The Girl in the Fireplace

Wednesday, 7 June 2006 - Reviewed by Mark Jensen

This was a clever story. The interesting point for me is that I (aged 38) loved it. The kids (9 and 11) got restless, a bit bored. All that love stuff. Yuk! And even the 11 year old asked where the horse came from? Why was it on the spaceship? (I've said we'll have to watch it again and see if we can find out). This demonstrates to me how bloody difficult it is to tow the thin line between writing for adults and children. I feel that Russell T Davies tries to do this and often brings down the kind of criticism we see in these review pages. Sometimes he succeeds, as with Tooth and Claw.

Generally, the same problems dogged this story as the first three in the run. Too ambitious. For all the personnel sitting around the table discussing the script in Confidental, they seem to have forgotten to hire an editor. Others have commented that the length of the show could be upped to an hour, but the flip side to this is decent editing and a quantum of self-discipline. Say what you like about American TV, the editing and tightness of their TV shows beats the majority of Brit TV into the ground, (I'm not American by the way).

Having said this, I'm still fasinated by how the second series is developing. It's got a very different feel from the first. You can really see there's a guiding mind behind it's development. That's where Russel T Davies comes into his own. The guy knows TV. The Doctor has changed. He's no longer the needy Chris Ecclestone model. Rose has been sidelined. It was sort of shocking when he rode through the mirror (so that's what the horse was for! - thrilling denoument - very sloppy) leaving Rose and Micky to die (?) in the spaceship. I enjoy this kind of character development; it's something the classic series just didn't have.

The look was perfect. Sorry guys, the horse through the mirror was okay - but very "effecty". You should have left it out probably. Direction was excellent.

Now, let's upset some people. I don't think David Tennant is quite as good as the Doctor as everybody seems to say he is. I've waited a couple of episodes to let him settle down into the role, but he seems somehow...lightweight to me. He's okay, he just about carries the story and all that, but he just hasn't got the presence and the weight that Christopher Ecclestone had. He isn't a center of gravity. I've a theory about this: Mr Ecclestone pissed a lot of fans off by leaving after the first series, but if you look back at his performance as the Doctor, it was superb in a way that David Tennant doesn't seem able to match. Well, not yet, anyway. Consequently, Chris E isn't given quite as much credit for his portrayal as the Doctor as he should. David Tennant seems, even in this episode - in which he is given an opportunity to shine (series two's version of Dalek I'd say) - to be all over the place. His delivery of some of the lines is so fast that you can hardly make out what he's saying. and that voice...at one point, when he first saw the clockwork droid, he really did sound like a slightly butcher version of Kenneth Williams. Perhaps they should have allowed him to speak in his native accent. To my mind, with the scripting in the majority of the episodes since "Rose" being somewhat undisciplined, Chris Ecclestone provided an all-important 'earthing' of the show. From about episode 3 of the first run onwards, he knew exactly what he was doing as an actor. Well, that's what i feel at the moment anyway. I hope that Mr Tennant finds some way of being more solid as the run goes on.

All in all, I'm enjoying this run as much as the first.





FILTER: - Television - Series 2/28 - Tenth Doctor