), and she and Braxiatel head off into this dangerous area of space and meet Danna, a Time Lord mentor of Braxiatel who was once one of the best marksmen ever known, but has been living for years alone posted in the Obscura.  The Daleks have been trying to break into this region of space for a while, occasionally transforming themselves by adding wings and other mutations hoping to get in and get a weapon that could win the Time War.  But can Ace trust Braxiatel? 

While I found the second entry to contain good performances and some interesting Time War ideas, I think it just didn't work for me in the same way the opening episode did. That's not to say it is bad (fr from it), but it wasn't as great as I felt the opening was.  The reveals of what the Weapon was or might have been felt underwhelming, and the fake-out death of Ace is too predictable...you kind of know they won't kill her off (though really, why not?), and then after the theme music is played it is revealed that Braxiatel has wiped her memory and abandoned her on some random planet. I think this episode had some interesting concepts and good performances, but I wasn't as engaged with Ace or Braxiatel in the way I was with Ward or the supporting cast in the opener. 

With the Braxiatel/Ace plan not panning out and knowing that the Doctor has sworn off helping the Time Lords in this War, Romana decides to enlist the help of the other major Time Lord Renegade: the Master.  In The Devil You Know, they recall the Master to Gallifrey (the call he received in the middle of the War Master boxset), and he is tasked with retrieving a man called Finnian Valentine, who supposedly has knowledge of a weapon that is so powerful it could deter the Daleks and maybe even end the war.  Of course, things are never so simple, particularly in a war waging havoc upon Time and Space.  To keep the Master in check, Leela is assigned to go with him, and when they arrive on Valentine's alleged whereabouts, they find not one, but two versions of him.  One whose race was wiped out by the Time Lords, and another whose race only survived through the help of the Time Lords keeping the Daleks at bay.  Both are a little uneasy about helping The Master and Leela however.  And when the interrogations begin to go nowhere, The Master's more ruthless techniques must take hold, at a cost higher than anyone would like.  Major Spoilers here - learning that what they are after is not a weapon but a planet with a major power source, the Master disposes of Leela and sends her out into the Vortex in the midst of the Time War, hoping to leave her fate forever ambiguous to the Doctor...of course her fate was explored in the final War Doctor set, in which we had seen her in a far more fragile and lost state.  The Master then heads off to Arcking where the alleged power source is held, that story picks back up in The Good Master, the third story in the War Master boxset. 

The Devil You Know is excellent.  Derek Jacobi once again gets the chance to relish in the role he only os briefly got to play on television, and this episode is not another great showcase of just how great he is, it also fills in the gap of his own War Master set.  Louise Jameson is also quite good in this, as is Bryan Dick as the two Valentines, playing two slightly different versions of the same person quite well.  Just great performances, a great story, and another exciting audio performance from the great Derek Jacobi. 

The set concludes with Desperate Measures, which focuses on a new election for the President of the High Council. This section of the review has definite SPOILERS.  Livia no longers wishes to be a War President and looks for a way to get out with her dignity intact.  When her appointed successor is a General that is clearly being propped up by the War Council, Romana decides that she will challenge him and run to retake the office (offering to give her life for the seat, because she can only be elected President for another term if she has regenerated into a new body.  But when her secret attempts at trying to negotiate with the Daleks become public, it pretty much ends her chances.  Meanwhile, Narvin heads into the Death Zone to try and destroy the Resurrection machine which plans to bring dead Time Lords back from death in order to fight in the War...but the agent that is meant to be helping him betrays him.  And so during the new President's installation as Leader of the High Council, Livia, and the War Council's real plan comes to light. The General's familial ties to Rassilon are used for one purpose...to utilize the MAtrix and the Resurrection machine, along with a living descendant of Rassilon, to resurrect the famed former leader of the Time Lords.

This finale is excellent.  Ward is great, and the entire plot to bring Rassilon back from the dead is a lovely way to give us a cliffhanger for more.  When it comes to political games, espionage, and deep cuts into canon, this set really can't be beaten.

This was an excellent set, and I am genuinely looking forward to the next entry in this saga. Big Finish has really outdone themselves with their Time War entries...from the War Doctor sets starring John Hurt, to the War Master boxset, and now with the ongoing Eighth Doctor and Gallifrey: Time War sets...they are really exploring this untapped era of Who-lore with nothing but top-notch storytelling, almost as if for years when they didn't have the New Series license, they were just thinking it over and over for a decade.  They've been waiting for this, and they aren't wasting their chance. If I have a real criticism, it is that despite their best attempts to make this set easier to dive into for new fans, it really is better listened to with some background into other stories. You don't really need to listen to all of the Gallifrey audio series (I've only heard the first series from over a decade ago, which has little to do with this beyond introducing some key characters)...but listening to some War Doctor stories or the War Master set will definitely help in getting the big picture here.  I would say if you wanted to jump into some of Big Finish's Time War stuff, don't start here, but definitely GET HERE.  It's all well worth a listen, and they are killing it on the Time War stuff.