After Revelation of the Daleks, the Two Doctors has to be my favourite DW story at that time and for pretty much the same reasons - lots of continuity references, old monsters and a quite unprecedented level of violence. However, there are many who dislike this story for precisely the same reasons, but I'll just give my viewpoints here.

Firstly, there is the heavy level of mythology in the story. What is wrong with this, in a twenty year old show? A story is only as good as its past and why should such a varied past be ignored? To spare confusion among present day fans? Please! And the humour here is also good, Doctor Who should always have humour somewhere in it and I don't think it was overplayed here. It nicely offset the other controversial aspect of the story, the violence!

This was so cool. I was a growing teenager at this time and DW seemed to be growing up right there with me. Tame stories like the Underworld or the Androids of Tara seemed half a lifetime away - come to think of it, it was. I loved seeing Stike's leg congealed in green blood, or Shockeye stalking a rat; they added wonderful menace and tension to the plot - the violence and the humour seemed to wonderfully dovetail each other out. In the middle of the Second Doctor/Shockeye in the restaurant scene, Oscar is brutally murdered for no good reason by Shockeye. Many people objected to this as too violent, fine. BUT, in a wonderful piece of poetic justice, Shockeye is himself killed by Oscar's cyanide kit, bringing the whole thing full circle. And people objected to Shockeye being killed as well! Okay, it was the Sixth Doctor wielding the cyanide,but he was in a life and death situation and didn't have any other means at his disposal.

The Sontarans were also excellent here - I love old monsters coming back and they hadn't been in a DW story for yonks, and that was the Invasion of Time. Enough said. more than time for their return, which was handled very nicely.

The only slightly peculiar thing about this epic tale is that the two Doctors should meet in the first place - in The Three Doctors and The Five Doctors this crossing their timestreams happened by direct intervention, but here it seems to be more or less by accident. Still, a minor quibble in an otherwise excellent fable. Loved Chessene and Dastari, loved the simplistic plot - but then, I love simplistic plots!

SPOILER ALERT!!!!!! Oh, whatever.

Oh dearie dearie me. They really made a mess of this story, didn't they? 

What could have been a great addition to the Doctor Who universe (the insane Borad, the kinda-cool-but-not-really-seen Bandrils, the Karfelons in their citadel) was reduced to mush by a lousy script, terrible sets and lousy special effects.

The story in itself is really rather good: The Doctor and Peri return to a planet which the Doctor has visited before, and get mixed up in the local politics. A common enough premise, certainly, but it had promise: The manipulative and secretive Borad, dictator of Karfelon; the rebels in every corner, trying to free their people; the powerless leaders; the sheer political intrigue which comes with such a situation. Add an unexpected almost-companion in the form of H.G. Wells (I'm serious), and you have a recipe for one memorable story.

Then why does it suck so much? I'll explain.

First off, the sets and costumes. Why, why, WHY did they make everything bright and sunny? It's a dark season, no doubts about it... so this story stands out simply for that. Add the fact that nothing shines (admittedly a story point, but hell on the eyes) and you're wanting to scream. The costumes are honestly terrible, which makes Peri, the Doctor, Vina and Herbert (Wells, yeah?) stand out even more. You can tell someone's political affiliation simply by the color of their clothes!!! Shoot me!

Next, script. My god, what an utter dud. What a total let-down. This could have been saved. But nope - it got sent out without proper revision, which shows. All the best lines go to Colin Baker, who performs admirably considering the utter crap he is given, and John Chandler, who simply makes Herbert shine. The single best scene in this story, the one part which I watch over and over again, is in the final episode, with an absolutely sterling scene in the TARDIS which lasts for almost 8 minutes, where Herbert drives the Doctor to the edge of violence. I get the impression that the entire story was just an excuse for this ONE SCENE. God......

Acting...... a mixed bag here... As I've said, Baker and Chandler give amazing performances, and Bryant is nicely grumpy in this one... much of the supporting cast is wooden, forgettable or both... but my utter loathing is aimed at Vina, (Jeananne Cassidy) who delivers each and every SINGLE LINE like someone in High School who got roped in because nobody else could remember the lines. Yuck. Shoot me now.

Much of the remainder is marred by simple lack of detail... but still, this story borders on forgettable.

But watch it anyway. Just to see Colin Baker look like he's about to punch out John Chandler. Classic!

Season twenty-two can be a difficult season to watch. The tackiness, the arrogant Doctor, and the annoying companion have made many fans dislike the season and its Doctor. Of late there has been a kind of reevaluation of the era thanks to the excellent Sixth Doctor audios produced by Big Finish. I have always had a soft spot for the braggart in the clown coat. One of my first experiences with Doctor Who was watching Attack of the Cybermen. I continue to love that serial even though I recognize its not high art. My favorite Sixth Doctor story (and probably yours too according to the OG polls) is Revelation of the Daleks. 

The serial has the distinction of probably being the strangest Dalek story to date. The story turns the typical “covert alien invasion” plot into a dark horror comedy. Davros has taken control of a galactic funeral parlor, intent on using corpses as Dalek building materials. The Doctor and Peri arrive on the planet because Professor Stengos, a friend of the Doctor’s, has died. What the Doctor doesn’t know is that Stengos has been transformed into a Dalek.

The scene where we are shown Stengos remains one of the most disturbing images in the show’s history. He is encased in a glass Dalek shell, his body gone. His head is barely recognizable as human. His voice alternates between human and Dalek. This scene is one of the key points in the serial and manages to make the Daleks scary again.

Davros is also at his most terrifying. Terry Molloy outshines even Michael Wisher (Genesis of the Daleks) in the role. Revelation of the Daleks features Davros at his most cunning and evil. This serial not only shows Davros as a mad scientist, but as a master manipulator. The scenes between him and the fawning Tasambeker feature some of the finest villainy in all of Doctor Who. 

The human cast is also noteworthy. A criticism that can be laid against the story is the fact that the Doctor and Peri are only accessories to the story. This does not stop Colin Baker and Nicola Bryant from giving fine performances. Both characters have their less likable attributes toned down for this story. In Revelation of the Daleks, Colin Baker gives one of his most noble portrayals of the Doctor. The supporting cast, however, are the real stars. Clive Swift dons an orange toupee for the role Jobel, the sleazy chief mortician. His character is human, but his portrayal of Jobel is as creepy as Terry Molloy’s Davros. The same goes for Jenny Tomasin as Tasambeker. She endows the character with much pathos and feeling. William Gaunt as the mercenary Orcini is another highlight. His performance brings life to the somewhat stereotypical character. Also of note is Alexei Sayle (The Young Ones) as the somewhat annoying DJ to the dead. All in all, Revelation of the Daleks has one of the greatest casts of any 1980’s Doctor Who story. 

The audacity of the story might take some aback. Eric Saward’s scripts are known for their viciousness. It wasn’t till the second viewing that I fully appreciated the story. Revelation of the Daleks was the final story of Season 22 which is a shame because they seemed to have just gotten the feel of the era right. In this serial the shows makers finally managed to find the right balance of gaudiness, gruesomeness, and drama. Season 23 was a good season, but none of the stories seemed to have the quality of this serial.

Revelation of the Daleks is one of the Doctor’s quirkiest adventures. It’s an important serial because it showed how Sixth Doctor stories could actually be good. It also made the Doctor’s arch enemies scary again. The story stands as an excellent story in a somewhat questionable era