Planet of the Daleks

Hardly a great Doctor Who story, ‘Planet of the Daleks’ does disappoint in several ways. Not only does it ignore the events of ‘Frontier in Space’ (apart from a few token references), it also resists plot in favor of a Flash Gordon runabout, and, worse, suffers at times from a cruelly slow pace (especially in the first two episodes). On top of this, the balloon escape is a complete joke. 

But having prepared myself for the worst when preparing to re-watch this story, I was surprised how much I actually enjoyed it. It’s quite generic, but not bad for all that – a basic Pertwee Who – and it has more things to like about it than not. First of all, the Spiridon jungle backdrop is fun. One of my favorite aspects of classic Who is its theatrical quality; the wobbly sets, the line flubs, the makeup and costumes – it all amounts to a semi-live performance ‘feel,’ one you’re hard-pressed to find on TV nowadays. In other words, yes, this ‘alien jungle planet’ is obviously a set – what of that? This is Doctor Who, right? And at least the production team has made this one look dense and difficult to get through, unlike so many Who caves that have perfect human-sized tunnels cut into them. And the fungus-spitting plants are great.

The presentation of the Daleks is another satisfying element. Oh, they look kind of shoddy, but they’re believably menacing as they quickly respond to problems (cutting through the door, producing their anti-gravity disc - this was of course before the days of ‘ELEVATE!’). As with the next Dalek story, ‘Death to the Daleks,’ they are depicted principally as scientists here, not the simple squawking tanks they would become in the post-Pertwee days. Their dialogue, although often a bit wordy, is delivered at a brisk pace, which I always feel makes them seem smarter.

Which brings us to the question of the voice artists. The combination of Michael Wisher and Roy Skelton as the Dalek voices is of course an extremely happy one, especially after the awful voices in the previous Dalek story. The success of any Dalek story depends somewhat on successful characterizations by the voice actors, and while Dalek fans don’t ever really get their ‘EXTERMINATE!’ fix here, Skelton at one point really lets ’er rip with his hysterical “LOCATE AND DESTROY! LOCATE AND DESTROY!! *LOCATE AND DESTROY*!!!” And Wisher’s “WAIT!” when the Dalek realizes who the ‘Spiridons’ really are is chilling, and made me jump.

The Dalek Supreme looks great (too bad about the lights, of course) and is generally well-used. There’s nothing all that supreme about many of ‘Supreme Daleks’ in the classic series: most seem to be mere low-level foremen, in fact. But this Supreme Council Dalek, arriving in state with its own attendant guard, gives the impression of a powerful establishment behind the small Dalek control group on Spiridon. Furthermore, when the Dalek Supreme turns and exterminates the Dalek group leader for incompetence, it emphasizes the authority and coldness of the Dalek command. Wisher and Skelton sell this scene beautifully, clearly trying to outdo one another with their rising inflections.

Roy Skelton is also good as the wheezing Spiridon Wester – amazingly likeable and resonant as a character, given his few scenes. He is touching in his moments with Jo (‘Goodbye’), and heroic, even tragic, when he sacrifices himself to sabotage the Daleks’ plague weapon. (This scene is particularly well handled: Wester’s peaceful face fading in as the Daleks shriek with horror - ‘WE CAN NEVER LEAVE HERE – NEVER! – NEVER! – NEVER!’ – is a classic Who moment from my childhood.)

As for the Thals, Taron and Vaber are certainly believable as the bickering astronauts. In particular, Bernard Horsfall really convinces as Taron – he is sympathetic and likeable . . . and yet we can also see why Vaber is so frustrated with his cautious leadership style. 

As for the Doctor and Jo, Jon Pertwee phones it in a bit, but he radiates (genuine?) contempt for the Dalek when they’re in the elevator together, which is nice. And Katy Manning is likeable as ever, and her low-key acting manages to keep her ‘love’ plotline from feeling too forced. 

All in all, ‘Planet of the Daleks’ shouldn’t win any prizes – it’s a routine Pertwee story, all right, but it’s more than worth a watch for some good moments.