Like last time (November 1963), the first episode contained an aerial view of Central London and I loved the way time was speeded up to show us a day in the life of Rose Tyler (Billie Piper). 

The new series has now got that filmed look and it was very tense watching Rose approach the store basement surrounded by what we knew at first glance to be Autons. The cheer that greeted her from BBC3 actually added to the scene - as it seemed the plastic nasties were luring her into a surprise birthday party, horror film style. But I didn’t mistake a couple of brief snatches of Graham Norton. Ironic, because he was reported to have wanted a role in the new series, having trained as an actor. I trust whoever was responsible for the sound transference will be exterminated, though it didn’t spoil my enjoyment. How could it? Rose needed someone to rescue her and the way The Doctor just burst onto the scene - sideways into the story - hadn’t been done before and is effective. 

I thought Christopher Eccleston was eccentric and likeable. Russell T set the character up quickly and well. In seconds we had established from his checking out the ears that he’d just regenerated, could scan-read quicker than humans and was quick at social comment: “he’s gay, she’s an alien - it won’t work”. I also laughed when he confirmed to Rose’s mother, who had her eye on him, that he was a strange man. As to the Ninth Doctor’s outfit: it suits Eccleston. As velvet smoking jackets & long scarves suited Jon Pertwee & Tom Baker. One or two of the subsequent outfits had been OTT (what Russell T said about “layers of association” over the years...re the costumes, going one farther than something that had worked for a different actor) and I guess it had reached the point where it was considered one of the factors standing in the way of making DR. WHO accessible to a 21st Century audience. But Sylvester McCoy was actually the first Doctor to speak with a regional (non-RP) accent. 

It’s a good move to base DR. WHO on contemporary Earth in a domestic set-up, as it answers it’s critics on the question of social relevance and will hopefully attract a lot of new viewers. The use of London - red buses, Big Ben & LondonEye - is a good selling proposition for overseas sales. I sincerely hope a lot of the episodes start & end on present-day Earth as I’ve heard. Yet within that, historical stories & outer space will be present. There seems to be a deliberate contrast in the arrangement of the episodes.

I loved the lighting of the TARDIS in RADIO TIMES. A butterfly design in it’s lines from a distance - which is pretty appropriate as they metamorphose. I’m not sure about the new console so far. But I was taken with the slightly chunkier TARDIS exterior, which reminded me of the films - both of which have been on in the last week. The lights being full on is another neat idea that perhaps should have been used before. 

The Autons are perhaps my favourite monsters, so a re-imagining of the famous scene of them smashing their way out of shop windows to go slaughtering innocent members of the public scores top marks for me. The new Autons - the male business suit with lilac shirts, the Classic Brides, the Auton Children - absolutely brilliant and instantly iconic. The fact Mickey was recognisable to us as an Auton before Rose was an acceptable dramatic device. 

Fast paced, contemporary, witty & scary. This featured the best SFX I’ve seen on TV. This single episode certainly compared well with Hollywood. 

DR. WHO is back and, boy, he’s better than he’s been in years.

So it’s finally arrived? Is it any good? Well, it’s certainly not like any other Doctor Who I’ve seen and that’s definitely for the better…

Lets get the Bad points out of the way first, such as they are. The music was a bit poor, leaning towards Keff McCulloch rather than Dudley Simpson. Some of the action was rather too fast and hectic. Some of the effects were superb, others not so and I’m still undecided on the Auton wheely bin, especially the burp!

Good points? The rest of the show basically. 

Initially I was a bit unsure of Christopher Eccleston, with him coming over rather too jokey to begin with. But my fears disappeared as the on-screen rapport with his new companion developed into something special and yet so traditional. He is definitely recognisable as the Doctor and has the right mix of humour, seriousness and mystery.

The revelation was Billie Piper. Never has a companion seemed so assured and real. Vulnerable but not wimpy, Billie’s performance was the focal point of the episode, dealing as it did with discovering the Doctor from her point of view and she nailed it right from the word go! Like the DWM interviewer, I am smitten…

And did you notice when swinging into action to save the Doctor, Rose says she’s got the gymnastics bronze. In shows like Star Trek, she would have to have had won the gold. Fortunately, this is Doctor Who, where even a robot can be told that even though he’s failed, it doesn’t matter because failures one of the basic freedoms. With Rose we can rejoice in a character who seems to know she isn’t perfect but isn’t bothered by it. Just like the Doctor himself. I thought that was a nice touch and perfectly in keeping with one of the series more human ethics; Do your best and don’t worry…

Making Rose the focal point of the episode was pure genius, as new viewers would be just as in the dark about the Doctor as she was, while us old fans could delight in her discovery of the character of the Doctor.

While the actual plot was a bit thin, the script was real, witty and fast. The supporting characters well-drawn, especially Mark Benton as Clive, a role which could have descended into the obvious caricature of a nerdy Doctor Who fan.

The reaction to the new series has been unbelievable. The series is fast becoming water-cooler TV and everyone but everyone has an opinion on it for me, largely positive as well.

All in all though, an enthralling start to the new series.

OK first things first, confession time. I am a backslidden Doctor Who fan. I only got 4 or 5 right on each round on the recent Mastermind. I had turned my back on all the books, animated and audio adventures that have followed since the end of the series. I watched and bought the film, but only because I felt I had to. I guess thinking about it, I had ‘buried’ Doctor Who in my head, and wanted to move on from it. For me the books, cds and paraphernalia were an unsatisfactory substitute, and just reinforced the sense of loss.

So during the lead-up to the new series I was worried - worried that they would a) produce something of quality but not Doctor Who at all or b) produce something laughably bad that would have Tom spinning in his armchair! Worried that it would be good but I would be unable to enjoy it as I was not 11 any more. And on top of that I was worried I was going to be so worried about it I wouldn’t be able to enjoy it even if it was good!

Given all of these misgivings and negativity, when I say that it was fantastic it’s high praise. Firstly the pace; it swept me along at such a speed that I didn't have time to stop and think. And it was pitched perfectly, at 8-12 yr olds like they said, but with one eye on adults so I was able to enjoy it despite my age.

In retrospect now the plot was a little thin and rushed. It seemed like no sooner had the aliens been introduced and their plan divulged than they had been defeated! But this was made up for by the йlan, verve and sheer sense of fun which covered the whole enterprise. It is acknowledged that every piece of created work gives you an insight into the soul of the creator. Well, this Doctor Who was the product of someone who loves life. And that’s what it should be. 

Monsters and all that. I didn’t expect to be scared or even impressed by the ‘monsters’, and I wasn't. The only monster in ANY sci-fi which has managed to scare me was the Alien. But really it was never about the monsters for me, but more the concept; being – or meeting – someone who is totally free to travel through time and space and the possibilities this throws up. (to give you a clue where I’m coming from, my favourite story is Warriors Gate – no monsters. I've never even been that keen on the Daleks!) The most effective part for me 'monster'-wise was the scene in the cafe when her boyfriend had been copied; I found him genuinely a bit creepy. But judging from the posts on the cbeebies website, kids found the Auton shop dummies scary so that’s OK!

Bits and bobs. Doesn’t the closing theme music end a bit abruptly? Clive – an interesting character thrown away too early. In response to those nit-pickers saying that how come Clive saw the Doctor in various eras when he had only just regenerated – those were places he is going to be! (mangled tenses). And Clive happens to live in the same area as Rose after she does an internet-wide search for ‘Doctor Who’ – what’s the chance of that?!

But these are just footling concerns. I really loved it and I can’t wait for the rest of the series. It’s like being 11 again!

For me, 'Rose' has a number of tributes: firstly, to Jon Pertwee (the Autons, two if you count the 'mickey head off' scene! (Worzel Gummidge!). Secondly, to Dead Ringers, with the use of the London Eye as a source of alien activity and thirdly, to the fans (Clive).

However, this dosen't take anything away from the episode. What with Rose's disbelief at both the Autons (although not named as such), and the Doctor's TARDIS (did anyone else notice the Time And Relative DIMENSION In Space?), it all seemed rather believable, with Billie Piper giving a more than adequate performance as Rose. (I still can't forgive her for 'Because We Want To!')

Chris Eccleston proved to be an inspired choice, although I fail to see anything 'fey' about his performance. (By the way, I am writing this after his announcement, and also apologies for the number of brackets in this review.).

The performance of Noel Clarke as Mickey has received mixed reviews, but surely the willing suspension of disbelief must still apply, or there's no point in remaking the programme in the firat place. Mind you, saying that, the belching wheelie bin was a bit too Light Comedy for my tastes!

Well, that's it really, just sit back, have a cup of tea (or coffee), and enjoy Doctor Who on Saturday nights at seven o' clock. Believe me, you won't regret it!

Being a casual, rather than devoted, Who fan, I was unperturbed by rumours of a new series, the McGann movie came and went but by March 26 2005 I was excited beyond belief by the prospect of a new series. It’s funny that in 2005 Star Trek dying (regenerating if you're an optimist!) doesn't seem as bad as it should and the most exciting return of a sci fi icon is a 900 year old time traveler, as opposed to a Jedi gone bad. We live in interesting times but did series premier Rose live up to expectations?

The TARDIS, SFX, theme and title sequence were all present and correct, the new TARDIS interior being suitably alien and yet reminiscent of previous incarnations. Chris Eccleston combined grinning maniac with sensitive elder admirably and his Doctor, despite his protestations, was reminiscent of previous incarnations. Billie Piper shut a few people up convincing us of Rose's dichotomy of perplexed and spunky. Mickey on the other hand seemed to need an Atomic Thunderbuster to get him going with enough kid friendly elements in the script acting like this week's Chuckle Brothers guest star is not enough. 

The pace was frenetic and the story was patchy and full of more holes than Mrs. Tyler's knickers drawer, if you were expecting traditional Who that is. However the title of the episode is Rose and from that we must take our cue. This story is not about the Nestene Consciousness, the hinted at war it is simply 'council estate girl meets time traveling alien' in that context plot holes and a lack of exposition fall by the wayside and we can forgive any quibbles. 

The Internet man was a genuine revelation a loving and fun poking way of getting over a load of exposition whilst giving a thumbs up to everyone out there on sites like this. The Autons moving menacingly at the episode's beginning were scary enough and apart from Mickey's transformation from wooden to plastic the individual scenes worked well. The incidental music was a bit Byker but we can't have everything can we? 

Overall this was exciting stuff, welcome back Doctor, I fear for the 45 minute format but with Star Trek, X Files, 24 and a host of others (heck the Simpsons does it in 20!) all managing to produce quality multilayered storytelling in that amount of time (with mini advert cliffhangers) then there is no reason Who can’t do the same.

"Do you know like we were saying, about the Earth revolving? [...] I can feel it. The turn of the Earth. The ground beneath our feet is spinning at a thousand miles an hour, and the entire planet is circling around the Sun at sixty-seven thousand miles an hour, and I can feel it. We're spinning through space, you and me. Clinging to the skin of this tiny little world, and if we let go... That's who I am."

The wait is finally over. After 16 years (or 9, depending on your perspective), Doctor Who has returned. And it's a new look, new style Who. But that's not necessarily a bad thing.

"Rose" is fast-paced, slickly-edited television - with 45 minutes to introduce and resolve a plot, it's certainly a far cry from the traditional slow-burn nature of the old 4- and 6-part serials. And yet, it works. The Auton invasion (which many would see as the main plot of the episode) is very much incidental, as the primary thrust of this new first episode is to (re-)introduce the concept of the series, and the new characters. As such, it does tend to fall flat. The Autons are very much underused as a threat, mostly confined only to the first and last ten minutes, although the attack in the shopping centre was very effective. The pace did seem a little too fast at times, but when you're having to infodump exposition to the new viewers (and the new companion), a little speed can sometimes go a long way.

The Ninth Doctor is a man of contradictions - one minute manic and giddy, the next serious, mysterious, and altogether alien. And Christopher Eccleston plays the part superbly, with genuine passion and power. And whilst the manic grin at times does grate, in general, the Doctor remains the mysterious stranger he has always been. The brief hints at this Doctor's backstory - his involvement in the war and the destruction of the Nestene homeworld, the appearances in 1888, 1912 and 1963 (if not the result of future temporal excursions...) - provide us with interesting discussion points, and the sense that this Doctor isn't coming to us at the start of his ninth incarnation, but we are catching him 'mid-flow', as it were...

I wasn't as pessimistic about Billie Piper's starring role as others - having none of the "teen pop star"-type affectations about her acting skills - and was pleased to see her carry the role of Rose Tyler well - a young woman seeking an escape from her humdrum existence, caught up in incredible events. Her non-reaction to the replacement of Mickey with an Auton double, however, whilst more of a script error than an acting one, made the character seem less observant and world-wise than the rest of the episode suggested. But, her general reactions to the events taking place around her - in particular, her reaction to the TARDIS - were spot on. And she didn't scream in terror once...

Of the minor characters, Mark Benton as Clive was, for me, the most memorable. A spin on the traditional view of the "Doctor Who fan" (this one, of the "real" Doctor), his observations of the effects of the Doctor's presence were well-put, and if the episode indeed portrays his death, it is a shame, as the character could have been an interesting one to bring back in future installments. Noel Clarke as Mickey was less of a success - sometimes a little bit too over the top - but did well, especially as the Auton Mickey, portraying an unfamiliarity and a creepiness that was just what was required for the piece.

Musically, the new theme tune perfectly accompanies the style of the new series - powerful, bombastic, and yet familiar and Who. Of course, I am one of the few people who liked the TVM theme, so what do I know...

The incidental music was much more hit and miss. The very first piece, as we reveal the Earth in space, then zoom down to London, was absolutely perfect. But then, at times - particularly in the early part of the episode - the music drowned out voices, overshadowed drama, and generally distracted from the on-screen events. There were some good points - the little snippet of the theme tune as Rose ran past the TARDIS after escaping Hendricks, haunting melodies that played over several key scenes, including the "that's who I am" scene - and in general it improved as the episode went on. Still, it could be improved further. Music should underscore events, not overwhelm them.

But, all in all, it was an outstanding episode - a worthy beginning, and the preview for "End of the World" seems to show that the level of quality will continue. 8 out of 10.

Welcome back, Doctor. It's been a long time coming.