Father's Day
Sunday, 15 May 2005 - Reviewed by John Campbell Rees
This story did something no previous episode of "Doctor Who" has ever done, by its conclusion; I was a whimpering pile of blancmange, in tears in my living room. The power of this episode was in the way it drew the ordinary and everyday into the fantastical and spectacular. By the end of the episode you really feel for the ordinary people caught up in the madness because you have seen them in their normal mundane life. The way that a normal Saturday in 1987 falls into anarchy is very creepy. This is something that Joe Aherne is very good at, his series "Ultraviolet" succeeded in scaring the pants of me just by implying the presence of vampirism in the real World.
Once again we see a definite growth of characters in this episode. Both the Doctor and Rose learn important lessons in this story. The Doctor is once again reminded that humans are not just stupid apes, but emotionally driven individuals who show a gamut of emotions that Time Lords have lost. Rose learns the just what a responsible position she is in whilst travelling with the Doctor, that she has to tread carefully. She also learns to love the father she never knew, gone forever is the blind hero worship instilled by her mother, she has seen him warts and all, and now has a deep love of the man he was. The two lead actors shine, you only have to look at Eccleston's face to know that his Doctor is incandescent with rage at Rose's action, you feel genuine sorrow when Piper's Rose watches her father die in her arms.
Shaun Dingwall gave a magnificent performance as Rose's dad Peter. Here is Mr. Average, who is the focus for events that are far from average. It is obvious who Rose inherited her intelligence and sense of adventure from, however, because he lacks a degree of common sense, he has never quite managed to get the success he dreams of. He does not need to be told that hs death is necessary to put the World to rights; he works that out all on his own.
It is a shock to realise that a point in time that seem like yesterday now has to be recreated with he same care that the BBC puts into one of its historical drama. The Doctor's comment that "the past is a foreign country, 1987 is just the Isle of White" is painfully funny. Pete's reaction to Rose's mobile neatly underscored that this was a time paradox story, as you could contrast the tiny Nokia she had with the clumsy house brick that the groom's father was talking into.
I particularly liked the fact that Paul Cornell recycled the idea of a small group trapped in a church from his novel "Timewyrm: Revelation" that is my favourite Virgin New Adventure.
Altogether, it was a very pleasing story.
Once again we see a definite growth of characters in this episode. Both the Doctor and Rose learn important lessons in this story. The Doctor is once again reminded that humans are not just stupid apes, but emotionally driven individuals who show a gamut of emotions that Time Lords have lost. Rose learns the just what a responsible position she is in whilst travelling with the Doctor, that she has to tread carefully. She also learns to love the father she never knew, gone forever is the blind hero worship instilled by her mother, she has seen him warts and all, and now has a deep love of the man he was. The two lead actors shine, you only have to look at Eccleston's face to know that his Doctor is incandescent with rage at Rose's action, you feel genuine sorrow when Piper's Rose watches her father die in her arms.
Shaun Dingwall gave a magnificent performance as Rose's dad Peter. Here is Mr. Average, who is the focus for events that are far from average. It is obvious who Rose inherited her intelligence and sense of adventure from, however, because he lacks a degree of common sense, he has never quite managed to get the success he dreams of. He does not need to be told that hs death is necessary to put the World to rights; he works that out all on his own.
It is a shock to realise that a point in time that seem like yesterday now has to be recreated with he same care that the BBC puts into one of its historical drama. The Doctor's comment that "the past is a foreign country, 1987 is just the Isle of White" is painfully funny. Pete's reaction to Rose's mobile neatly underscored that this was a time paradox story, as you could contrast the tiny Nokia she had with the clumsy house brick that the groom's father was talking into.
I particularly liked the fact that Paul Cornell recycled the idea of a small group trapped in a church from his novel "Timewyrm: Revelation" that is my favourite Virgin New Adventure.
Altogether, it was a very pleasing story.