Written by Chris Chapman, Paul Magrs, Eddie Robson,
and Ian Potter

Directed by Helen Goldwyn

Cast: Peter Davison (The Doctor), Mark Strickson (Turlough),Suzann McLean(Max/Autumn Voice), Ian Brooker (Archivist/Computer/Elder), Sarah Sweeney (Diamon/Lara) Mandi Symonds(Alitha/Inspector Jill Sveinsbottir) Duncan Wisbey (Grayling Frimlish/Shiri/Zounds),Kae Alexander (Waywalker)

Big Finish Productions – Released October 2016

This year’s anthology release of four single-episode stories featuresPeter Davison and Mark Strickson on great form as the Fifth Doctor and Turlough in a collection which following in a now annual tradition does not disappoint. Largely due, one assumes, to Strickson’s limited availability and the decision to use Turlough in a long-running arc which also involved Tegan and Nyssa and only concluded in March 2015 with TheEntropyPlague, this is the only the fourth release in the Big Finish main range to feature this particular pairing and the first in over a decade since 2005’s Singularity. The continuity gap in the between Tegan’s departure in Resurrection of the Daleks and Turlough’s exit in the following televised adventure Planet of Fire remains ripe for exploitation making this team an excellent choice for this anthology. It is also a joy for those who listen to the behind the scenes tracks, to discover that the director for this collection is long-time Big Finish regular Helen Goldwyn, best known as an actress whose numerous credits included series regular Elena in the much-missed audio series of The Tomorrow People.

The Memory Bank by Chris Chapman plays with the concept of lost memory and why memories are important, a theme which loosely recurs throughout this anthology. This is a strong start to the set with good supporting performances from Suzann McLean as Max and Ian Brooker as both the Archivist and Archive computer voice.

The Last Fairy Tale has a typical feel of a Paul Magrs story which sees the Doctor and Turlough arrive in a medieval European town awaiting a storyteller for whom, naturally, the Doctor is quickly mistaken. This enjoyable tale clearly evokes the importance of storytelling as a way of preserving memory and again is well-supported, especially byDuncan Wisbey as Frimlish.

Repeat Offender by Eddie Robson is the highlight of the set with a cleverly evoked futuristic setting of 22nd Century Reykjavik which feels as if it’s not as far away from our own world as we might like with its erosion of civil liberties. There are some neat twists which will keep the listener guessing and some strong central performances by Mandi Symonds as Inspector Jill Sveinsbottir and (for some reason uncredited except by mention in the extras tracks) Sarah Sweeney as Lara. It is also good to be reminded that Turlough has an occasional darker side which Strickson really plays up to.

The Becoming by Ian Potter is for the most part a three-hander in which the Doctor and Turlough encounter the enigmatic Waywalker, played in an excellent debut performance by Kae Alexander. The theme at the heart of this story is the rivalry between the preservation of traditions against the necessity to adapt and survive with Turlough’s interaction with Waywalker proving to be an unexpected catalyst for change.

Overall, this is a strong collection of very different stories yet with similar themes relating to the importance of memory. Unlike previous anthologies such as You are the Doctor and Other Stories where there was a clear arc running through, there is no direct link between these four tales, however the conclusion of the final episode still provides a satisfying feeling of the circle having been squared. Once again, this collection proves to be one of the best releases of the year so far and on this form it is to be expected that the annual anthology release will remain a regular feature of Big Finish’s Doctor Who main range for many years to come.

TheMemoryBank is available now directly from Big Finish and on general release from 30th November 2016.

Written by John Dorney, Jamie Anderson, Christopher Cooper, and Matthew Elliott

Directed by Ken Bentley

Sylvester McCoy (The Doctor), Sophie Aldred (Ace), Jon Culshaw (Keith/Guard/Chafal), Kim Wall (Chimbly), Nadine Marshall (Katrice/Kordel), Amrita Acharia (The Resurrectionist/Clerk), Juliet Cowan (Bryer/Adriana Beauvais), Oliver Dimsdale (Morecombe/Mervyn Garvey), George Potts (Ruben/Guard), Vinette Robinson (Cynthia Quince)

Big Finish Productions - Released December 2015

Big Finish’s final main range release for 2015 is an anthology release of four separate single episode stories with a linking thread. These anthology releases have become something of an annual tradition with a reputation for being one of the highlights of the Big Finish calendar so this release has a lot to live up to. In this instance, we join the Seventh Doctor and Ace in the aftermath of the departure of Hex in 2014’s SignsandWonders. Ace is attempting to learn how to pilot the TARDIS but try as she might she can’t seem to get the old girl to take her and the Doctor to Australia. Her failed attempts are a linking theme between the stories and the suggested explanation cues up the events of the Doctor and Ace’s next appearance in ALifeofCrime, released in June 2016.

You Are The Doctor by John Dorney is a rather uniquely audio take on the classic Choose your own adventure format with choices to be made at the end of each track as to what decision the Doctor and Ace should take. If you think this reviewer enjoyed this unusual format then continue reading onto the next paragraph. If you think that this reviewer enjoyed the characters rather than the story itself then skip to the third paragraph.

You chose the second paragraph, unfortunately for you this reviewer found that after the first couple of times of listening to two different variations of the same scene, the first of which invariably resulted in one of both of our regulars being killed the format was rather grating. The only consolation being that there was a reasonable explanation provided for the alternate versions of events at the story’s conclusion. You chose unwisely, go back to the beginning and start again.

Congratulations, you correctly guessed that this reviewer’s favourite part of the story was the characters especially the Porcians played by Kim Wall, reprising his role of Chimbly from 2012 release TheFourthWall, this time joined by the excellent Jon Culshaw in the first of several roles in this anthology as Chimbly’s wife Keith. You have chosen wisely and may continue to the second story.

Come Die With Me by Jamie Anderson finds the Doctor and Ace in a much more typical scenario of strange goings in a spooky old house where they have somehow been brought at the behest of the mysterious (and strangely uncredited) Mr Norris to solve an apparently unsolvable murder mystery. This neat little story, which is Anderson’s first sojourn into the world of Doctor Who is clearly a paean to Ghost Light although perhaps it belongs in the true crime section.

The Grand Betelgeuse Hotel by Christopher Cooper opens with Ace on trial for a murder which, naturally, she didn’t commit facing a sinister Judge (Jon Culshaw, this time showing his darker side). The gravity of the situation is made clear through the tolling of an ominous sounding bell which on its own gave this reviewer shivers. Through flashbacks we learn that what led to Ace’s current predicament and how it seems that the Doctor (aka “the Approaching Inclement Weather System”) is up to his usual manipulative tricks during an investigation into strange goings on in the eponymous Betelgeuse hotel.

Dead to the World by Matthew Elliott concludes this set of stories with a straightforward tale with a few comic twists which finds the Doctor and Ace on board a tourist ship which has fallen foul of a plague sent by intergalactic estate agents with an unhealthy interest in planet Earth. Viewers of The Sarah Jane Adventures will no doubt recognise the star turn in this story from Juliet Cowan as the unsympathetic ship’s Captain Adriana Beauvais. The Doctor is able to offer a whole new meaning to the term hard bargaining.

Overall, this is a very enjoyable quartet of single episode adventures with the final reveal of the clues linking all four stories being particularly enjoyable. Sylvester McCoy and Sophie Aldred are on great form and it is a relief to hear them both having fun rather than dwelling overly on the angst-ridden events of previous releases. Based on this release, the annual anthology continues to be a highlight and it to be hoped that the latest 2016 release TheMemoryBank will also live up to expectations.

You Are The Doctor and Other Stories is available to buy now from amazon.co.uk

Written by John Dorney and Dan Starkey

Directed by Ken Bentley

  Cast: Sylvester McCoy (The Doctor), Bonnie Langford (Melanie Bush), Daniel O'Meara (Ketch), Jon Edgley Bond (Anvil Jackson/Technician Gyte), Andree Bernard (Tethneka/Carter/Thing #1 and #2), Dan Starkey (Field-Major Kayste/Skegg/Stodd), John Banks (Adjutant Commander Klath/Stettimer), John Dorney (Glarr).

Big Finish Productions – Released September 2015

.

Having recently enjoyed the reunion of the Seventh Doctor and Mel in the most recently released trilogy of stories which concluded with last month’s Maker of Demons, now seems an apt time to review this concluding story to last year’s trilogy of adventures set during season 24 which also featured Sylvester McCoy andBonnie Langford, both clearly enjoying being reunited for the first time in a number of years.

Rather intriguingly, Big Finish regular John Dorney has teamed up with actor Dan Starkey, who is best known for portraying the new series iteration of the Sontarans, to produce this rather curious tale about the nature of fear. Big Finish are to be applauded for giving Starkey the chance to write for the Sontarans and he and several of the other cast members certainly seem to enjoy bringing them to life but the overall story itself is perhaps not the most original that this reviewer has ever heard.

The story itself finds the Doctor and Mel arrive at seemingly abandoned mining station on a planet with an inhospitable atmosphere. So far so traditional sci-fi. In due course they find a rather motley group of survivors – Ketch and Jackson are the sort of double-act that initially may remind listeners of typically roguish space farers of the classic series. They are both well portrayed by Daniel O’Meara and Jon Edgley Bond respectively. Anvil Jackson in particular is larger than life character who provides most of the comic relief but proves to have a key role in later proceedings. They are joined in their captivity by the quasi-religious Tethneka (one of several roles played by Andree Bernard).

It transpires that the three surviving crew members have been the subject of experiments by the Sontarans, who have also been attacked by an unknown force and unusually have reported being afraid. Of course, some more Sontarans, angry at the disgrace of such a report being made soon arrive and seek to get to the bottom of events.

The Doctor and Mel spend a large amount of the story separated which gives Mel the chance to learn more about the crew whilst the Doctor seeks to get the heart of what has really caused the terror of the Sontarans. The story’s conclusion is reasonably enjoyable if not hugely surprising.

Overall, this is not the most memorable of entries in the Big Finish main range but it is still a solidly plotted enjoyable story with a good cast of characters. 

TerroroftheSontarans is available to buy now from amazon.co.uk

Written By:Philip Hinchcliffe, adapted by Marc Platt 

Director:Ken Bentley

Cast          

Tom Baker (The Doctor), Louise Jameson (Leela), 

Jon Culshaw (DeRosa Janz), Hannah Genesius (Ana Janze), Jemma Churchill (Farla Janz/Inscape), Dan Li(Grillo Clavik), Vernon Dobtcheff (Jorenzo Zorn), Arthur Hughes (Shown), Gyuri Sarossy (Volor), Elliot Chapman (Dack/Loyyo)

Producer David Richardson

Script Editor John Dorney

Executive Producers Jason Haigh-Ellery and Nicholas Briggs

So, here we have The Genesis Chamber, where we join the Doctor and Leela on a planet that has been colonised by humans. There are two communities, one that lives inside a technologically advanced dome, where they rely on a powerful computer system called Inscape to provide their every need, even down to designer children. The other community lives outside the dome, and relies on more traditional methods to survive, shunning technology completely. Both colonies are fearful of each other. Suddenly there is a third faction, could this be an advance guard of an invasion force with a twist? With the sudden threat, Inscape goes off line, and the city is in turmoil. Can the Doctor and Leela repel the invaders, reunite the two communities and get Inscape up and running again? Only time will tell.

Philip Hinchcliffe Presents – The Genesis Chamber is a full on, epic, it's a six part Fourth Doctor and Leela adventure. Personally I had the feeling it might be set right after The Talons of Weng-Chiang, the relationship  of the two leads still seemed quite new to me, they seemed to be still wonderfully, and quite gleefully discovering things about each other as the story progressed. The writing is great, but I felt not overly evocotive of Hinchcliffe's 'gothic' era, which surprised me. Like most of Hinchcliffe's work though there are undercurrents of classic literature. Romeo and Juliet being mostly to the fore (even Leela gets a tragic love story). Oh, and the sequence where Leela has to drive a futeristic car is priceless!

With a running time of three hours,  I was concerned that the audio might struggle to keep my attention, but once it gets going it romps along. There seemed to be a huge cast of characters, but never does it become confusing….unless you count the plots numerous twists and turns (there are many!). Some of which are pure genius.

Along with Tom Baker and Louise Jameson, we have Jon Culshaw - who rather ironically of course has aped Tom Baker on numerous occasions, including voicing him for The Five(ish) Doctors Reboot (please, do google his impressions if you havent seen them already - Jon rather famously  even fooled Tom Baker), as well as lending his vocal talents to the McCoy audio, Death Comes To Time. Ae also have Hannah Genesius, Jemma Churchill (who also featured in The Five(ish) Doctors Reboot, Dan Li (The Bells Of Saint John), Vernon Dobtcheff (The Borgias), Arthur Hughes, Gyuri Sarossy and Elliot Chapman. All voice artists do a sterling job at bringing their characters to life, the stand out being Volor (played with glee by Gyuri Sarossy), a character who is essentially the villain of the piece, and who there is much more to than meets the eye. My only gripe with the story is that the writers deided to give the 'simpler' colonist-folk, who live outside the dome a West Country accent, which grated on this Bristol boy just a little bit.

So, The Genesis Chamber is a great re-visitation back to a time when Doctor Who ruled Saturday evenings, with Tom Baker at his most bonkers, and the loyal savage Leela at his side. Those were the days!

Doctor Who: Tenth Doctor Tales: 10th Doctor Audio
Original Audio CD – Unabridged
Read By David Tennat, Catherine Tate and Michelle Ryan

This compilation released by BBC Audio August 2016
Buy from Amazon UK

On the planet of Recension, a bitter war is being raged between humans and the Aquabi. When Dr McCoy (The Tenth Doctor) and Captain Kirk (Donna Noble) arrive, they not only face the wrath of each side, but also a monstrous plan that mutates soldiers into giant insects, and a huge metal robot exterminator.

Pest control has the advantage of (in my opinion) the greatest Doctor and companion team that the series has provided us since it's return in 2005. Peter Anghelides writes for them perfectly, and David Tennant turns in a surprisingly good Donna. The story conjures up some fantastic imagery, especially the transformation of the soldiers into the giant insects (which is always accompanied by wonderfully horrendous sound effects), and the giant metal robot, whose sole job is to eradicate the insectoids by stamping on them. The story does plod a little in the middle, and Tennant's voicing of Surgeon Lenova sounds as if it is unintentionally comedic, but on the whole this is an exciting audio with some lovely Star Trek in jokes.

The Forever Trap - (Parts One and Two) - By 15094 - Read by Catherine Tate.

The Doctor and Donna are duped into being flatmates in a huge luxury apartment complex called The Edifice. They soon discover that not all of their neighbours are particularly friendly, in fact some are just out and out murderous...

As anyone who has seen The Catherine Tate show will know, Tate is by nature a master of creating different voices, and here she gives them all character (my favourite being the overtly camp lift attendant). The Doctor and Donna's chemistry is present in the writing, but the comparison to Paradise Towers (not one of my favourites) was too much, meaning the story didn't quite work for me.

The Nemomite Invasion - (Parts One and Two) - By David Roden - Read by Catherine Tate.

A frantic chase through the time vortex, a splash landing and a flooded TARDIS herald the Doctor and Donna's arrival in World War 2. They are tracking an alien parasite that is intent on taking over all human life on Earth.

This story starts at breakneck speed, with the Doctor and Donna crashing into the English Channel in the middle of U Boat battle. The threat here is an alien slug-like creature, that attaches itself to the host, and spreads it's young through the water supply. The story is full of very tense and creepy moments, with the Doctor having to make some very hard decisions. Again Tate excels at voicing the different characters (there are a lot of them), and keeps the listener's attention throughout.

The Rising Night - (Parts One and Two) - By Scott Handcock - Read by Michelle Ryan. 

The Doctor finds himself in 18th century Yorkshire, with no idea how he arrived. Women are being kidnapped, and men murdered - the Doctor of course is the prime suspect. Something is feasting on the blood of the villagers, meaning the Doctor must prove his innocence and catch a monster. His only ally being a young woman called Charity.

I found the Rising Night quite hard to get into, the story took a lot of time to get going, and I am not sure that Michelle Ryan's vocal talents helped. However things finally get wrapped up nicely, and in the end the Doctor finds himself with a new travelling companion.

The Day Of The Troll (Parts One and Two) - By Simon Messingham - Read by David Tennant.

In the future, England has become a barren, arid wasteland. The Doctor discovers a team of scientists who are trying to help the environment, unfortunately for them all, an ancient evil is hunting them down one by one.

The Day of The Troll has the tenth Doctor in his element, leading a group of terrified scientists in a what is initially a base under siege scenario. The second half suffers a bit from bringing the characters out in the open a little, but the monster is terrific, and with the help of some subtle sound effects, Tennant really gives it air of terror. The story reminded me a lot of John Pertwee's era, in that not only did the Doctor have to face off against an alien threat, but also the establishment. With the Doctor here traveling alone, Tennant really excels in his characterisation of him.

The Last Voyage (Parts One and Two) - By 15094 - Read by David Tennant.

The Doctor joins the flight of a revolutionary transposition cruiser, where he finds that almost all of the passengers and crew have mysteriously disappeared, and an alien threat starts to manifest itself.

Dan Abnett here writes out an out science fiction, with the craft in the story bending space and time to reach it's final destination. The realisation of the dimension hopping aliens is fantastic, with the terrifying way that they seep into our reality. There is though unfortunately an issue with one of the characters, Sugar, whom Tennant voices in a REALLY annoying American accent that I just couldn't take seriously. Still the story is tied up nicely, in a way that makes perfect sense.

Dead Air (Parts One and Two) - By James Goss - Read by David Tennant.

On a pirate radio boat in 1966, the Doctor and the crew are faced by a hostile alien that not only feeds on pure sound, but is also the perfect mimic. Who can he trust?

The alien threat onboard the Pirate Radio ship Bravo is outstanding, The Hush is a malevolent presence that the Doctor has been tracking that feeds on sound. However as the story progresses, it mutates into something far more threatening. The use of sound in Dead Air is brilliant. Where ever the alien has been, there are pockets of silence. Imagine walking into a room talking, and suddenly you can't hear anything, not even the words that are coming from your own mouth. Goss has created a monster that would be welcome in show on television. Capaldi would have a field day.

On the whole The Tenth Doctor Tales is a worthy listen, if a tad long. I felt that because of the running time (each complete story is around the two hour mark) some of the stories outstayed their welcome somewhat. Tennant and Tate are excellent narrators, Tennant using his own accent when not in character, and Tate of course excelling at handling the different characters voices and personalities. I did feel though that Ryan's delivery fell somewhat flat.

The stand out story for me was Dead Air. The Hush is a truly unsettling monster that works perfectly in audio. James Goss has created an instant classic. Tennant's Doctor is made to be properly vulnerable in Hush, in a similar way that he was in television's. Dead Air is a truly disturbing listen. On the other side, the weak point for me was The Rising Night. The story was too slow, and could easily have been cut to one hour.

BBC Audio here prove that they can indeed make interesting, entertaining and engaging audios, that rival Big Finish.