Written by Chris Chapman, Paul Magrs, Eddie Robson,
and Ian Potter
Directed by Helen Goldwyn
Cast: Peter Davison (The Doctor), Mark Strickson (Turlough),Suzann McLean(Max/Autumn Voice), Ian Brooker (Archivist/Computer/Elder), Sarah Sweeney (Diamon/Lara) Mandi Symonds(Alitha/Inspector Jill Sveinsbottir) Duncan Wisbey (Grayling Frimlish/Shiri/Zounds),Kae Alexander (Waywalker)Big Finish Productions – Released October 2016
This year’s anthology release of four single-episode stories featuresPeter Davison and Mark Strickson on great form as the Fifth Doctor and Turlough in a collection which following in a now annual tradition does not disappoint. Largely due, one assumes, to Strickson’s limited availability and the decision to use Turlough in a long-running arc which also involved Tegan and Nyssa and only concluded in March 2015 with TheEntropyPlague, this is the only the fourth release in the Big Finish main range to feature this particular pairing and the first in over a decade since 2005’s Singularity. The continuity gap in the between Tegan’s departure in Resurrection of the Daleks and Turlough’s exit in the following televised adventure Planet of Fire remains ripe for exploitation making this team an excellent choice for this anthology. It is also a joy for those who listen to the behind the scenes tracks, to discover that the director for this collection is long-time Big Finish regular Helen Goldwyn, best known as an actress whose numerous credits included series regular Elena in the much-missed audio series of The Tomorrow People.
The Memory Bank by Chris Chapman plays with the concept of lost memory and why memories are important, a theme which loosely recurs throughout this anthology. This is a strong start to the set with good supporting performances from Suzann McLean as Max and Ian Brooker as both the Archivist and Archive computer voice.
The Last Fairy Tale has a typical feel of a Paul Magrs story which sees the Doctor and Turlough arrive in a medieval European town awaiting a storyteller for whom, naturally, the Doctor is quickly mistaken. This enjoyable tale clearly evokes the importance of storytelling as a way of preserving memory and again is well-supported, especially byDuncan Wisbey as Frimlish.
Repeat Offender by Eddie Robson is the highlight of the set with a cleverly evoked futuristic setting of 22nd Century Reykjavik which feels as if it’s not as far away from our own world as we might like with its erosion of civil liberties. There are some neat twists which will keep the listener guessing and some strong central performances by Mandi Symonds as Inspector Jill Sveinsbottir and (for some reason uncredited except by mention in the extras tracks) Sarah Sweeney as Lara. It is also good to be reminded that Turlough has an occasional darker side which Strickson really plays up to.
The Becoming by Ian Potter is for the most part a three-hander in which the Doctor and Turlough encounter the enigmatic Waywalker, played in an excellent debut performance by Kae Alexander. The theme at the heart of this story is the rivalry between the preservation of traditions against the necessity to adapt and survive with Turlough’s interaction with Waywalker proving to be an unexpected catalyst for change.
Overall, this is a strong collection of very different stories yet with similar themes relating to the importance of memory. Unlike previous anthologies such as You are the Doctor and Other Stories where there was a clear arc running through, there is no direct link between these four tales, however the conclusion of the final episode still provides a satisfying feeling of the circle having been squared. Once again, this collection proves to be one of the best releases of the year so far and on this form it is to be expected that the annual anthology release will remain a regular feature of Big Finish’s Doctor Who main range for many years to come.