Chris Eccleston IS the Doctor. Perfect casting. Such energy...it was like Tom Baker & Pat Troughton rolled together. I think every 8 year old boy is going to want a leather jacket for the birthday or Christmas.

Billie Piper turns in a convincing performance. I wonder how much of Billie is in Rose, because she doesn't appear to be acting, just someone who gets caught in the events happening around her. No screams, or "yes Doctor, no Doctor" here.

The opening scenes work brilliantly. The fast pace sequence was a nice way to show "a day in the life" of Rose. 

The new TARDIS is wonderful. I love how TALL the interior is. The door has always been a tough concept: going from the police box doors to the huge doors of the console room. What a smart idea to borrow the white interior police box doors from the Cushing movies. Being able to see the interior from the exterior perspective really gives the feel that its not just a box. I love it.

Mickie was a mistake. Maybe it was how he was directed, or played, but I found myself wondering what she sees in this guy.

The climatic scene where the Autons are holding the Doctor seemed to drag to me. I was alittle disappointed that the Autons seemed to be a backstory, not the plotting villian we're used to. But then it hit me: the episode is called "Rose" for a reason. RTD was using this as a tool to introduce the companion. Of course the Autons were minor point!

At the end, it left me wanting more, which it should.

When I first heard the show was coming back last year, and that RTD was going to be head writer, I said that I would save my judgement until I saw it, that I would give RTD a chance. I know that some people were concerned that it wouldn't happen, or that it'd be a mix of Queer As Folk and Coupling and so forth. If Russell's a fan, then he'll know how it should be done. I'm pleased to see that I was right. Keep up the great work Russell & Team! Wonderful stuff!

The downloadable screen saver which until seven o'clock tonight has been counting down until the start of the new series of Doctor Who now simply says 'The Invasion Begins...' Somehow I don't think it means the brief sound bleed of Graham Norton creeping in from BBC3 just as new companion Rose was being menaced for the first time by the Autons (who oddly weren't named this time out). It was an own goal from the BBC on what is one of the most important broadcasting nights of the year. But you know what I'm willing to forgive them.

Because he's back. He's bloody back. Bless him.

To be honest considering how much has been written about the new series off and online, all the tv and radio documentaries, the actual first episode, Rose, felt beside the point. As the busy new title sequence swished by part of my brain wondered if I was actually watching another trailer. But as Billie Piper strolled into view, and camera overcranked in Trafalgar Square during her lunch date with her boyfriend, my attention snapped back into view as I realised that it had started, I was there and nine years of wait were over.

Actually I think the plotting would have come as something of a shock for anyone who hasn't been catching the Doctor's adventures off screen in the gap. Atypically, The timelord already knew what the problem was and how to solve it even before the episode began (it was a bit like turning up for the last episode of a six parter in the old series). The Nestene Consciousness was using a transmitter (the London Eye) to control all the plastic in London in preparation for invading the Earth, with the help of shop dummies. The Doctor had a vile of anti-plastic, which he could use to destroy the Consciousness if needed to. It's exactly the sort of thing you'd find in one of the many short story anthologies (Short Trips etc) which been published in the interim.

This was clever move number one. Because just like best of the classic series, we were seeing him through the eyes of the companion, Rose Tyler -- she became our eyes and ears during the mad adventure. We needn't understand what it all meant, because she didn't really -- for her it was about going with the flow, enjoying the spectacle and the adventure -- much as it was for us. Like a prologue or opening act, it's about introducing the concepts and ideas to a new audience and reintroducing them to the old, and show what's changed to those who've never gone away. The was absolutely nothing in here which could alienate fans, well not this fan anyway.

The next clever idea was casting Christopher Eccleston. I think it was Tom Baker who said that the series is actor proof, that anyone could play it. That may be true, but its playing it well, and in a way which carries on the tradition. Eccleston's playing was just spooky; look into his eyes and you can see the other eight incarnations looking out at you. The moment on the bridge when he explains to Rose about the TARDIS moving around and says that 'She wouldn't understand' was just like grumpy old Hartnell. At the other end of the scale, as he fought the ships control panel as it melted the fake Mickey's head, McGann was back with us briefly. He's energetic, funny, sober, philosophical yet authorative when he needs to be. Standing over the the Nestene Consciousness trying to negotiate a truce using galactic law was just amazing.

Also amazing was Billie Piper. I don't think I was quite prepared for how much charisma she has, having not seen her in any of her previous acting roles. There is a real spark to her, an instant likeability. There is an edge of vulnerability in there, that kind of Alyson Hannigan (Willow in Buffy) huggability -- you really care if she gets hurt and I imagine they'll be playing that card somewhat as the series progresses. As a character, Rose Tyler is absolutely the right choice. Everything will be new to her, and there is that sense of wonder which was missing too much from in previous companions.

The tone was also just right. Some will no doubt knock on about the humour, especially in the scene when the Auton arms comes to life and attacks the Doctor without Rose noticing, or the wheelie bin burp, but I that's not much better or worse than John Pertwee's cleaning lady, or any number of Jelly Baby scenes. It's an important part of the series and in the Whedon age, vital other it would all look a bit ernest and silly. The episode's director Keith Boak hasn't 'done' sci-fi before (depending on your opinion of NY-LON) and was no doubt chosen because this is a story very much grounded on Earth, and these elements, quite right felt like they were intruding on the setting. Photographer Ernest Vincze, comes from a film background and that showed. At no point did the visuals feel flat; the moment when the London Eye created a halo around The Doctor, as well as feeling like a sneaky Second Coming reference (in that Russell T Davies series Eccleston played the new Christ) offered a perspective you don't often see on tv.

And yet. It wasn't perfect. Murray Gold's music was annoying. Considering how good his work has been in Casanova, here it just feels misjudged. Some sections felt desperately late Eighties. Every now and them there would an excellent spot effect, then a drum beat would clatter in and ruin it for everyone. We can't all be Alistair Locke or Dudley Simpson (both great incidental musicians from different eras of the show), but it just felt out of place somehow. That said, his mix of the theme is very good, but Delia Derbyshire's version was perfectly fine no matter what he and Russell might say about it seeming 'a bit sad'. Also, and I hate to single out any actor like this, but what did Noel Clarke think he was doing with that performance as Mickey. Yes, the character's a sap, he needs to be, otherwise Rose would shack up with The Doctor in the TARDIS, but why did he feel the need to play every scene as though he was auditioning to replace Craig Charles aboard Red Dwarf? Perhaps he settle down as the series progresses -- we'll be seeing more of him in later weeks as there as re-occurring characters this time around ... oh yes ...

But if that's all I can think of then something must be very right. This isn't another Phantom Menace. I keeping asking myself why I'm so excited about a new television series when there is still lots of other really good Doctor Who going around. It's about hope. It's about the fact that if enough of the right people care about something, and enough of those people are in the right position to doing something about it, wonderful things can happen. If that doesn't make you choke up, you must be an Auton.

I was one of the lucky few who, thanks to DWM got to watch this episode a few days early and I've had a few days to get my thoughts in order. This is my first review of anything so apologies if I ramble.

Let's begin at the beginning - the title sequence. I have to be honet and say that I found the visuals for this to be fairly unimaginative - very similar to the TV Movie titles but, for some reason, not so impressive. The new version of the theme tune, on the other hand, I thought was great. It probably won't be quite what some people were hoping for but it suits the style and tone of the new series perfectly. 

This first episode is fast, very fast and, as its title implies focuses on the character of Rose. Within about a minute of the episode beginning we've been given a whistlestop tour of a day in Rose's life and met her mother, boyfriend and co-workers. It's clear straight away that this is her story. The Doctor is only shown through her eyes and so instantly becomes a man of mystery. 

This is an excellent strategy from Russell T Davies who uses Rose to guide the audience in an intriguing quest to find out more about the Doctor. Information is revealed piece by piece so as not to confuse the all-important new viewer and is done so in a variety of different ways so as not to bore people. 

So much time is used set up the character and the relationship between them that, even in this fast-paced new 'Who', there isn't much time left for the rest of the plot. As such, I think RTD has deliberately left the plot fairly simple and straightforward: aliens have come to invade Earth, the Doctor has to stop them.Not that this is a criticism, it's pretty much what 'Doctor Who' has always been about anyway and the simplest way to get across the fact that the Doctor is a hero.

And what sort of hero is he? Well he may look quite different to what we've known before but he is unmistakably the same Doctor that we've always watched. Christopher Eccleston's portrayal brings out so many different aspects of the Doctor's character, he can change from being funny to deadly serious at the drop of a hat; you warm to the character immediately yet at times he appears quite distant and, well, alien. Which is just what he should be really. 

You would think, given the celebrity baggage that Billie Piper brings with her, that it would be difficult to accept her as Rose Tyler but within moments you forget that you're watching a former pop star/celebrity wife and you are completely drawn into her performance. That's how good an actress Billie is. If she has failed to convince then, no matter how good the rest of the episode was, I just wouldn't have been able to watch it. 

The script is very good, fast and funny with a few little nods to the past that won't alienate or confuse the new viewer and a nice little in-joke at the expense of Doctor Who fans. My only criticism is that RTD didn't make more of the character of Clive. Granted he was intended primarily as a means of giving new viewers a bit of background about the Doctor but the idea of a guy who has spent years researching who and what the Doctor is just seemed so intriguing. Sadly it doesn't seem likely that we'll get to see that particular character again. 

Finally a quick word on the direction, although I'm no expert on the subject. It's very different from what we've been used to in the past (and that includes the TV Movie) but it's just what I would expect for the 21st Century version of Doctor Who.

All in all, if this episode is any indication, I think that Doctor Who is in very safe hands.

I don't want to be too harsh on the first episode as a doctor's debut is typically not the best you can expect from the actor. I thought Christopher Ecclestone was very good though the fairly obvious and deliberate leaps from Tom Baker-like gurning to Pertwee gravitas will hopefully give way to a more relaxed and personal portrayal over time. Billie Piper lived up to her reputation as a fine actor - I was very impressed with her naturalistic performance and likeable portrayal of Rose.

Overall it was a very good piece of television though it seemed very much aimed at an extremely young audience - perhaps too much as I can imagine 10 year-olds still finding it a bit patronising. It did look a bit too bright and comical throughout and any parts that might have been exciting or make the hairs on the back of you neck stand up were ruined the bouncey up-beat incidental music. The dialogue was pretty witty throughout but really let down by clangers like, 'so all the stories I've heard are true' from Clive before he was shot.

There were some lovely touches like the Doctor's desperate apology to the nestene consciousness for not being able to save their planet in a previous war which we know nothing about, and the fear inspired in the Autons by the 'superior technology' of the TARDIS (wonderfully at odds with the ship's exterior).

However the Autons were terribly under-used - almost written off as not worth being a baddie and more of a joke. It's true that the idea of plastic coming alive and attacking people is very much rooted in the 1970s and the burgeoning environmental movements of that time when Pertwee battled them - but I feel that some fantastic oppourtunities to send shivers down our spines were missed here. In this introductory episode it seems as though the Autons were reduced to a vehicle for the audience to meet Rose and the Doctor - fair enough, but I do find myself feeling a bit bereft of chills.

Perhaps the series creators are aiming to welcome a predominantly young audience at first and when they decide they like the series, to deliver some more thoughtful and darker stories. This is what I remember form watching Doctor who as a child - it made me feel grown up and introduced me to quite advanced political, ethical and scientific ideas at the same time as being wonderfully exciting. As people to whom this series matters a more than any other television (ever) we're going to have to get used to a new stylistic take on the show and a new (almost too pacey) format (where's the story gone?). But in the spirit of optimism, I think we're just being asked to sit back and enjoy the relationship between Rose and the Doctor, and the fun of seeing new places and races over the next 12 weeks and to suppress our nit-picking. That doesn't sound too bad - plus the TARDIS looks very cool.

ps- How could RTD miss the 's' of 'dimensions' in TARDIS?! How could he!?!

An attractive blonde girl investigates an abandoned basement. She hears a suspicious noise. "Is there someone there?" she asks nervously. So far, so "Scream", but then you realise a shop dummy has started to move behind her. She backs off, questioning if this is someone's idea of a joke, but then other plastic assailants spring to life. They stand before her arms raised...

"Run."

Okay, the mysterious stranger who saved her was always going to be the Doctor, but how wonderful that in an instant, generations who grew up with Doctor Who KNEW that this new, leather jacket Northerner WAS the Doctor.

Fairly obviously much has changed since the Doctor and Ace strode off into the sunset, but I would argue Russell T Davies' "Rose" is very much singing from the same song sheet. First the differences:

Plot and characters aside, the pace of the episode is frankly dizzying, although never off-putting. The time taken in later episodes such as "Curse of the Fenric" just would not be possible for today's "Buffy" fed market. The relentless pace of the first ten minutes does slow when Rose asks the new man in her life who he is and why she has been attacked by a plastic arm, although I feel the pace is an excellent way of demonstrating The Doctor's effect on the mundane life of a normal girl. 

This brings me nicely to Rose. I feel the nicest suprise of the lot. I was a teenager when Billie Piper assaulted the music charts with offensively sugary pop tunes such as "Because We Want To" so was understandably nervous upon hearing her casting. My fears were unfounded, Piper shines as the very human Rose, a character who finds her blinkers removed in the space of two days. She cannot believe the TARDIS yet goes back inside it. She doesn't believe in Living Plastic but follows the Doctor regardless. She phones her Mum before attempting to save herself. Now it's hard to see how we ever cared about the other human companions who were in many cases plot devises. Rose is unique in that she has a life and I very much felt Rose's dilemma at the end of the episode, Piper's performance was charming as she obligingly chose her normal life, ("Because She Had To") and uplifting as she raced towards her new life in the closing seconds ("Because She Wants To").

Of course, Rose's success is down the the obvious chemistry with the new Doctor, another real plus to the episode. We knew Eccleston could act, but I was surprised at how unpredictable he was, very hard to get a handle on and I rather like that. Peter Davison was charming but utterly predictably and in the end even Tom Baker could be relied upon to do something silly. This ninth Doctor seems to find such joy in his vocation but his ready smile often flashes out of darker moments as when Rose questions his morality and before the Nestene Consciousness. An fabulously intriguing start, and I have now forgiven the rather dull costume. Essentially we know Rose, but along with Miss Tyler, I can't wait to travel with our new Doctor.

Other goods? The music is better after a few listens. The TARDIS interior does work and I'm sure as the weeks go on it will grow in "character". The Autons were suitably chilling, especially the junior dummies. Jackie was excellent and for the most part I enjoyed Mickey, especially his "Gansta" face on arriving at Clive's.

Now, no part of the episode really made me cringe or hide from my TV and I never stopped enjoying the experience of having Doctor Who back, although if I could have a whinge it would be on the smallest of plot details. Firstly I'm glad I knew what the Nestene Consciousness was before I started as The Doctor's explanation was a touch brief given the "blink and you'll miss it" nature of the whole episode and I understand the function of the Wheelie Bin totally given the fact I'm a teacher of ten-year-olds, but that doesn't mean I have to like it. Further the scene in Clive's shed seemed to quite coldly blank the fact that Clive knew there had been other Doctor's, but wasn't sharing. It seems insane to deny there used to be a series with same name. You don't have to be a big fan to want nods to the past. My Mum for example would have loved some less subtle acknowledgement of the old show. I guess the Dalek show may be the big test of how much RTD is willing to indulge.

All in all, whats not to love? It's Doctor Who! It's the same, but new! The debut has so mush promise...An alien with secrets, a human with the strength to share them? A machine that can take them anywhere, anytime. The next three moths will be a real treat.

My 1st impression was "wow"! Whilst I can't really comment on how it compares to the classic series' as I've only seen a few random episodes on UKTV Gold if I get up early enough on a Saturday morning, I was really impressed! It's certainly very 21st century and had me engaged from the very start. Whilst the beginning could quite easily have seemed incredibly rushed, I felt that it just showed how Rose's life was so monotonous and that to her life would have just sped by without her noticing. It provided a good contrast to how things were when she met the Doctor- suddenly things were interesting and she actually had a purpose. It was actually possible for her to live a life full of excitement and things very much out of the ordinary.

Christopher Eccleston's portrayal of the Doctor was absolutely superb. He had perfect comic timing and I felt the comedy was suitably understated, making it much funnier. Previous Doctors had their eccentricity in their costume a lot more than Chris, something that he overcame through the sheer watchability of his acting and that infectious smile!

Billie Piper was excellent as Rose. I thought she too shared some of Chris Eccleston's comic timing, though to a lesser extent. Her final lines to her boyfriend, for example, were just classic- exactly the way I'd treat such a wimp of a bloke! It was necessary for Micky to survive- someone had to tell Rose's mum, who would be so much more likely to believe his story considering what she had experienced in her Auton encounter!

I liked the storyline. The script was well written and contained the right balance of humour, seriousness and action.

The special effects were on the whole excellent. Though the wheelie bin was a little cheezy and absolutely hilarious rather than scary- although I can see little children getting a little freaked by their bins at home! I also absolutely love the interior of the TARDIS!

Of course, it wasn't perfect. In fact far from perfect, but that just added to the appeal! I get the feeling that Doctor Who was never meant to be perfect.

My main criticism would be the fact that it's far too obvious that it was filmed in Cardiff and not London. This wasn't helped by the fact that I live in Cardiff and so I recognised every little side street! The London Eye just doesn't suit Cardiff Bay- I kept wondering what happened to the St David's Hotel! But this didn't really distract too much from the story and I'm sure that it wouldn't bother the worldwide audience as much, if at all!

The continuity issue was a little bit of a problem. There was the impression that he had recently regenerated but he still seemed to have had time for a bit of time-travel! 

Apart from that, it was perfect and I just can't wait 'til next week!