Like some other fans, knowing this was written by RTD did little for my pre-broadcast expectations. But I bore it in mind that the Christmas Invasion suggested that RTD had, perhaps, listened and learned.

New Earth shows that RTD has learned a lot. My only criticism of this story is that it would have been better had it been longer. The tension could have built up, the secrets kept a little longer if it had been in the older format of three 25 minute installments. But in modern TV we probably can't have that so let's deal with what we do have.

Some of the ideas here are straight out of 70's Doctor Who...the Doctor and his companion visit a place that is apparently a benevolant hospital in a happy city, where cures for terrible diseases have been found and are routinely administered to patients who would otherwise die. But we find something is wrong, and not what it seems. That is central to "old style" Doctor Who, but RTD has cleverly made it all seem so contemporary.

We also have Cassandra, who has survived "The End Of The World" along with a servant, and is hiding in the basement of the mysterious hospital. She too wants to know what's so sinister and secret about the intensive care section. Crucially she is used as a character essential to the plot, not merely returning to guarantee ratings. And we learn more about her, fleshing out her character and even allowing some sympathy.

I won't give any more plot details away, but I will say it seemed illogical that Cassandra initially needed a machine to transfer herself into Rose's brain...but thereafter could move from person to person at will. This seemed silly at first, but served a great purpose later in the story.

Thankfully there is no deus ex machina ending. The Doctor himself (with help from Casandra, in Rose's body) saves the day. It may seem an all too simple solution but no more so than previous Doctor Who stories. Again, more time would have allowed for greater explanation. Nonetheless it was exciting.

So we have a good story, with Billie Piper putting in perhaps her best performance to date. Tennant is settling nicely into the role. The story, while quite contemporary in many ways, could have been acted just as successfully by Trouhgton or Tom Baker.

I thought all the ships flying overhead in the opening scenes were too much, amost FX for FX sake, but otherwise the visuals were of a high standard. Incidental music generally added to the atmosphere and was appropriate to the pacing of the direction.

Not one of the very best, but highly enjoyable and one I shall watch again. If this is the benchmark standard then we have a fantastic season to look forward to. My personal rating, 7.5/10

First off, this is SEASON 2. Not Season 28 or whatever. Season TWO. The SECOND season of the NEW SERIES. Number TWO in a SERIES that is A NEW PRODUCTION with DIFFERENT PRODUCTION COMPANY.

Sorry, getting that off my chest.

Now then:

First off, if anyone noticed, this is the first time the new series has actually left Earth (or vicinity) and visited an alien world. So of course, they go to... New Earth. Um.

So we're at a hospital. Run by cats. I wonder if the "universal symbol" for hospitals being a crescent moon is some sort of commentary on the use of a red cross as it currently is in the Western world. Look closely at ambulances on the news when they're showing bodies blown apart in Iraq and you'll see a red crescent.

Ah ha! Two familiar faces now -- the Face of Boe and Lady Cassandra. Boe gets the plot moving but Cassandra figures into it a bit more.

"Oh my God, I'm a chav!" Oh come ON... yeah yeah, commentary on fandom, I know. Seems to me Rose is most chavish HERE being possessed.

And that's another thing -- the Doctor and Rose spend half the story being possessed by Cassandra. How does this show how the characters *themselves* are to new viewers? Remember, this is only the second story with the 10th Doctor, and he was incapacitated for most of "The Christmas Invasion." So, er... I'm not really getting any sense of what this Doctor is all about quite yet, beyond he's a bit bouncier and smiley than Eccleston, perhaps more conventionally attractive and Doctor-looking, and he's given to trying to shout like Keifer Sutherland at the odd moment. So is he still as haunted as the 9th Doctor? Would HE have quite as psychotic reaction to Daleks? There's a lot more that needs to be built up here, and so far spending 3/4 of one story incapacitated and part of another one possessed doesn't impress me much.

Not Tennant's fault by any means -- indeed, it's the same situation with Paul McGann's Doctor. I loved the actor's performance, but the story(ies) haven't really told me dick about the character. McGann turned in an excellent performance, but a) his Doctor came in only 1/4 through the story b) half of which was spent amnesiac [a common problem with regeneration stories, really] c) in the very end, the Doctor didn't really DO all that much. On this hand, Tennant is good so far, yet the Doctor is leaving me a bit blank at the moment.

...although maybe he needs to keep the glasses on.

Anyway.

Billie was great in this, having to play basically two different characters, one the embodiment of negative fan stereotypes about Rose. Fandom was all afluster about that kiss in the early trailers, but oh, wait, possession again!

Liked the cats, liked the Matrix-looking clone disease farm idea, but a "New Earth" with a "New New York" just seems, I dunno, done before. Even in Doctor Who, I can think of at least 2 novels with a New Earth.

And the Face of Boe is such a tease, innit he?

Overall... I liked the episode, but really wanted to love it. "Rose" was a bangstart, this one is a bit more steady, and I'm not sure it was the way to go. Still tho, 12 more episodes to go. Werewolves, ooo...

Doctor Who has had its fair share of poor season openers over the years, but fortunately New Earth will not be remembered as one of them. The episode featured an enjoyable story, some good set pieces, and high quality acting and was visually colourful and brilliant. Some plot elements may not have been that original (i.e. the living dead, murderous goings on at a hospital and body swaps), but these elements – along with a few twists – were made interesting enough to keep the show entertaining for 45 minutes. The Face of Boe storyline was also clever as it hints at something interesting to come in the future, which should keep viewers watching.

The highlight among a series of good performances was undoubtedly Billie Piper’s portrayal of the Cassandra possessed Rose, which was frighteningly like the Zoë Wannamaker original. David Tennant’s performance was also very encouraging. He looked comfortable in the role of a Tenth Doctor who seems more eccentric than his immediate predecessor. Yet, Doctor Ten is a complex character who can be just as passionate about injustice as his forebears as his reactions to the Sister’s treatment of their ‘patients’ in ‘intensive care’ showed. The episode also proved the ‘new new Doctor’ is funny and retains the traditional mix of serious and humorous personality traits that have made the character so endurable. Tennant did well to so convincingly convey such a rounded character in his full adventure.

The design and effects work in the story must rank as some of the best in Doctor Who history. The futuristic landscape looked really impressive and showed a lot of imagination and creative talent. The Sisters were also well realised and it is clear that a lot of time and effort went into creating them. The make up used on the disease victims was very convincing and they looked like they were genuinely the victims of some horrific condition. It is also worth noting that the Face of Boe and Cassandra (the trampoline version) looked even better than they did last year. Even the music seemed to work well and fit in with the mood of the story. This is all indicative of the high production values established last season being raised even further.

All in all New Earth represents a solid start to the new season.

Mixed emotions about this one if IÂ’m perfectly frank but the positives still far outweighed the negatives. It was a typical RTD story, crammed with ideas, imagination, fantastic dialogue, excellent characterisationÂ…no complaints on any of those scores. It also had some murderously funny moments too, which for once are entirely performance driven rather than inherent in the script.

My biggest problem was with what we didnÂ’t see. This felt like a much longer story squeezed into fourty-five minutes, you can literally feel the plot bursting to be free of that minute time frame and allowed to breathe. The plot isnÂ’t, so the viewer isnÂ’t either than the episode moves so fast you donÂ’t have any time to consider anything that is going on. There is just far too many ideas here for any of them to be dealt with satisfyingly; the mind invasion, the sinister nuns, New Earth itself, CassandraÂ’s return, the mutant rampageÂ…any one of these concepts could have held the episode up but instead they all command your attention. What is it like to have your mind taken over in such a perverse manner? Why did the citizens of New Earth come to this particular planet? What is their culture like? How long have the Nuns been experimenting on humans? How did Cassandra end up under the hospital? What happened to the mutant population after their release from the diseases? There is so much potential here, so much to explore that this would probably have been better had it been one of the books, with their unlimited running time and chance to get inside the characters heads.

But what about everything we did getÂ…

The look of the episode was fantastic as we have come to expect but to actually have the Doctor and Rose step out onto a new planet with spaceships whizzing by and a whopping great alien city in the background is marvellous and proves the show is willing to go much further this year now they have won over their audience. What with the Sycorax and now the Cat Nuns they are clearly ready to experiment with some more imaginative looking aliens too and the Nuns look painstakingly realistic, and shockingly beautiful. Add to this some stylish sets (arenÂ’t they huge?), some clever visuals (such as the expanse of mutant cells) and a foot tapping (if repeated from last year) score from Murray Gold.

I can say with my hand on my heart I know I am going to absolutely adore David Tennant as the Doctor; a far more laid back and fun loving Doctor than Christopher Eccleston’s exciting portrayal. He creates a great deal of entertainment just being on screen, regardless of the story and director James Hawkes’ comments that Tennant is bounding with energy in each shoot is apparent with every take. Whilst he clearly hasn’t forgotten his past he is far more willing to let go, with the ninth Doctor it was more like he needed to show Rose wonders to convince himself the universe is still a marvellous place but with the tenth it is like he is re-discovering that joy for himself. That great image of him lying back on the apple grass, hands behind his head, spaceships floating by, flirting like mad with Rose…he is clearly loving every second of his life. Which is what makes his stronger moments all the more shocking and his reaction to the Nuns mutant battery farm is astonishingly good (“HOW MANY?”). Unpredictable, just as he should always be. Even better is his ecstatic reaction to curing the diseased humans and brilliantly, cuddling up to one of them.

I’m sure there will be people out there who are horrified at the whole mind swap plot but for me this was the best part of the episode, a chance for Billie Piper to truly let her hair down and show us what she is made of. I expressed my dissatisfaction at Rose’s characterisation in The Christmas Invasion because she was a bit useless (I know I know that was the point but it still rankled) but here she is right back on top. Her excitement at stepping out of the TARDIS onto an alien planet is affecting and the relax atmosphere between herself and the Doctor bodes very well for the future. But surely she steals the episode with her interpretation of Cassandra (“I’m a chav!”), who ever knew Billie was capable of being such a bitch! It’s brilliantly funny (especially when she snogs the Doctor…oo-er!) and things get even more slapstick when Cassandra dives into the Doctor allowing Tennant to really do some scenery chewing of his own. Frankly Cassandra in these two is so much fun I wanted her to stick around at the end.

Once again I am amazed at RTDÂ’s skill at making something so insanely absurd extremely poignant. He pulls it off a few times here. The whole mind invasion is clearly being played for laughs until suddenly Cassandra jumps into one of the diseased and back into Rose and her description of their loneliness and desperation to be touched is real reality booster. But even more compelling is the ending, which sees Cassandra (a totally ridiculous character) travel back in time and visit herself when she was still flesh and blood and tell herself she is beautiful before dying in her own arms. It is written and performed beautifully and if IÂ’m perfectly honest I found this ending more affecting than the end of Parting of the Ways. Something about the way the shallow human Cassandra suddenly realises what she is being told and her selfless attempt to save the life of somebody she has never met. Plus it is great to see Zoe Wanamaker in the flesh.

So what weÂ’ve got here is a fast paced, enormously entertaining and surprising episode, leaving you feeling shortchanged only because as a two parter it could have been so much more. It is a confident and stylish opener, rich with performances and special FX and is more than enough to keep the kids happy.

Attention, especially these days, is always more heavily focused on season openers than most other episodes in a series, apart from maybe the concluding episode. After all, if the first show flops, then who’s going to watch the rest? In 2006, viewers don’t stay as loyal to a programme as they did in years gone by if it fails to live up to expectation. So, when watching the first show, the critical eye is more ready to spot possible flaws in a script, especially, it would seem, if that script is written by a certain Mr. Davies.

The episode gets off to a good start, Rose saying good-bye to her Mother and Mickey, while the Doctor fires up the TARDIS’ engines. Then they’re off, further than they’ve ever gone before, and into the titles. A nice little sequence that does well in whetting the appetite for the adventure to come.

As for the story, it’s good to see the TARDIS land the Doctor and Rose on an alien planet at last, and the effects by which this is achieved are pretty good. I can’t believe what I’ve read from some reviewers that the city of New New York, the hospital and the air cars aren’t convincing. Sure, I suppose if you watch this sequence frame by frame with a magnifying glass against the television screen, it will probably not stand up to scrutiny, and maybe it doesn’t compare to such earlier astounding effects such as the Doctor’s encounter with the Skarasen in the last episode of Terror of the Zygons, or the totally convincing planet of frighteningly realistic insects in The Web Planet, but they are pretty damned good. In fact the whole scale of the episode has moved up a notch from the last series, and the overall look is much more “Sci-Fi” than anything we saw in Christopher Eccleston’s series. Although in one scene, it’s apparent that the same location was used as for the Nestene lair in Rose. Surely some other location could have been found, or it could have been shot differently.

However, after a nice piece of reminiscing from the Doctor and Rose, they receive a summons, via the Doctor’s psychic paper, to the nearby hospital - which is where their troubles start. I’m not going to explain every detail of the plot, as there are many places on this site where you can read that, and the majority of people reading this will probably have seen the episode anyway, but as far as originality goes, the plot itself isn’t exactly new, even though, with recent events from our own hospitals concerning MRSA and the like, it does appear pretty up to date and topical. But Cat people, plague carriers, mind swaps - all have been done in Doctor Who before, although not in the same story. Here though, these elements are presented well, with the sort of originality that doesn’t make you question too much of what has gone before in the series. The story moves at a brisk pace, and never seems to lag, which isn’t difficult as add Cassandra to the mix, and you have a script that is almost heaving under the number of elements put into it. The downside of this being that, towards the middle of the story, things get a little bit manic, as not only are we presented with the threat of the escaped plague carriers, but we then have Cassandra swapping bodies left right and centre. Even though this is very humorously done, maybe we were presented with one body swap too many and the humour diffused somewhat the menace of the plague carriers.

The music of Murray Gold continues to be very good, and certainly, in parts, sounds more like a feature film score, and the beautiful, haunting piece of music for the scenes with the Face of Boe is particularly memorable (had the tune in my head all evening). I know many people are not fans of Murray Gold’s music, but it’s a far grander sound than a lot of the music from the old series. My only objection being to the tweaking of the theme tune, both beginning and end. There was nothing wrong with the theme in the last series and I believe that if something’s not broken, you don’t fix it.

As usual with Russell T Davies’ scripts, if watched on a superficial level, they appear to be full of plot holes, such as the plague carriers having speech and being able to think for themselves. But if you actually watch and listen to the dialogue, all of these issues are covered. Even the dodgy science of using intravenous solution, sprayed onto the carriers to cure them, suits the rest of the science of Doctor Who. After all, the series is about a man who can change his appearance, is 900 years old, travels time and space in a ship disguised as a telephone box and encounters monsters who, for the most part, want to take over the universe. If you accept that, then it’s slightly mad to then question other aspects of the series’ science, unless of course you decide on whether or not you’re going to like and accept a story based purely on who the writer is.

As for the supporting cast, again they rise to the challenge. The Cat nurses, while although guilty of a terrible crime against humanity, still allowed you to feel for them, because they truly believed that what they were doing was right. I really felt for the Novice as she was led away by the police at the end of the story, even though I knew I shouldn’t. And special mention must also go to Sean Gallagher as Chip, Cassandra’s loyal servant, who, having allowed his Mistress to inhabit him, meets with Cassandra as she used be, and in a beautiful piece of symmetry at the end of the episode, becomes to last person to tell her she was beautiful before dying in her arms. I had to admit, being the old softie that I am, to having a lump in my throat by this point, and was pleased to see that this series is obviously going to continue to trend that began in the last series of being more emotional.

The regulars are used well throughout this story, with Billie Piper showing that she has a good flair for humour. And what of David Tennant? Did he live up to expectations? The answer has to be yes! He manages to bring across a Doctor, who is humorous, ruthless, fun-loving and like a dog with a bone when something gets into his head “you should have a shop,” and manages to achieve all this within minutes of each other without it looking forced or unnatural. I loved Christopher Eccleston as the Doctor, I think he managed to break the mould where the characterisation was concerned. But his portrayal did have one down point, and I found out what that was when I was watching New Earth for the first time - The Doctor is back! The ninth Doctor was so different, that for much of the last series, he didn’t feel like the Doctor. David Tennant does!

New Earth is basically a fun romp, a story that’s there to launch a series and to be enjoyed without being over analysed to the exclusion of all else. And in that, it succeeds.

8/10

While not a huge fan of Russell T Davies' writing, I thought that 'New Earth' was up there with the 'The Parting of the Ways', 'Rose' and 'The End of the World' as one of his slightly better offerings. It was the first time that the new series had taken the Doctor and Rose to an alien planet as opposed to London, Cardiff or a space station and it was more akin to classic Who science fiction.

This episode was also a much better vehicle for David Tennant to impress as the Tenth Doctor than the self-indulgent and rather twee 'The Christmas Invasion'. He was more of a lead actor in his own right, as opposed to his appearance at Christmas, where I just found myself missing Christopher Eccleston. Billie Piper played a slightly more confident Rose Tyler, now more of an equal companion as opposed to the wide-eyed assistant to Christopher Eccleston's slightly more paternal Doctor. We did not actually see much of Rose in this episode. Instead, Davies treated the audience to seeing Billie Piper perform her take on Zoe Wanamaker's villainess Cassandra.

The return of Cassandra was good way of linking the second series in with the first and reminding viewers that this was the same Doctor Who. While this initally seemed like a straightforward sequel to 'The End of the World', the body-swap plot made Cassandra a slightly more three-dimensional character as she came to the realisation that it was time for her to die. Davies created an enjoyable story out of the combination of the dark plot line featuring the human plague carriers and the almost farcical scenario which had Cassandra body-leaping from Rose to the Doctor and back again. The popular culture references that Davies loves to insert into his scripts and which often serve to detract from the sense of Doctor Who's other-worldiness were kept to a minumum. I know a few other reviewers have complained that Cassandra, being from five billion years in the future would not know what a chav was. However, it is established several times that she as able to draw on the feelings and memories of the person she was controlling and knew what a chav was because Rose knew. The combination of Davies' writing, the direction of James Hawes and some nifty special effects helped to create a genuine futuristic sense to the surroundings and a pervading sense of danger which culminated in the dark scene where two of the nuns casually murdered a plague carrier begging for help. But then, I suppose it wouldn't be Doctor Who if the seemingly kindly cats weren't up to something fiendish.

The return of the face of Boe seemingly set up the long-term mystery for this series, like the 'Bad Wolf' idea did for Series One. The two scenes with the face of Boe where they talked about its knowledge of the universe helped to create the sense of a great and mysterious world going on outside the hospital set and reminded us that there are forces in the expanse of space that are beyond the Doctor. I am willing to bet that the Face of Boe was going to tell the Doctor that there are other Time Lords still alive. Then again, maybe not.

This was a good opening episode for the new series, introducing Doctor Number Ten properly and bringing back some familiar faces to make the viewers feel comfortable with the new Doctor. Thankfully, Russell T Davies usually smug and pop-culture ridden writing style was kept to a minimum making this one of his better adventures.