The first episode of the long-awaited new series accidentally leaked its way onto the net. It's given fans a chance to whet their appetite, particularly fans located in countries without a television deal in place. The leak has prompted a lot of media reporting on both sides of the Atlantic. But perhaps the biggest shock to fans is the realisation that, finally, it's real. Doctor Who is *back*!

But what of the episode itself? How can the story, how can anything, live up to the hype, the promise and the dreams we've had for fifteen years?

Rose, fortunately, is fantastic.

It's not just okay, or as good as could be hoped for in the circumstances, it's utterly, utterly wonderful. There are so many great things about Rose, none of which I'm going to spoil. But after the first five minutes I was grinning like a fool and that grin never left my face for the next 24 hours.

The new show is smart, sassy, witty, scary, laugh-out-loud funny, touching and clever. It's got all these things in spades, although for my money it's the humour which succeeds best of all. Doctor Who, as a television show, was fundamentally a funny show. That's something that got lost when it made the transition to fan-produced property and something which I'm very glad to see return.

Perhaps the biggest adjustment long term viewers may have to make is to realise that it's a character piece, not a plot-driven spectacle. Which is fantastic, IMO, because it's the characters we really care about. There's a reason it's called Rose and not Return Of Some Extraterrestrials.

Rose herself is fabulous, carrying much of the episode. She's recognisably a companion, but without some of the more embarrassing touches. Billie's acting is the real shock though: it's fantastic. Stunt casting a celebrity pop singer sounded like a recipe for disaster, but I'm extremely pleased to report that she's amazing.

What blows everything out of the water, though, is Chris Eccleston's Doctor. He's incredible. What's more, he's unlike any Doctor we've ever seen and the complete antithesis of what you'd imagine the Doctor should be... except that he's utterly convincing. Right from his (fabulous) first appearance, you're never in doubt that he's the Doctor. What's more, he gets actual acting to do and carries the role with a boyish enthusiasm that's incredibly infectious.

I'm amazed at just how great Rose truly is. I honestly never thought they could recreate the series I fell in love with, preparing myself to adapt to whatever new incarnation it appeared in... but somehow they have. There are lots of little moments that really set it apart, but they're best seen without spoilers. Try and see this without ruining it for yourself if you can, it's really worth it. Doctor Who is back, but it's like he was never away.

Good

The Autons. They felt like a mysterious Alien force and then went out to full blown Halloween-esque unstopable terror. Shame it didn't last longer.

The ending. Rose deciding to swing ont that chain was a great defining moment, and the way it was inter spliced with shots of the Autons and their guns worked brilliantly.

Generally excellent dialogue, which is what you'd expect from such an acclaimed writer.

The references to time in the whole episode. Could have been better if it wasn't so rushed, though.

The Tardid looks great. It looks Alien, and it looks like it's actually been used. Before Star Wars everything "future" was white and curvy and clean, and Lucas made it look realistic by making it dirty, worn down and broken - which is also what the BBC have done. It's easier to believe that the Tardis has been through time and space since forever, and that the buttons and levers actually do something.

The Doctor is pretty good, though I still prefer Pertwee. ;

The end finale was great, but I wish it wasn't all wrapped up in one episode. The scene of devastation at the end somehow felt unsatisfying - I kind of felt like there should be some Men in Black style mind eraser, because even though they'd wrapped up the Doctor and Rose, they hadn't bothered to explain what humans would make of the Auton invasion.

The sonic screwdriver and the way the Doctor is shown as being very mortal.

They way get got in the London Eye. Makes you proud to be British, sort of.

The special effects, obviously. It never felt too blue-screeny either, which is good - there was a good mix of CGI and actual sets.

Bad

I thought they wrapped up the story far too quickly. In fact, they really packed too much in full stop (though to be fair they did all the explaining really well - they were always on the move which meant that it wasn't too dull, though that 5 minute walking sequence when the Doctor explained everything was a bit much). The Autons were too easily destroyed and we didn't feel their terror as much as we did in Speerhead from Space, which gave them a lot more time.

Why didn't Rose's boyfriend just die? They set it up so well. It doesn't make sense that he survives, and it means that Rose following the Doctor is even less plausible. They could have even gone the way of killing Rose's family and had the "well I've got nothing left for me here" route. At least it would have made sense.

Missed opportunity

The Who nut was great (and a good reference to the fanbase), but it would have been really cool to have had a link to the past Doctors there. Something like "I've been tracking this guy for ages and he seems to change faces, but it's definitely the same guy because he comes out of the same police box. (Shows pictures of Hartnell, Pertwee, etc. in appropriate photographs)

They missed out the best bit of the Who theme. It usually plays at the end credits and is the best bit.

The music

I didn't like the tech music they used, but the sort of Gothic like ones they had were great. At the end finale they had undertones of the main theme, which was also cool.

The main Who theme is great, with a good ochestratic beat replacing the old 80s style thump. Shame they missed out the best bit, though.

Coming up next

Now that they've got all the explanatory storytelling out of the way, the next episode looks really great. The last remaining human looks fantastic, and it's good to see the old style weird Aliens (but this time without lines where you can see where their masks end)

What I want is a main storyline that continues over each Episode, and isn't wrapped up neatly at the end. I'm presuming the BBC will do this.

To sum up...

Pretty damn good, but not without its faults. I'll be eagerly anticipating the next one. 8/10

Ok, get the gripes out of the way and done with.

For me, the story moved at such a pace that the suspense never built. The opening scene with Rose in the basement of the store and the activation of the Autons is a case in point. Effect followed cause too quickly. Probably caused by the need to set up the main characters and still tell a story in only 45 minutes.

No cliff-hanger into the second episode. Part of the magic of Doctor Who for me as a child (who was 6 when Jon Pertwee tumbled out of the TARDIS in Spearhead from Space) was the week spent imagining how the Doctor/companion would get out of the mire they were left in at the end of the previous episode.

No regeneration. Having watched the supporting programmes that preceded and followed Rose: yeah ok RTD, you've got a point, lets not confuse the target audience by introducing the main character only to have him change his face.

The new Doctor - he's a funny so and so - sometimes eccentric (bordering on Tom Baker, referring to us as blundering apes, the cheek!), sometimes comic (the scene in front of The London Eyes was class), sometimes a dork (the 'Vindaloo' walk to the TARDIS with Rose), sometimes vulnerable (those 'save me Rose' eyes), but brilliant....... as if Chris Eccleston is capable of anything less.

Rose - a character that grows on you (pun intended). Faced with the choice of chips, telly, a wally for a boyfriend and a 'compensation culture' mother she showed loyalty and only ran off to the TARDIS at the second offer. Just the right hint of hidden depths to make the character really interesting and a touch of Buffy when the occasion demanded without turning her into a Buffy clone.

Production values were good throughout. Special effects on the whole were strong, although the 'deadly dustbin' appeared cartoonish when it warped to swallow Micky.

Autons were and still are my favourite of all the monsters. Interesting, the Auton gun sound effect sounded just like it did in the 1970s.

The story raced along (as I have said previously, a little fast for my taste but certainly acceptable for a modern audience) with interesting continuity references. What is this war, did the Doctor's involvement lead to his (recent??? - the mirror in Rose's flat) regeneration and will it tie in with Big Finish CDs or the EDA books?

Overall 7/10

But the real acid test - my godson and his sister (7 and 5 respectively) both liked it, although it was a little scarey when all the dummies came to life and started shooting everyone.

RESULT!

The downloadable screen saver which until seven o'clock tonight has been counting down until the start of the new series of Doctor Who now simply says 'The Invasion Begins...' Somehow I don't think it means the brief sound bleed of Graham Norton creeping in from BBC3 just as new companion Rose was being menaced for the first time by the Autons (who oddly weren't named this time out). It was an own goal from the BBC on what is one of the most important broadcasting nights of the year. But you know what I'm willing to forgive them.

Because he's back. He's bloody back. Bless him.

To be honest considering how much has been written about the new series off and online, all the tv and radio documentaries, the actual first episode, Rose, felt beside the point. As the busy new title sequence swished by part of my brain wondered if I was actually watching another trailer. But as Billie Piper strolled into view, and camera overcranked in Trafalgar Square during her lunch date with her boyfriend, my attention snapped back into view as I realised that it had started, I was there and nine years of wait were over.

Actually I think the plotting would have come as something of a shock for anyone who hasn't been catching the Doctor's adventures off screen in the gap. Atypically, The timelord already knew what the problem was and how to solve it even before the episode began (it was a bit like turning up for the last episode of a six parter in the old series). The Nestene Consciousness was using a transmitter (the London Eye) to control all the plastic in London in preparation for invading the Earth, with the help of shop dummies. The Doctor had a vile of anti-plastic, which he could use to destroy the Consciousness if needed to. It's exactly the sort of thing you'd find in one of the many short story anthologies (Short Trips etc) which been published in the interim.

This was clever move number one. Because just like best of the classic series, we were seeing him through the eyes of the companion, Rose Tyler -- she became our eyes and ears during the mad adventure. We needn't understand what it all meant, because she didn't really -- for her it was about going with the flow, enjoying the spectacle and the adventure -- much as it was for us. Like a prologue or opening act, it's about introducing the concepts and ideas to a new audience and reintroducing them to the old, and show what's changed to those who've never gone away. The was absolutely nothing in here which could alienate fans, well not this fan anyway.

The next clever idea was casting Christopher Eccleston. I think it was Tom Baker who said that the series is actor proof, that anyone could play it. That may be true, but its playing it well, and in a way which carries on the tradition. Eccleston's playing was just spooky; look into his eyes and you can see the other eight incarnations looking out at you. The moment on the bridge when he explains to Rose about the TARDIS moving around and says that 'She wouldn't understand' was just like grumpy old Hartnell. At the other end of the scale, as he fought the ships control panel as it melted the fake Mickey's head, McGann was back with us briefly. He's energetic, funny, sober, philosophical yet authorative when he needs to be. Standing over the the Nestene Consciousness trying to negotiate a truce using galactic law was just amazing.

Also amazing was Billie Piper. I don't think I was quite prepared for how much charisma she has, having not seen her in any of her previous acting roles. There is a real spark to her, an instant likeability. There is an edge of vulnerability in there, that kind of Alyson Hannigan (Willow in Buffy) huggability -- you really care if she gets hurt and I imagine they'll be playing that card somewhat as the series progresses. As a character, Rose Tyler is absolutely the right choice. Everything will be new to her, and there is that sense of wonder which was missing too much from in previous companions.

The tone was also just right. Some will no doubt knock on about the humour, especially in the scene when the Auton arms comes to life and attacks the Doctor without Rose noticing, or the wheelie bin burp, but I that's not much better or worse than John Pertwee's cleaning lady, or any number of Jelly Baby scenes. It's an important part of the series and in the Whedon age, vital other it would all look a bit ernest and silly. The episode's director Keith Boak hasn't 'done' sci-fi before (depending on your opinion of NY-LON) and was no doubt chosen because this is a story very much grounded on Earth, and these elements, quite right felt like they were intruding on the setting. Photographer Ernest Vincze, comes from a film background and that showed. At no point did the visuals feel flat; the moment when the London Eye created a halo around The Doctor, as well as feeling like a sneaky Second Coming reference (in that Russell T Davies series Eccleston played the new Christ) offered a perspective you don't often see on tv.

And yet. It wasn't perfect. Murray Gold's music was annoying. Considering how good his work has been in Casanova, here it just feels misjudged. Some sections felt desperately late Eighties. Every now and them there would an excellent spot effect, then a drum beat would clatter in and ruin it for everyone. We can't all be Alistair Locke or Dudley Simpson (both great incidental musicians from different eras of the show), but it just felt out of place somehow. That said, his mix of the theme is very good, but Delia Derbyshire's version was perfectly fine no matter what he and Russell might say about it seeming 'a bit sad'. Also, and I hate to single out any actor like this, but what did Noel Clarke think he was doing with that performance as Mickey. Yes, the character's a sap, he needs to be, otherwise Rose would shack up with The Doctor in the TARDIS, but why did he feel the need to play every scene as though he was auditioning to replace Craig Charles aboard Red Dwarf? Perhaps he settle down as the series progresses -- we'll be seeing more of him in later weeks as there as re-occurring characters this time around ... oh yes ...

But if that's all I can think of then something must be very right. This isn't another Phantom Menace. I keeping asking myself why I'm so excited about a new television series when there is still lots of other really good Doctor Who going around. It's about hope. It's about the fact that if enough of the right people care about something, and enough of those people are in the right position to doing something about it, wonderful things can happen. If that doesn't make you choke up, you must be an Auton.

I was one of the lucky few who, thanks to DWM got to watch this episode a few days early and I've had a few days to get my thoughts in order. This is my first review of anything so apologies if I ramble.

Let's begin at the beginning - the title sequence. I have to be honet and say that I found the visuals for this to be fairly unimaginative - very similar to the TV Movie titles but, for some reason, not so impressive. The new version of the theme tune, on the other hand, I thought was great. It probably won't be quite what some people were hoping for but it suits the style and tone of the new series perfectly. 

This first episode is fast, very fast and, as its title implies focuses on the character of Rose. Within about a minute of the episode beginning we've been given a whistlestop tour of a day in Rose's life and met her mother, boyfriend and co-workers. It's clear straight away that this is her story. The Doctor is only shown through her eyes and so instantly becomes a man of mystery. 

This is an excellent strategy from Russell T Davies who uses Rose to guide the audience in an intriguing quest to find out more about the Doctor. Information is revealed piece by piece so as not to confuse the all-important new viewer and is done so in a variety of different ways so as not to bore people. 

So much time is used set up the character and the relationship between them that, even in this fast-paced new 'Who', there isn't much time left for the rest of the plot. As such, I think RTD has deliberately left the plot fairly simple and straightforward: aliens have come to invade Earth, the Doctor has to stop them.Not that this is a criticism, it's pretty much what 'Doctor Who' has always been about anyway and the simplest way to get across the fact that the Doctor is a hero.

And what sort of hero is he? Well he may look quite different to what we've known before but he is unmistakably the same Doctor that we've always watched. Christopher Eccleston's portrayal brings out so many different aspects of the Doctor's character, he can change from being funny to deadly serious at the drop of a hat; you warm to the character immediately yet at times he appears quite distant and, well, alien. Which is just what he should be really. 

You would think, given the celebrity baggage that Billie Piper brings with her, that it would be difficult to accept her as Rose Tyler but within moments you forget that you're watching a former pop star/celebrity wife and you are completely drawn into her performance. That's how good an actress Billie is. If she has failed to convince then, no matter how good the rest of the episode was, I just wouldn't have been able to watch it. 

The script is very good, fast and funny with a few little nods to the past that won't alienate or confuse the new viewer and a nice little in-joke at the expense of Doctor Who fans. My only criticism is that RTD didn't make more of the character of Clive. Granted he was intended primarily as a means of giving new viewers a bit of background about the Doctor but the idea of a guy who has spent years researching who and what the Doctor is just seemed so intriguing. Sadly it doesn't seem likely that we'll get to see that particular character again. 

Finally a quick word on the direction, although I'm no expert on the subject. It's very different from what we've been used to in the past (and that includes the TV Movie) but it's just what I would expect for the 21st Century version of Doctor Who.

All in all, if this episode is any indication, I think that Doctor Who is in very safe hands.

Well, I've held off talking about the new season of Doctor Who as of yet, mainly because I didn't want to spoil it for anyone who has yet to see it. 

Well Its not the best episode of Who I've seen, but if this episode is any indication, I CAN'T wait for more. Rose was really well done, the pacing was spot on, and although silly, the special effects were great.

Actors

Christopher Eccleston - well, I'm very impressed. The only other thing I've ever seen him in was "28 days later" where he played the military major, that was the head of the base. For that role he was very dark, and not too terribly likable. I sort of was scared that this who would be too dark, to me that isn't doctor who. Thats why I didn't like the movie nor did I like the BBCi flash cartoon very much - Because it was too mature for its own good. Even in the old days who was always a family show, even the scary episodes. Thats why when everyone thought Bill Nighy was going to be the doctor I kind of cringed. Now I sit back and watch Eccleston, which reminds me a bit of Tom baker's doctor. Sort of goofy, but with a dark side. He has the possibility to be one of my favorites if his acting stays like this, or he gets better.

Billie Piper - I'm not too familiar with her, because I honestly try to avoid british pop music because of some of the stuff I heard when I visited London a while back. I know she was basically the Britney Spears of the UK, but I'm not too familiar with her career. I was really impressed by her performance, and felt that she was really good in the role of Rose. She was a strong female character without being as over the top as Ace, a companion during the McCoy era.

Plot

What I liked about this episode was how it appeared to be a part 2 of 2 part series where we didn't actually see part one. We saw from Rose's eyes, and have no idea what the doctor had been doing up to that point. This was a good plot device, because without all the extra baggage that a regeneration scene, and such, the scene was allowed to flow, and not be bogged down with over explanation or continuity as with the Paul McGann TV movie. I do hope that they revisit the regeneration later on.

Music

I thought the incidental music was good, not the pseudo porn music from the movie, or the odd sci-fi music from the original series. It was modernized quite a bit. Also I LOVE the theme tune, it was actually quite a bit different than the BBC radio version that I downloaded a while back. It seemed like they cranked up the "diddy dums" in the bassline a lot. I think Murray gold did very well, and I think its the best theme since the Tom Baker theme.

So yeah, I really liked it, 4/5 stars.