New Earth
A season opener, introducing a new Doctor. The return of a camp villainess, who assumes the identity of the Doctor's companion. A story which derives from popular science headlines, but which is not remotely scientifically plausible. Ring any bells? OK, so New Earth isn't as bad as Time and the Rani, but the fact that the comparison is possible is worrying.
What a curiously unengaging first episode. If you've not yet seen it, here's my advice: forget all the hype about this season being bigger and better, turn off your critical faculties, and sit back and enjoy the spectacle. Good points first: it's visually stunning (full marks to everyone in the production and design departments), well directed, and both lead actors are clearly having a ball. Anything else? Well, here's where the reservations start creeping in. We get our first visit to an alien planet (hurray!) - but not only is it a dead ringer for Earth (I know, the title tells us that much), complete with human extras who could've wandered in off the street, but most of the story is set indoors. Mystery is piled upon mystery (who has summoned the Doctor? who is spying on Rose? what is the Face of Boe's secret? etc.) - but we're either given the answer straight away, or not given an answer at all. Either way, no tension is generated. Oh, there was one other positive (in fact, the only time for the whole 45 minutes I felt gripped) - the trailer for next week looks great.
What went wrong? Is it just that expectations were too high, and that after the marvellous 'The Christmas Invasion', anything was going to be a disappointment? I don't think so. Sadly, the fault lies in the script. First, the pre-credits sequence. Rose's mum and boyfriend say goodbye to her as she catches the train to go off to university - or may as well do for the amount of excitement or emotion in the scene. (Actually, that would have been an improvement; it would at least have made us wander what was going on.) Second problem - in their first full episode together, Rose and the new Doctor get separated very early on and spend very little time with each other. Third problem - the attempts at comedy felt forced and (to this reviewer at least) just not funny. Everything had to be heavily signposted and laid on with a trowel - what happened to lightness and wit? There are quotable lines in 'The Christmas Invasion' that still make me laugh, so RTD can do humour; but when he gets it wrong, it seems to go badly wrong. (Cassandra-as-the-Doctor dancing and Cassandra-as-Rose's false Cockney speech particularly grated).
Other reviewers have commented on aspects of the plot that just didn't make sense (e.g. mixing the various intravenous drips and curing the Flesh by spraying them with the resulting mixture, and then having them transmit this cure by touching each other). I'll mention one more: how come, if the Flesh suffer from all (human) diseases, the plague is not airborne? (Answer: having it being transmitted by physical contact enables lots of running away down corridors, and also makes the AIDS symbolism stronger. Fine; so just don't say they have all diseases, then). It was also unclear how the different elements were connected. Was it just a coincidence that Cassandra and the Face of Boe ended up in the same location again? And why re-introduce them when neither had anything to do with the Cat-Nurse-Nun plot? RTD clearly loves his creation Lady Cassandra, but I'm afraid he didn't make me care about her in the slightest. Consequently, the ending just felt flat and dull, rather than emotional. Overall, it felt like plotting by numbers, formulaic and derivative. (Which is a concern, this early in the Who revival). Is the problem that the other producers and writers are so in awe of RTD that no-one submits his scripts to the same level of scrutiny as those from other writers?
Maybe I'll revise my opinion when I've seen it again, but my first impression was that this is the weakest of the 'New Whos' to date. I'm still looking forward to next week; but let's hope that along with the spectacle (Werewolf! Queen Victoria! Matrix-style Kung-Fu Monks!), there's also some excitement, wit and engaging characters.