The End Of The World

Monday, 4 April 2005 - Reviewed by Richard Ormrod

This second episode of the new Doctor Who had a lot riding on it. In many ways a more important episode than Rose, this is the one that had to retain the casual viewer who watched the first episode out of curiosity, this is the episode that could actually make or break the new series; at least until the undoubted viewing figure boost of the Dalek in episode 6.

This review does contain spoilers, so if you haven’t seen the episode I would suggest you read no further.

Whilst we will have to wait a few days for the viewing figures, it seems to me that The End of The World was another very good piece of television drama and very good Doctor Who.

Christopher Eccleston has once again given us a magnificent portrayal of the Doctor, giving the character an emotional depth and range we have seldom seen before and making his departure from the role all the more a matter of regret. The infectious enthusiasm from Rose was still present, along with the infectious grin and cries of ‘fantastic’. There was also an underlying cagey anger and sadness, very ably portrayed by Eccleston, concerning the destruction of Gallifrey and the fact that he is, so far as he is aware, the last Time Lord. There is also very convincing grief and a tear (which I do not for one minute believe was added using CGI afterwards) following Jabe’s comments about his origins.

Billie Piper continues to impress as Rose and here proves conclusively what a good actress she really is; much, I suspect, to the surprise of nearly everybody. Like her co-star she convincingly conveys a wide range of emotions and I was particularly impressed with her bewilderment at the various alien races and her confusion / fear over her realisation that she had run off with an alien she knew nothing about.

As a Doctor Who tale The End of The World was superficially lightweight, but with hidden depths that are perhaps only appreciated on repeated viewing. There is comedy, to be sure, but comedy that is never overdone to the point where it becomes camp. The Moxx of Balhoun’s gift of bodily fluid had both myself and my nine-year-old daughter laughing out loud. The Steward was the perfect officious functionary to be found the universe over and his stuffiness was a further cause of amusement. The Lady Cassandra was also, initially, comical and not entirely unbelievable given the present unhealthy obsession with cosmetic surgery.

There is humour, to be sure, but there are also dark undertones; not least the murder of several members of the observation platform’s crew and visitors. Perhaps the most horrific murder is that of the plumber, a character we quickly come to identify with and become sympathetic to, only to see her die as she tries to do her job. The death of the steward affects the viewer less, perhaps because he is an almost entirely unsympathetic character, but his death does serve to illustrate the fate awaiting Rose immediately and, subsequently, the rest of the observation platforms temporary inhabitants should the Doctor fail.

The death that affected myself, and those watching with me, the most was that of Jabe. Somehow I expected that she would survive, that her heroism deserved reward and her death brought genuine feelings of sadness and regret. It was a truly poignant moment in the new series and one that left a lasting impression.

Even darker, perhaps, than the immediate deaths are the revelations about Gallifrey, though the planet is never actually named. The Doctor’s anguish at the destruction of his home planet and the deaths of his fellow Gallifreyans is clear; indeed it is obvious at the end of The End of The World that the Doctor has taken Rose to see the end of her planet so that she can understand how he feels about the end of his world. So that she can understand him, a little better and thus to strengthen the bond between them.

One controversial aspect of The End of The World has been the death of Cassandra, with some even suggesting that the Doctor is guilty of murder. Personally I think that this is going too far. The only way that the Doctor could ensure that Cassandra was brought to justice was to reverse the transmit device. He may not have realised her skin would dry out as quickly as it did. True, he made no move to help her, but a failure to act to preserve life does not equate with murder, at least as it is currently defined by British law.

Was The End of The World one of the best Doctor Who stories ever made? Possibly not, but it was great family entertainment and promised much for the rest of this first season of new Doctor Who.





FILTER: - Series 1/27 - Ninth Doctor - Television