Father's Day
Sunday, 15 May 2005 - Reviewed by Paul Wilcox
This has got to be the episode least like Doctor who of the whole 42 years. But it was a triumph. The best piece of Doctor Who drama I have seen and probably the best already drama too. I even had to endure heckling during this episode. Regular eaders interested in my rveiews may know that I have to watch this episode at work as I am a bar manager at a social club but I have the tv on for the first hour or so (until the lottery is called). My first viewing of each episode is supported by a handlful of members who come through the door at 7. There was an elderly gentlemen who complained all the way through about "this c**p", yet my veiwing was not spoilt despite this.
It has become common to bash Murray Gold's incidental music in this series (sometimes even by me) but apart from a weak score during the first Reaper attack I was thoroughly impressed. I liked the "McCoy" era sting during the point of view shots at the start and it was quite emotional (my boyfriend Gary was in tears) during his 'piano' accompaniment during Rose's final scenes with her father.
Which brings us to the crux of the episode - A relatively straight, moral emotional tale that just happened to have monsters in it. EVERY performance was deep and portrayed with a huge amount of feeling. It was a very somber episode but still not maudlin. Billie Piper remains excellent as is Chris Eccleston. Shaun Dingwall was the perfect person to be Billie's father even though her was never around later (as is the want of the plot).
And the Reapers - Bloody marvellous - again the best monster I've seen in this series of Who, possibly any series of Who and probably any series..... The effects seamlessly blended the creatures with the live action even with clever little touches like one scraping rubble from the church walls with it's 'claws' All kudos have to go to the Mill for their efforts. I had no thoughts of CGI when I watched this as opposed to the floating dalek in that episode.
More back story to keep the arc-interested happy and a simple yet effective time jumping moral dilemma for the rest. I can't fault it. RTD still trailing I'm afraid - But to your credit, you're a bloody genius (I'm sure you've heard that before).
I'm a little confused how much has been remembered by others outside the TARDIS crew but to be honest I don't think it really matters that much.
I'm rating it 2nd after The Unquiet Dead and before Dalek, Rose, Aliens/WWIII and The End of........
It has become common to bash Murray Gold's incidental music in this series (sometimes even by me) but apart from a weak score during the first Reaper attack I was thoroughly impressed. I liked the "McCoy" era sting during the point of view shots at the start and it was quite emotional (my boyfriend Gary was in tears) during his 'piano' accompaniment during Rose's final scenes with her father.
Which brings us to the crux of the episode - A relatively straight, moral emotional tale that just happened to have monsters in it. EVERY performance was deep and portrayed with a huge amount of feeling. It was a very somber episode but still not maudlin. Billie Piper remains excellent as is Chris Eccleston. Shaun Dingwall was the perfect person to be Billie's father even though her was never around later (as is the want of the plot).
And the Reapers - Bloody marvellous - again the best monster I've seen in this series of Who, possibly any series of Who and probably any series..... The effects seamlessly blended the creatures with the live action even with clever little touches like one scraping rubble from the church walls with it's 'claws' All kudos have to go to the Mill for their efforts. I had no thoughts of CGI when I watched this as opposed to the floating dalek in that episode.
More back story to keep the arc-interested happy and a simple yet effective time jumping moral dilemma for the rest. I can't fault it. RTD still trailing I'm afraid - But to your credit, you're a bloody genius (I'm sure you've heard that before).
I'm a little confused how much has been remembered by others outside the TARDIS crew but to be honest I don't think it really matters that much.
I'm rating it 2nd after The Unquiet Dead and before Dalek, Rose, Aliens/WWIII and The End of........