Rose

As a longtime viewer who’s been involved with organized DW fandom since 1976, I have to admit to being a bit disappointed. I recognize that the show needs to appeal to contemporary audiences, that times have moved on, and that the 45 minute format necessitates different story structure to the old episodic one. Within these confines the show was acceptable. But it could have been so much better.

The main problem is it was too broadly comedic – it didn’t take itself seriously enough. Doctor Who has always had some comedy element, which peaked really with Tom Baker around season 17 (and went too far) – but at its heart it should be a drama. A lighthearted drama perhaps, but a drama nonetheless. The scene of the Doctor grappling with the Auton arm in Rose’s apartment was obviously played for comedy. So was the belching trash container. So was the Autonised Mickey. And there was too much of it. The show needs to take itself more seriously.

The script itself was also something of a letdown. Admittedly the first episode had a lot to achieve: reintroduce the Doctor, introduce Rose AND have a self contained “defeat the monster” plot. But it didn’t really succeed as it should have. It was fast-paced, but at the expense of character development. Russell T Davies has been emphasizing in interviews for the past 12 months how important it is for the new series to focus on character: so where was this focus? Despite the episode being titled ‘Rose’, we learnt virtually nothing about Rose’s character. We know she has a boyfriend and lives with her mum in a flat, we know she didn’t do well at school and once won a gymnastics medal. That’s it. That’s not character development. In contrast, the 45-minute Smallville pilot told us a helluva lot more about its regulars (and there are more of them!) while STILL telling a story.

The sequence with the internet geek who had a website on the Doctor could easily have been dropped from the story entirely with no consequence to the plot. It was a waste of space and seemed designed as an injoke, the geek a thinly (sic) disguised Ian Levine. The sole point seemed to set up the mystery of the Doctor, but this could have been far better achieved in a scene between the Doctor himself and Rose, preferably in the TARDIS – which didn’t get nearly enough attention. In contrast, the 1996 TVM with Paul McGann did much better at establishing the other worldliness of the TARDIS (by giving it more screentime). The whole internet geek thing seemed an excuse to introduce the net as a topical reference – labored.

I would have much preferred a simpler, lower key intro story (without the “foiling a major invasion” business, there simply wasn’t the time to treat this properly), with more emphasis on characterisation – more Doctor/Rose scenes.

On the plus side: the acting was fine. The FX were pretty good (a few were hokey, but that’s inevitable with the budget as is). The Doctor himself was, unfortunately, not quite alien enough. There were two nice bits: when he answered Rose’s question of who he was, and his obvious longing at the end for her to join him on his travels (which hearked back to Pertwee and Baker both of whom exhibited the same quality). But for the most part the Doctor was too damn human. It’s bad enough he is dressed to blend in rather than stand out, but his speech had too many contemporary colloquialisms and contractions – which he wouldn’t know unless he’d spent a lot of time hanging around contemporary London, and that’s out of character for him, he should be off exploring the universe. The Doctor is and always should be “the outsider”, the mystery: there was a hearkening to this at places, but there was not ENOUGH of it. He was too familiar and everyday.

The title sequence was wonderful, the new theme arrangement was wonderful, and I was relieved to see the character credited once again as ‘Doctor Who’ - crediting him as 'the Doctor' is too literalist, it loses both the poetry of the former credit as well as the link between the character and the name of the program! The Doctor he may be, but the credit should be and thankfully once more is ‘Doctor Who’ (? As in yes, it is a question!)

In summary: it was not a bad start, but it could have been better. The writing needs more depth, more characterisation. It doesn’t need to move at this breakneck speed ALL the time. The show can sustain both fast moving sequences AND more considered character-driven scenes, and the latter is what this first episode really lacked, and what it NEEDED. If the program is trying to compete with stuff like SMALLVILLE, it needs to go a long way to do it – cos that show is frankly (and as a committed DW fan I hate to say it) more entertaining.