I feel so mean criticising my favourite series. I feel even meaner criticising the man who single-handedly brought the Doctor back and set it off in completely the right direction for the situation to now be that people of all ages actually give a monkeys about Doctor Who. But I feel that I've given RTD an entire season's benefit of the doubt, I even defended the pig. So I don't feel so very bad for being very, very disappointed with the first episode of the new season (albeit on initial viewing and writing a review merely seconds after it's broadcast).

I don't think that Russell T Davies is a very funny man. I think that encapsulates my problem nicely. The jokes aren't funny. "Chavtastic!" Not funny, but the funniest of a long line of turds.

I don't think Russell T Davies has that much originality. Which is fine when it comes to doing a quick Nestene story rehash to (re)introduce this character called the Doctor (or was it about introducing Rose?) and get everything off to a flying start. But MORE ZOMBIES? 'The Unquiet Dead' did that nicely enough, even the Autons in Rose were pretty Zombie-like, recalling 'Dawn Of The Dead' in the shopping mall. I wonder if the makers of the Matrix (not the Timelords, you goon, the Bros. Wachowski) will be having a word with RTD about the vast expanses of cells filled with humans kept alive in order to keep something else alive. Mind you, Eric Saward might be on the phone too: Hospital? Everything clean and white and miraculous on the surface? Underneath there's something pretty unpleasant going on? I was so, so, so hoping that the Sisters Of Plenitude were going to be above board. The only chance this story had of a twist would have been the cat-nuns (where were the cat-monks, by the way?) were actually just there to help people (which, in a way, they were). And am I alone in being reminded of the first Scooby-Doo film by the repeated (and repetetive) migration of Cassandra's consciousness? Even down to all the "I've got boobs!"-schtick. Mind you 'Freaky Friday', 'Big', blah blah blah.

I know that Doctor Who has always been a bit of a hot-bed for border-line plagarism, but I thought that was one of the elements of the old series that the viewer looked upon affectionately, perhaps indulgently. I thought the people making the new series were as aware of this feature/quirk/failing of the old series. I thought they would try a little harder. And by 'they' I think I really mean 'RTD'.

And a final gripe: I don't think Russell T Davies actually thought very carefully about how he was going to get that kiss in there. Just me, I thought he'd earnt and worked up to the 9th Doctor and Rose's kiss. This just seemed a dumb thing for Cassandra's character to do. It was also the source of more misfiring humour.

I don't think Russell T Davies should write any more scripts. I wish he'd let people who are good do it.

Mind you, I thought 'The Christmas Invasion' was genuinely brilliant. So was 'The Parting Of The Ways'. Perhaps he can only be trusted when he's got something important to do. Please Russell, I know you'll read this if it gets put up on Outpost Gallifrey, not only because it's useful, but also because you think Jos Whedon's brilliant (which he undoubtedly is). Save yourself, get more people to write the stories. You're getting tired, you need a sit-down.

Well it took me two screenings of the first episode to be able to write down how I felt. My anticipation was so high that I was a nervous wreck watching it. I watched it - thought it was OK - looked at the reviews later that night and was not surprised by the mixed reaction. I think everyone's expectation was very high. On the Monday I watched The Christmas Invasion and then calmly watched New Earth again. I loved it. I think there is the danger of becoming to analytical - about the CGI - The writing - Did The Doctor do this? - Did Rose do that? - Didn't like the make up! ENJOY IT. It is damn good.

It followed on from The Christmas Invasion and David Tennant has got it nailed. No point comparing him to Eccleston or anyone else - he is not the new Baker or Pertwee he is David Tennant and he is The Doctor. It works.

The opening was great - they left old comfortable earth and arrived at New Earth! It is Sci Fi - It is 5,000,000,023 and that is how it looks - Who are we to argue? The Doctor and Rose enjoy each others company and each other - and why not! They travel through time and space. Straight away there is intrigue - Chip and Cassandra - The Sisters of Plenitude - The Face of Bo. There are patients with every disease - the scene of all the pods was breathtaking. Rose gets possessed by Cassandra and she in turn then kisses the doctor - and do you blame her? Stuck with no body for ages. Like the zombies - she wanted physical contact. It was Cassandra and NOT Rose kissing the Doctor.

The Doctor knows this - and he in turn knows he has to save the day - Cassandra is a good sub plot but it all ties in. The Zombies are cured - Mankind lives on - Rose comes back and Cassandra realises this is a New Earth - not her earth of old and she lets go - and again why not? The beautiful scene at the end where she meets herself and tells herself she is beautiful - because for years she had not seen it and only had memories - but there she was face to face with it again. It was great.

Finally - The Face of Bo. What a great cliffhanger there - waiting to run with it throughout the series - what will he tell the Doctor? - I cannot wait.

Some people have quoted - Plot holes - CGI not good enough - Acting not good enough - Using the word Chavtastic! - Body swapping - !!!!! CHILL - It is Sci Fi. Russell T Davies will never please everyone - but to say he is no good is all wrong - he is the driving force behind this revival and we should get on our knees and thank him for it. He is not perfect - but then again neither are any of us.

So sit back and enjoy Series 2 - It is going to be a great ride!

Bring to mind everything that upset you about Russell T Davies' writing in last year's Doctor Who. The dreadful humour, the look-at-me-aren't-I-clever references, the way sexuality barged its way in where it was completely unnecessary. Now imagine that the BBC distilled it, and made a programme out of it.

Imagine 45 minutes of pure, unfiltered Russell T Davies.

I think I'm in Hell.

The premise is simple. The new Doctor takes Rose to see Earth's future - its even further future, because the half dozen glimpses we've already had weren't enough. It's a new planet entirely, but the human race lives on with it. But how? Who are the strange cat-woman nurses who offer their mysterious cure to all ailments, and what is the cure? Interesting questions anyway. It would have made a great episode for Sylvester McCoy.

Unfortunately Davies hasn't got a clue how to approach the issue. By the end of the episode it seems to mean something or other about the human race's will to survive, and our sympathies are geared towards marauding, disease-ridden zombies. But it all happens so fast that it doesn't work, particularly because about half a dozen things are confusing the issue.

For instance, Cassandra is back. Oh, Russell's very happy with that creation; isn't it just masturbatory that she's given such coverage, the same way Rose happened to mention the Slitheen every other episode last season? Zoe Wanamaker is largely wasted as her character body-swaps between characters. In the case of Rose, she uses the excuse to tart Billie Piper up to the nines, breasts heaving and hair tossed. It's frequently embarrassing to look at the screen, as passers by may assume that Doctor Who abandoned all subtlety and went with a scantily clad bimbo companion. Well, they'd be half right.

And then she possesses the Doctor, who is a pretty major issue I'm having at the moment. David Tennant is actually rather annoying. His dramatic rants come out of nowhere, and I kept trying to get a handle on him as the Doctor (it seemed so easy in "The Parting of the Ways", perhaps because it was just one short scene), but I can't. He's clearly enthusiastic, but he hasn't quite got it yet. He and Rose - who is gushing and falling over herself far too much, in a way that suggests Billie simply fancies Tennant - are in awe of everything around them, so they're not acting normally, so I can't tell what they're really like.

Yeah. That's the excuse I'll go with.

Let's try not to talk about the scene where Cassandra steals the Doctor's body, and the loathsome gag about "not using" several "parts" of himself rears its ugly Russell-T-Davies-shaped head. For God's sake man, we appreciate that you enjoy your job. Would it kill you to have just a little respect for the series you're proclaiming as your own?

And he does. All the humour is turned up to eleven, from vaguely funny but nonsensical gags ("I'm a chav!") to dire, lazy zingers ("Go and play with a ball of string"). This is Doctor Who in a punny, one-liner mood. You can just feel that series we know and love dying under the ridiculous talons of Davies. He's suffocating it in his idea of a good time.

There are good moments, of course. As the Doctor fiddles with the TARDIS in the opening moments, he smiles as the column rises and falls; it's beautiful, and it's completely the Doctor. Then the production falls on its arse, as the windy location of Wales forces the first five minutes of dialogue to be totally (and obviously) dubbed. It's horrendous. Then along comes Murray Gold's "sweet" theme from "The Parting of the Ways", suddenly dumped in a satirical context and ruining any emotive memories I have of that last episode. It's like they're laughing at everything that worked.

I think I'm in shock. Just about every good idea is missed. The cat-women, for example, could just as easily be fish, robots or normal women; it's completely irrelevent (their make-up is uniquely good-looking, improving ten-fold on the similar species in "Survival", but the quality of the story is such slurry that this counts for nothing). The Face of Boe's involvement is ultimately a cop-out, so he's useless, and the final moments suggest that we sympathise with Cassandra. She was hardly a deep character to begin with, merely a repository for sassy comebacks and cruelty. If Davies is so taken with her, let him write his own adventures. Why smother the series with this stuff?

Sigh. I want to say "perhaps it'll look up", or "perhaps another writer will tone down the humour and make it all okay", but I said that at the end of last season, and at the end of "The Christmas Invasion". There's no getting rid of this bloody man, as he has no intention of leaving Doctor Who alone. Woe is very certainly me.

What a smacker ... and the episode was pretty darn good too!

Was it just me or did that kiss not last ages? Billie Piper playing Cassandra certainly did not miss the target, that's for sure.

Chris Eccleston must have been raging he didn't hang about for a second series and missing out on the big kiss off after all that flirting in the last series (though he did get some lip action with Captain Jack in the end!).

Watching it in his Salford home, I wonder what he made of it all.

I was very impressed. The touching start as Rose says her goodbyes before joining the Doctor was a nice and somewhat understated introduction given all the whoo-hah and hype that has surrounded the show over the past week. It was a simple and effective start.

The arrival in New, New York couldn't have been much better and I loved the wee robot spiders returning and of course, Cassandra. That was good we actually got to see Zoe Wanamaker in the episode too. What with Anthony Head and Pauline Collins still to come, the show really has attracted some A-list actors to the series - something which was impossible when the show came to an end in 1989 when Bonnie Langford and Ken Dodd were the celebs we had come to expect. How times have changed!

The lift shower scenes were terrific and funny and I loved the references to the NHS and the Doctor's concern about the lack of a shop. The Sisters of Plentitude were absolutely terrific and terrifying in equal measure judging by the Tardisode which was very scary indeed.

The true purpose behind the sister's plan was well executed and even the Face of Boe speaking was worth the wait and gives a sense of mystery in the same vein as the Bad Wolf intrigue from the last series. It might have been good if a few clues were offered but he disappeared just like the Tardis!!!

Given that the team working behind Dr Who now know they have a lead actor who will stay for the course, it is interesting to note how much the BBC are supporting the show with "Totally Doctor Who" and even reference made on the Radio 5 Live News Bulletin this morning!

One thing that did strike me after the Christmas Invasion and New Earth is that we still haven't really seen the Doctor and Rose adjusting to each other yet though they seem to get on pretty well! With the Doctor being out of action for most of the first episode while Rose was taken over by Cassandra for the majority of New Earth, it has been an interesting dynamic on Russell T Davies part and we will have to wait until Tooth and Claw to really see the relationship grow.

A very satisfying start to the new series and one which Russell T Davies can take some pride in. I thought it was good that the Doctor took Cassandra back to when she was a human and the final end. You never usually find out what happens to some of the Dr's enemies at the end of episodes but it gave something of a human touch, with overtures to "Dalek".

Tennant is very much his own man with his new uniform, sense of humour and manic personality which is shaping up to be very exciting.

Perhaps the highest complement you can pay to him is that it did not really strike you at any point that he was not the Doctor and he seamlessly fit in to the role as if it had been his all along. A very polished performance by both Tennant and Piper and something which looks positively sparkling. Who-rah!!!

Just seen the first episode of the new series- a day late, sadly. Okay, postive comments first! David Tennant is looking good, he's funny, sharp and intense, and most importantly the on screen chemistry with Billie is bubbling away nicely. For this new series to work I think this had to be a major priority. Rose's character gives the programme an essential dose of humanity, an emotional depth which the show needs to maintain if Doctor Who is to continue to maintain both its quality of story telling and it's broad appeal. Somthing which Russel T will need to have in mind when searching for a new companion for the Doctor!

Billie was superb in this episode, she was both funny and sexy when "pocessed" by Cassandra- a lovely performance.

The Cat people were beautifully realised and the city scape was stunning. Efforts were made to dazzle in this first episode, but sadly the story wasn't really up to it. Up until the last twenty minutes "New Earth" was enjoyable enough, but it seemed to lack any real emotional depth. This ommision was fair enough, but when the story tried to reclaim lost ground it really lost its way.The "lepors" simply wearn't scary, nor did you feel any empathy for them; the acting was far too "pantomime" for my liking. The scene towards the end when the diseased people were "healed" was reminiscent of "The Doctor Dances" from the last series (my favourite episode by the way), but had none of the emotional punch. And the final scene with Cassandra was just plain silly.

Doctor Who works best when it's grounded in the world we know, when history and everyday life is subverted and becomes scary. This episode lacked those essential qualities, I just hope that future episodes will reclaim lost ground.

It is a strange thing. I was eagerly awaiting the latest Dr Who episode, however my enthusiasm was mixed with a certain trepidation. Russell T Davies was the writer and I hadnÂ’t been very impressed with his previous work. The rumours on the grapevine had further fuelled my anxiety. When I sat down to view this episode, I had no expectations of greatness.

Which is just as well. New Earth isnÂ’t a bad story, it has a few good moments and Billie Piper puts in a decent performance. Sadly it shares the same flaws as itÂ’s predecessor The End of the World.

The story is a collection of good ideas which are not cemented together with the glue of a good plot. I liked the idea of a hospital with secrets, it was also good to see Cassandra back. However it is marred by RTDÂ’s inability to use simple logic.

The most troubling elements concern the guinea pigs in their closets. I canÂ’t think of any reason why they knew language? How could they move when cooped up cells for all their lives? Why were they wearing clothes? Why not grow bodies without the thought processing parts of the brain. Surely the Sisters should have known better.

Strangest of all, why did all the ‘Flesh’ look like lepers. If they had been infected with every known disease, I’d expect them to show different symptoms. Instead they looked as if they had wandered off the set of Terminus

The worst part of the story though was the way in which it was concluded. The Doctor cures the lepers by spraying them with a mixture of all cures the Sisters have gathered. Intravenous cures. That is poor science and is more suitable for the realms of fantasy.

In the far future Modern faculties still use pulley operated lifts. I suppose RTD thought that would look cool, just like the improbable fan from TEOTW.

Cassandra is a character with an iron will to live. Well until the end anyway when she has a sudden change of heart and just goes quietly. What a cop-out.

Also the scenes where she complains about Rose being a Chav are jarring. Cassandra is a lady from 5 billion years in the future, she should have no idea what a Chav is. Then she starts mangling slang once in RoseÂ’s body. This highlights a problem I have with RTDÂ’s scripting, which is his insistence on cramming in contempary culture into every story. Bad Wolf was a good example of this.

The whole body swapping/possession element was hackneyed. How many times has this Sci Fi staple been used now. No new twist was added to the stereotype.

The Face of Boe doesnÂ’t contribute much but I think that something is being set up for later, so IÂ’ll let that pass.

The acting in this story was competent, though nothing stellar was on offer. Billie Piper was effective in portraying Zoe WanamakerÂ’s mannerisms, though my dislike of the Rose Tyler character prevents me from being too effusive in my praise. Zoe Wanamaker was decent as Cassandra, though I doubt it is really a role that tests her abilities.

David Tennant as the Doctor, hmmn. IÂ’m still undecided. He gurns a little too much in this story and he hammed up his atheistic scenes near the end. He is pretty good when quieter though, he just needs to turn the volume down a bit.

The SFX was OK, apart from the opening scene on New Earth. The CGIÂ’d flitters looked awful and totally artificial.

Murray GoldÂ’s music was poor once again. His music never stops and the Bondish strains played during the dramatic scenes were very irritating.

OVERALL GRADE 5/10

A unaffecting opener, entertaining but full of holes.