The Curse of Peladon
The last time I watched 'The Curse of Peladon', I thought that it was incredibly dull. On this occasion therefore I was pleasantly surprised that I enjoyed it as much as I did. Well directed and designed, the story looks great, but its real strength lies in its thoughtfulness.
The basic premise of 'The Curse of Peladon', that of a technologically undeveloped society poised to join the Galactic Federation, a decision that is dividing its citizens, is a strong one, and it is well handled. On the one hand we have King Peladon, the angst ridden young Monarch of Peladon (an almost tortured performance from David Troughton) keen to see his people reap the benefits offered by the Federation, and on the other we have Hepesh, terrified of change and desperate to preserve the traditional beliefs of his people. This provides the basis of the conflict in the story, with Hepesh secretly conspiring against his King, with an alien conspirator thrown into the mix and the Doctor and the other delegates caught up in Hepesh web of intrigue. Part of the reason this works so well is that Hepesh is a well-rounded character. The scene in which he admits to the Doctor in episode three that he is frightened of the consequences of joining the Federation is impressive, because it emphasizes that he is not just another moustache-twirling megalomaniac, but a misguided man who genuinely thinks that he is acting in a good cause, even if that cause makes him so desperate that he will resort to murder. This is also demonstrated by his willingness to let the delegates go home in episode four, since he just wants them to leave his world in peace and not interfere, and is not prepared to risk the consequences of harming them. This then forms the bones of 'The Curse of Peladon'.
Several notable aspects flesh out 'The Curse of Peladon'. The most obvious is the delegates. The return of the Ice Warriors is most welcome, and given an interesting twist by having them prove not to be the villains. This confounds the long-term viewer's expectations, but more interestingly confounds the Doctor's. It is quite understandable that having only met hostile Martians in the past, the Doctor should be wary of them, but it's still rather satisfying to see this most moralistic of Doctors succumb to prejudice. This also provides the story with its big twist, since the Doctor's distrust of the Ice Warriors is conveyed to the viewer; as it transpires, Arcturus is the villain, whilst Izlyr proves to be a staunch ally. Since I personally prefer the Ice Warriors as noble allies, this scores particular points with me.
The other delegates work quite well. Arcturus is perilously close to looking cheap, but actually manages to look quite revolting as monsters go. Alpha Centauri of course looks like a penis in a cloak, but the twittering, hysterical hexapod is quite endearing and provides a nice contrast to the coldly calculating Arcturus and the unflappable Ice Warriors. The other "monster" on display here is Aggedor, who looks rather good when kept in shadow, which director Lennie Mayne wisely realises. Direction is strong throughout, combining with superb design work and great use of model shots of the Citadel to make 'The Curse of Peladon' very atmospheric. The fight scenes, both the fight between the Doctor and Grun in episode three, and the sword fight in the throne room at the climax, are very well staged and surprisingly convincing.
The two regulars are both exceptional here. Jon Pertwee puts in one of his most charming and charismatic performances, again in keeping with the Doctor's generally better demeanour whenever he manages to get away from Earth. The Doctor rises to very challenge that he encounters on Peladon, whether that challenge is impersonating the Earth delegate (a role he adopts with relish), fighting Grun in the pit, or hypnotizing Aggedor. This particular Doctor's ease at being accepted by establishment figures stands him in good stead, King Peladon never once doubting that he is a man of rank. Katy Manning puts in one of her finest performances up until this point, especially during her scenes with King Peladon. Jo's emotional pleading with the King to overrule the Doctor's death sentence is of especial note, and is a strong reminder that Katy is a fine actress. She also gets more to do than in previous stories, due to the attraction between her and Peladon.
In summary, 'The Curse of Peladon' is a modest but effective story that maintains the high quality set by 'Day of the Daleks', a trend that will continue with the next story.