Written By: Johnathan Morris Directed By: Ken Bentley

Starring: Peter Davison, Mark Strictson, Janet Fielding, John Culshaw and Christopher Naylor)

The Kamelion Empire is the final story in this year’s first main range trilogy, the stories thus far having shed the light on the oft-forgotten android companion with a pathos rarely seen. This final adventure had a lot to live up to, with the opening story Devil in the Mist being an intriguing tale that utilised aspects of Kamelions character only briefly touched upon in his two television adventures. The next; Black Thursday/Power Game was a particularly bleak and gut-wrenching opening story followed by a fun and zany finale. The Kamelion Empire has, even more, to live up to than these previous adventures, taking us right back to Kamelion’s homeworld and detailing the origins of the android and a dark secret or two…

It’s impossible to talk about this story without first confessing that it is, phenomenal. Johnathan Morris’s script truly is a work of genius and after a rather slow and creepy opening, he takes you to numerous locations (utilising the audio medium to it’s fullest), paints fantastic vistas and all the while manages to fix a continuity gaff or two. What’s more, this all seems to flow naturally and the shifts in setting never come across as jarring but each time add a surprising and exciting angle to the story. He also manages to give Kamelion some of the best material yet (which really is saying something given the strength of the scripts by Jamie Anderson, Eddie Robson and Cavan Scott) and I defy anyone to argue that the metal man lacks character after listening to this. Indeed, despite having never been a fan of robots on the Tardis team (sorry K9 fans) I can happily state that due to the interesting material given to the character, Kamelion has shot up in my estimations and I would love to see him given more stories at Big Finish.

A huge aspect of this has been the phenomenal work done by John Culshaw in portraying Kamelion. In this tale, in particular, he has to portray a range of emotions in a single monotone, which he seems to be able to do effortlessly. Indeed the ‘scream’ emitted by Kamelion in moments of distress is a particularly harrowing piece of voice work and one which managed to make me squirm every time it was emitted. It’s great to see Culshaw managing to bring a succession of classic ‘who’ characters to the audio medium and I look forward to how he portrays the brigadier later in the year.

Peter Davison, Janet Fielding and Mark Strictson all shine as usual. Throughout this trilogy, I’ve given particular attention to Janet Fielding, due to the heavy amount of attention paid by the writers to Tegan’s feelings about Kamelion. Here, she is once again phenomenal and manages to bring her and Kamelion’s story to an effective close- without leaving any emotional continuity gaps or having it seem out of place. Strictson also gets to play his more comic side in this story which I particularly enjoyed, as I often find it to be one of his strengths. Contrasting this, Davison is allowed to explore the darker side of the Doctor, particularly his disgust at some of the things discovered about the Kamelion empire, and it’s a side I always love seeing.

Christopher Naylor makes a chillingly effective villain and his rasping, evil laughter is particularly chilling. Admittedly, some of his dialogue does amount to typical ‘Doctor who villain’ lines which is a pity given the man’s many talents. However, the real horror of this villain comes from his background and relationship to Kamelion and so the character is still effective enough.

The Kamelion Empire and the trilogy as a whole, cannot be claimed to be anything else but a triumph and an excellent start to Big Finish’s anniversary year. Indeed, what makes it such a perfect start is it highlights Big Finish’s ability to take aspects of the whoniverse and explore them in thought-out and thought-provoking ways. The care and attention that has been put into these stories is evident from the first and I can’t wait to see what the main range brings us next.