The first episode of the long-awaited new series accidentally leaked its way onto the net. It's given fans a chance to whet their appetite, particularly fans located in countries without a television deal in place. The leak has prompted a lot of media reporting on both sides of the Atlantic. But perhaps the biggest shock to fans is the realisation that, finally, it's real. Doctor Who is *back*!

But what of the episode itself? How can the story, how can anything, live up to the hype, the promise and the dreams we've had for fifteen years?

Rose, fortunately, is fantastic.

It's not just okay, or as good as could be hoped for in the circumstances, it's utterly, utterly wonderful. There are so many great things about Rose, none of which I'm going to spoil. But after the first five minutes I was grinning like a fool and that grin never left my face for the next 24 hours.

The new show is smart, sassy, witty, scary, laugh-out-loud funny, touching and clever. It's got all these things in spades, although for my money it's the humour which succeeds best of all. Doctor Who, as a television show, was fundamentally a funny show. That's something that got lost when it made the transition to fan-produced property and something which I'm very glad to see return.

Perhaps the biggest adjustment long term viewers may have to make is to realise that it's a character piece, not a plot-driven spectacle. Which is fantastic, IMO, because it's the characters we really care about. There's a reason it's called Rose and not Return Of Some Extraterrestrials.

Rose herself is fabulous, carrying much of the episode. She's recognisably a companion, but without some of the more embarrassing touches. Billie's acting is the real shock though: it's fantastic. Stunt casting a celebrity pop singer sounded like a recipe for disaster, but I'm extremely pleased to report that she's amazing.

What blows everything out of the water, though, is Chris Eccleston's Doctor. He's incredible. What's more, he's unlike any Doctor we've ever seen and the complete antithesis of what you'd imagine the Doctor should be... except that he's utterly convincing. Right from his (fabulous) first appearance, you're never in doubt that he's the Doctor. What's more, he gets actual acting to do and carries the role with a boyish enthusiasm that's incredibly infectious.

I'm amazed at just how great Rose truly is. I honestly never thought they could recreate the series I fell in love with, preparing myself to adapt to whatever new incarnation it appeared in... but somehow they have. There are lots of little moments that really set it apart, but they're best seen without spoilers. Try and see this without ruining it for yourself if you can, it's really worth it. Doctor Who is back, but it's like he was never away.

For those of you not currently in the UK, and have so far resisted the urge to watch the downloaded copy - Nya-nya nya-nya-nya. We've just seen a totally awesome, 2005 version of a timeless classic. And we'll have seen several more before you lot do!

Sorry, had to get that out of the way. But I guess the reason you're reading this is to find out if its any good. The short answer is no. This is not good. Russell T Davies, a respected TV writer, and Dr Who fan, has taken our classic show and done something that is just not good. Because good does not even begin to describe what happened on BBC One at 7pm.

Let's take it in order: The titles. I'm still not sure about the new logo, and the names are displayed in a style reminiscent of the Superman movies but the graphics are superb. They seem to some how encapsulate the best bits of all the previous title sequences since 1963. And of course the music! Far better than the slightly pompous version on the TVM, this time we stay true to the Darbyshire classic, but with a fuller, cleaner sound.

Onto the drama. This is where Who 2k5 really scores. It out with a montage of a fairly typical day for Rose - which automatically gives it the gritty, realistic grounding we were, let's face it, we expected from RTD. However, its not Eastenders gritty - with misery surrounding our heroine at every corner. It shows a side of working-class Britain not often revealed in TV; the poor are often very happy with their lot - with enough love, and small bits of joy in their life. 

Bearing in mind that a lot of the old 25 minute Who eps seemed to drag, the 45 minute format could have worsened this problem. Oh contrare! Rose is almost instantly propelled into the thick of the plot - as is the Doctor. Considering the mass audience has not seen the Doctor since 1996, we waste no time re-introducing him. That is left to little clues dotted throughout the piece.

Eccleston is superb, if a little too over the top in this first episode. However, this may be down to a combination of needing time to settle into the role, and the fact that the Doctor exhibits a different kind of intensity and mania than the darker roles the actor is famous for. There are some overdone pieces in the story that take the comedy a smidgen too far, but that amounts to about 30seconds in the whole episode.

As for the Autons, we have a dilemma here. Whilst they do look a lot more realistic, and therefore less naff than the originals, in some ways this detracts from their innate creepiness. Some of the CGI effects with them adapting or reacting are more Roger Rabbit than Terminator, but again these are small gripes. The already legendary Wheelie Bin sequence could possibly have done without the burp - but I defy ANYONE to write a scene where someone is eaten by a wheelie bin where it doesn't burp!

Of the other characters, only Mickey fails to engage our emotions - he's a bit wet, cowardly, and too self-absorbed. In a way, his only purpose is to be the catalyst behind Rose's departure with the Doctor. 

There are those who posted reviews about the downloaded version that complained about the "cheap" look of the show being shot on video. Whilst its true that it makes the show look a little cheaper than the TVM, it is in keeping with the style of shows aimed at Doctor Who's target audience. Shot on film, the show would have been darker in film, and ended up in later slot more in keeping with Sea of Souls.

Wobbly sets have indeed gone, but there are points where the use of Green Screen techniques are obvious, as CSO overbleed used to be in early 70's Who. 

However, none of these criticisms and little niggles are enough to overcome the fact that Doctor Who is back - and on the basis of Rose, could be around for quite a while.

Ok, get the gripes out of the way and done with.

For me, the story moved at such a pace that the suspense never built. The opening scene with Rose in the basement of the store and the activation of the Autons is a case in point. Effect followed cause too quickly. Probably caused by the need to set up the main characters and still tell a story in only 45 minutes.

No cliff-hanger into the second episode. Part of the magic of Doctor Who for me as a child (who was 6 when Jon Pertwee tumbled out of the TARDIS in Spearhead from Space) was the week spent imagining how the Doctor/companion would get out of the mire they were left in at the end of the previous episode.

No regeneration. Having watched the supporting programmes that preceded and followed Rose: yeah ok RTD, you've got a point, lets not confuse the target audience by introducing the main character only to have him change his face.

The new Doctor - he's a funny so and so - sometimes eccentric (bordering on Tom Baker, referring to us as blundering apes, the cheek!), sometimes comic (the scene in front of The London Eyes was class), sometimes a dork (the 'Vindaloo' walk to the TARDIS with Rose), sometimes vulnerable (those 'save me Rose' eyes), but brilliant....... as if Chris Eccleston is capable of anything less.

Rose - a character that grows on you (pun intended). Faced with the choice of chips, telly, a wally for a boyfriend and a 'compensation culture' mother she showed loyalty and only ran off to the TARDIS at the second offer. Just the right hint of hidden depths to make the character really interesting and a touch of Buffy when the occasion demanded without turning her into a Buffy clone.

Production values were good throughout. Special effects on the whole were strong, although the 'deadly dustbin' appeared cartoonish when it warped to swallow Micky.

Autons were and still are my favourite of all the monsters. Interesting, the Auton gun sound effect sounded just like it did in the 1970s.

The story raced along (as I have said previously, a little fast for my taste but certainly acceptable for a modern audience) with interesting continuity references. What is this war, did the Doctor's involvement lead to his (recent??? - the mirror in Rose's flat) regeneration and will it tie in with Big Finish CDs or the EDA books?

Overall 7/10

But the real acid test - my godson and his sister (7 and 5 respectively) both liked it, although it was a little scarey when all the dummies came to life and started shooting everyone.

RESULT!

Good

The Autons. They felt like a mysterious Alien force and then went out to full blown Halloween-esque unstopable terror. Shame it didn't last longer.

The ending. Rose deciding to swing ont that chain was a great defining moment, and the way it was inter spliced with shots of the Autons and their guns worked brilliantly.

Generally excellent dialogue, which is what you'd expect from such an acclaimed writer.

The references to time in the whole episode. Could have been better if it wasn't so rushed, though.

The Tardid looks great. It looks Alien, and it looks like it's actually been used. Before Star Wars everything "future" was white and curvy and clean, and Lucas made it look realistic by making it dirty, worn down and broken - which is also what the BBC have done. It's easier to believe that the Tardis has been through time and space since forever, and that the buttons and levers actually do something.

The Doctor is pretty good, though I still prefer Pertwee. ;

The end finale was great, but I wish it wasn't all wrapped up in one episode. The scene of devastation at the end somehow felt unsatisfying - I kind of felt like there should be some Men in Black style mind eraser, because even though they'd wrapped up the Doctor and Rose, they hadn't bothered to explain what humans would make of the Auton invasion.

The sonic screwdriver and the way the Doctor is shown as being very mortal.

They way get got in the London Eye. Makes you proud to be British, sort of.

The special effects, obviously. It never felt too blue-screeny either, which is good - there was a good mix of CGI and actual sets.

Bad

I thought they wrapped up the story far too quickly. In fact, they really packed too much in full stop (though to be fair they did all the explaining really well - they were always on the move which meant that it wasn't too dull, though that 5 minute walking sequence when the Doctor explained everything was a bit much). The Autons were too easily destroyed and we didn't feel their terror as much as we did in Speerhead from Space, which gave them a lot more time.

Why didn't Rose's boyfriend just die? They set it up so well. It doesn't make sense that he survives, and it means that Rose following the Doctor is even less plausible. They could have even gone the way of killing Rose's family and had the "well I've got nothing left for me here" route. At least it would have made sense.

Missed opportunity

The Who nut was great (and a good reference to the fanbase), but it would have been really cool to have had a link to the past Doctors there. Something like "I've been tracking this guy for ages and he seems to change faces, but it's definitely the same guy because he comes out of the same police box. (Shows pictures of Hartnell, Pertwee, etc. in appropriate photographs)

They missed out the best bit of the Who theme. It usually plays at the end credits and is the best bit.

The music

I didn't like the tech music they used, but the sort of Gothic like ones they had were great. At the end finale they had undertones of the main theme, which was also cool.

The main Who theme is great, with a good ochestratic beat replacing the old 80s style thump. Shame they missed out the best bit, though.

Coming up next

Now that they've got all the explanatory storytelling out of the way, the next episode looks really great. The last remaining human looks fantastic, and it's good to see the old style weird Aliens (but this time without lines where you can see where their masks end)

What I want is a main storyline that continues over each Episode, and isn't wrapped up neatly at the end. I'm presuming the BBC will do this.

To sum up...

Pretty damn good, but not without its faults. I'll be eagerly anticipating the next one. 8/10

Well, I've held off talking about the new season of Doctor Who as of yet, mainly because I didn't want to spoil it for anyone who has yet to see it. 

Well Its not the best episode of Who I've seen, but if this episode is any indication, I CAN'T wait for more. Rose was really well done, the pacing was spot on, and although silly, the special effects were great.

Actors

Christopher Eccleston - well, I'm very impressed. The only other thing I've ever seen him in was "28 days later" where he played the military major, that was the head of the base. For that role he was very dark, and not too terribly likable. I sort of was scared that this who would be too dark, to me that isn't doctor who. Thats why I didn't like the movie nor did I like the BBCi flash cartoon very much - Because it was too mature for its own good. Even in the old days who was always a family show, even the scary episodes. Thats why when everyone thought Bill Nighy was going to be the doctor I kind of cringed. Now I sit back and watch Eccleston, which reminds me a bit of Tom baker's doctor. Sort of goofy, but with a dark side. He has the possibility to be one of my favorites if his acting stays like this, or he gets better.

Billie Piper - I'm not too familiar with her, because I honestly try to avoid british pop music because of some of the stuff I heard when I visited London a while back. I know she was basically the Britney Spears of the UK, but I'm not too familiar with her career. I was really impressed by her performance, and felt that she was really good in the role of Rose. She was a strong female character without being as over the top as Ace, a companion during the McCoy era.

Plot

What I liked about this episode was how it appeared to be a part 2 of 2 part series where we didn't actually see part one. We saw from Rose's eyes, and have no idea what the doctor had been doing up to that point. This was a good plot device, because without all the extra baggage that a regeneration scene, and such, the scene was allowed to flow, and not be bogged down with over explanation or continuity as with the Paul McGann TV movie. I do hope that they revisit the regeneration later on.

Music

I thought the incidental music was good, not the pseudo porn music from the movie, or the odd sci-fi music from the original series. It was modernized quite a bit. Also I LOVE the theme tune, it was actually quite a bit different than the BBC radio version that I downloaded a while back. It seemed like they cranked up the "diddy dums" in the bassline a lot. I think Murray gold did very well, and I think its the best theme since the Tom Baker theme.

So yeah, I really liked it, 4/5 stars.

The downloadable screen saver which until seven o'clock tonight has been counting down until the start of the new series of Doctor Who now simply says 'The Invasion Begins...' Somehow I don't think it means the brief sound bleed of Graham Norton creeping in from BBC3 just as new companion Rose was being menaced for the first time by the Autons (who oddly weren't named this time out). It was an own goal from the BBC on what is one of the most important broadcasting nights of the year. But you know what I'm willing to forgive them.

Because he's back. He's bloody back. Bless him.

To be honest considering how much has been written about the new series off and online, all the tv and radio documentaries, the actual first episode, Rose, felt beside the point. As the busy new title sequence swished by part of my brain wondered if I was actually watching another trailer. But as Billie Piper strolled into view, and camera overcranked in Trafalgar Square during her lunch date with her boyfriend, my attention snapped back into view as I realised that it had started, I was there and nine years of wait were over.

Actually I think the plotting would have come as something of a shock for anyone who hasn't been catching the Doctor's adventures off screen in the gap. Atypically, The timelord already knew what the problem was and how to solve it even before the episode began (it was a bit like turning up for the last episode of a six parter in the old series). The Nestene Consciousness was using a transmitter (the London Eye) to control all the plastic in London in preparation for invading the Earth, with the help of shop dummies. The Doctor had a vile of anti-plastic, which he could use to destroy the Consciousness if needed to. It's exactly the sort of thing you'd find in one of the many short story anthologies (Short Trips etc) which been published in the interim.

This was clever move number one. Because just like best of the classic series, we were seeing him through the eyes of the companion, Rose Tyler -- she became our eyes and ears during the mad adventure. We needn't understand what it all meant, because she didn't really -- for her it was about going with the flow, enjoying the spectacle and the adventure -- much as it was for us. Like a prologue or opening act, it's about introducing the concepts and ideas to a new audience and reintroducing them to the old, and show what's changed to those who've never gone away. The was absolutely nothing in here which could alienate fans, well not this fan anyway.

The next clever idea was casting Christopher Eccleston. I think it was Tom Baker who said that the series is actor proof, that anyone could play it. That may be true, but its playing it well, and in a way which carries on the tradition. Eccleston's playing was just spooky; look into his eyes and you can see the other eight incarnations looking out at you. The moment on the bridge when he explains to Rose about the TARDIS moving around and says that 'She wouldn't understand' was just like grumpy old Hartnell. At the other end of the scale, as he fought the ships control panel as it melted the fake Mickey's head, McGann was back with us briefly. He's energetic, funny, sober, philosophical yet authorative when he needs to be. Standing over the the Nestene Consciousness trying to negotiate a truce using galactic law was just amazing.

Also amazing was Billie Piper. I don't think I was quite prepared for how much charisma she has, having not seen her in any of her previous acting roles. There is a real spark to her, an instant likeability. There is an edge of vulnerability in there, that kind of Alyson Hannigan (Willow in Buffy) huggability -- you really care if she gets hurt and I imagine they'll be playing that card somewhat as the series progresses. As a character, Rose Tyler is absolutely the right choice. Everything will be new to her, and there is that sense of wonder which was missing too much from in previous companions.

The tone was also just right. Some will no doubt knock on about the humour, especially in the scene when the Auton arms comes to life and attacks the Doctor without Rose noticing, or the wheelie bin burp, but I that's not much better or worse than John Pertwee's cleaning lady, or any number of Jelly Baby scenes. It's an important part of the series and in the Whedon age, vital other it would all look a bit ernest and silly. The episode's director Keith Boak hasn't 'done' sci-fi before (depending on your opinion of NY-LON) and was no doubt chosen because this is a story very much grounded on Earth, and these elements, quite right felt like they were intruding on the setting. Photographer Ernest Vincze, comes from a film background and that showed. At no point did the visuals feel flat; the moment when the London Eye created a halo around The Doctor, as well as feeling like a sneaky Second Coming reference (in that Russell T Davies series Eccleston played the new Christ) offered a perspective you don't often see on tv.

And yet. It wasn't perfect. Murray Gold's music was annoying. Considering how good his work has been in Casanova, here it just feels misjudged. Some sections felt desperately late Eighties. Every now and them there would an excellent spot effect, then a drum beat would clatter in and ruin it for everyone. We can't all be Alistair Locke or Dudley Simpson (both great incidental musicians from different eras of the show), but it just felt out of place somehow. That said, his mix of the theme is very good, but Delia Derbyshire's version was perfectly fine no matter what he and Russell might say about it seeming 'a bit sad'. Also, and I hate to single out any actor like this, but what did Noel Clarke think he was doing with that performance as Mickey. Yes, the character's a sap, he needs to be, otherwise Rose would shack up with The Doctor in the TARDIS, but why did he feel the need to play every scene as though he was auditioning to replace Craig Charles aboard Red Dwarf? Perhaps he settle down as the series progresses -- we'll be seeing more of him in later weeks as there as re-occurring characters this time around ... oh yes ...

But if that's all I can think of then something must be very right. This isn't another Phantom Menace. I keeping asking myself why I'm so excited about a new television series when there is still lots of other really good Doctor Who going around. It's about hope. It's about the fact that if enough of the right people care about something, and enough of those people are in the right position to doing something about it, wonderful things can happen. If that doesn't make you choke up, you must be an Auton.