This new issue in the line of comic strip adventures with The Eleventh Doctor confirms that John Jones is indeed a companion proper following his striking introduction in last month's escapades. Having been somewhat memorable at first, this is perhaps not the best use of this character as he spouts rather frivolous statements and does not really seem to be swept along by the amazing experiences he is so privileged to be having. He instead seems to be treating the whole thing as a trip on the chemical substance level - which may be a deliberate choice by the creative team but seems rather cloying. The old conceit of characters rarely needing comfort breaks is also bypassed as Jones seems desperate to go to a stopover place; when the TARDIS would surely offer much more comfortable options. At least Alice is as engaging as ever, even if she shows signs of being ready to resume her normal challenges in the real world.

The actual plot is nothing too different from the usual outer space fare for Doctor Who. Something is turning members of a spaceship crew researching beetle colonies into human vegetables, and The TARDIS lands at the very moment when those trying to maintain order have become rather paranoid. By being released in time for Halloween there is a perhaps deliberate atmosphere of creepiness and mystery as the rather odd alien entity causing the danger is employed sparingly and thus the tension is quite acute.

The Doctor also has the personal worry of Alice siding against him upon hearing him dismiss her and many of her predecessors as little more than outsiders and stowaways. Yet this is once again a good opportunity for modern Doctor Who to show off its winning character development attributes. Alice is certainly one of the more grown-up and steady of the companions and this means that the sometimes childishly positive Matt Smith incarnation must accept that life can be inescapably difficult. A key objective for a spin-off story in another medium is to try and add something that the source material did not explore - or at least not to a great extent. Thus Titan Comics are justifying their work beyond a purely franscise-level.

Al Ewing returns to writing duties with a much more gripping and memorable story than his previous solo effort in Issue 2. There is a good combination of black humour, intrigue and the threads of 'timey-wimey-ness' coming together from the previous set-up of prior installments. More striking though is that we have a different artist on board for the first time in this particular series, with Boo Cook getting to show off his style of presentation. There is very much a pure sci-fi feel, and by being set on a sterile craft in space there is less need for the heady mix of colours and contrasts that were noticeable in the other stories. For me personally the character designs of Cook stood up well; emotions and defining facial features were to a particularly solid standard.

Most reading this review will be pretty loyal fans of the show, but as some people make comics their first choice of entertainment/escapism, we can only hope these new stories are drawing in a whole new demographic to this five decade (and counting!) phenomenon. Perhaps a singular issue has less impact if not read in sequence after other entries, but there is some good work being done with the story arc and a long-term plan seems confident enough. Essentially the expectation now is that the 'hits' will begin to outweigh the 'near-misses', so that some real momentum is built for the flamboyant Eleventh Doctor.

**
Bonus strips are once again enchantingly amusing. A nice call-back to the wooden Cyberman of Matt's TV tenure features in 'Wooden Acting' by AJ. Can Marc Ellerby do no wrong?? Once again he ticks all he boxes you can ask for with his 'Wholloween' gem. The Doctor may be free to travel anywhere and anywhen but he can't escape alien kids after something tasty from his many forms of sustenance abroad the TARDIS. Amy dressed up as a witch is also of amusement, especially as she can't seem to get her Time Lord chum to make the same sort of effort.

"In this city, you could get great rent on this place... 'Blue Unit.. From out of the blue" Gabby responding to the sight of the TARDIS interior.

This third issue concludes the first multi-part story in this new run of Tenth Doctor adventures, and sees our intrepid time travelling hero come up with a typically inspired approach to resolving the astral plane attack on New York (and effectively the entire world).

The early indicators of Gabby's relatives having a role to play in the unfolding plot and inevitable climax seem to have been a misdirection. Still, there is some good character development as they all show strong appreciation and warm regard for her role in combating the disturbing menace. Part Two had been the equivalent of an episode where most of the characters we met were extras/ passers by; this instalment gets more of a balance between the new TARDIS crew and the supporting characters that were introduced so well in the opening issue.

Significantly 'Revolutions' has allowed the Tenth Doctor to assert his authority and true heroic traits, Despite still coming across a bit madcap he eventually brings the crisis to a decisive end. There is some remorse though as he must accept that the race that gave life to the evil Cerebravores has paid the ultimate price. In resolving the cliff-hanger threat of one of these parasitic creatures, he is able to assist a female scientist who explains just why the crisis appeared in the first place. However in this instance the Doctors only delays the inevitable, as the learned alien commits to helping him find the solution before being lost forever to the terrifyingly destructive creatures. "[I] never knew her name' he laments.

Last time I praised the writing and development for Gabby, and I still am as excited about her potential in these new stories from Titan. Perhaps predictably, but still a positive, her scepticism towards the sheer improbability of the Doctor's claims diminishes drastically. The eventual demolition of the Laundromat serves both story and symbolic purposes, as it is signposted that the immediate future for the young Mss Gonzalez will be in a setting far removed from the somewhat humdrum society of 21st century earthlings.

And as Gabby seemingly begins to grasp the astounding fact that the Doctor is no ordinary law enforcer, upon entering his 'TARDIS hut', we can now keenly await what else she must get her smart mind to adjust to. At the very end there is an echo of the very first New Who story 'Rose' - with a slight tweak on the Doctor revealing the time travel aspect of his unique spaceship. Another reference also comes along with a fleeting look at what could be a Weeping Angel - but who knows if this is a cameo, an in-joke or an actual foundation for a later story with these iconic monsters.

So this initial story has played out well, although Part One promised more thematic depth in terms of the main Earth setting than we ended up actually getting. On the other hand the heavy use of mystical/magic themes, along with the astral plane concept and the alien beings is relatively original; especially if compared to the typical RTD episode that Tennant featured in.

The translation of the story's concepts into art continues to be of the highest calibre - as Abadzis and Casagrande clearly know what to expect of one another. With the tension ratcheted up by the preceding issue and now this conclusion, the art work has shown a good amount of range flair. The colours from Arianna Florean also end up proving more than serviceable, as the particular mood needs to be established. To summarise, this is as measured and well-constructed a conclusion as I tend to expect from a Doctor Who story that begins so confidently. Perhaps the absolutely most inspired material isn't quite achieved, but the story reads well, moves along without fuss and has plenty of incident and solid character development. And now the true scope of the TARDIS has opened up for the Time Lord and his latest companion, so there is plenty to look forward to from now on.

**
We are granted two bonus features in this issue, the first being a very welcome reminder of the 'Day of the Doctor'. Here, the War Doctor is given prominence, but incarnations 10 and 11 also get in on the act. Perhaps the actual humour featured is not for everyone but it is still pleasing to be reminded of the great John Hurt's frustation with his successors' 'immature' behaviour. (David Leach is the writer, with AJ conjuring up the visuals)

The second bonus is of more interest as it features the Tenth Doctor in passing on the end of a telephone line to the 'Psychic Paper Inc Claims Department'. With both the Ood and the Sensorites confirmed as planetary neighbours on TV, it makes sense to have them work together on an off-world space craft/centre. Even more intriguing is having an unnamed woman that originates from the sisterhood of Pompeii (featured in Series 4). And a rather greedy alien race introduced in the Sixth Doctor's era also is involved. (Emma Price is solely credited, and this hopefully leads to a main story being penned by a woman).

"ISEN VI is the start of a new era of peace and prosperity .. [what] we've pioneered make it possible to build worlds to any pacification" -
Kano Dollar being interviewed.

In-between their many adventures together both on and off the screen, the Twelfth Doctor and Clara face a new challenge to overcome in this hotly anticipated comic strip from Titan. The time-travelling duo are visiting a planet with great beauty and remarkable animal lifeforms - however almost all of it is not as nature originally intended; hence the title of this story. Some confusion and embarassment is immediately felt by Clara as she comes fully dressed for an alpine break away from her stressful teaching duties on the specialist snow planet of ISEN VI. Instead she and her alien companion have happened upon a totally transformed planet which is now very much tropical in its temperature setting. As investigations unfold and those at work on the terroforming become known to the captivated Doctor, it becomes clear that something rather more sinister is bubbling along under the lush exteriors of the planet.

The beginning 'pretitles' are a good mix of dark humour and a truly unnerving and mysterious monster presence. Although the victim is a bit up himself he still seems like a proper heroic type who is relatable. He not only is killed off heroicly, he also has his name misremembered (something a lot of us have had to accept in our Earthbound lives!). And the impact certainly registers more than with some 'red shirt' types which litter science-fiction/fantasy stories.

The art and colouring is overall terrific, and coupled with an engaging story this is as good an opening issue to a series as one could wish for. It is fully aware of the ongoing Moffatt/Capaldi run that so many of fans and general TV viewers are enjoying presently, with direct mentions of 'Into the Dalek' , 'Robin of Sherwood' and 'The Caretaker'. By having some distinguishable references, which need not trouble new readers who perhaps do not watch much TV 'Who' in the first place, there is a finely judged regard for Doctor Who as an ongoing franchise. Dialogue is very natural and strong and avoids some of the comic book indulgences which bother me every so often in other comic book lines from the likes of Marvel and DC that I also read.

Capaldi's lined and somewhat irregular face means that he translates well to the artistic licenses afforded in comic book format. As in most of the Tv episodes there is a bit of the aloof detective at work and he doesn't mince his words. Once the overall plot/situation presents itself to the Doctor he takes charge quickly and most convincingly if still lacking some charm. In that regard, the comic is consistent with the opening text intro. Once the situation presents itself to doctor he takes charge quickly and most convincingly - if lacking some measure of charm. As the text intro on the first page informs us, he wants people out of the way in order to just get on and save them.

Nonetheless for some reason he comes off a bit more likeable and carefree in general. The lack of Capaldi's domineering intonations may be a factor as readers have the option of bringing this comic medium to full life in their own way. Jenna Coleman's protagonist is perhaps a little too bland and lacks the sparkling brown eyes but still functions as a perky and decent-minded counterpoint to our inimitable Gallifreyan hero.

There is a generous helping of comedic altercations between these two, who now know each others quirks and foibles well enough. During one particular verbal tug of war, the latest version of the Doctor makes a pointed remark at his most immediate predecessor and his love for bow ties; perhaps echoing the doomed Tenth's Doctor's mutterings of a 'new man sauntering away'. Clara is not to be bulldozed of course, and gets in a good dig at the Doctors lifestyle of not needing money and not really being a part of Earth society. She could have a case that he lacks ties to identifiable society out there in the cosmos for that matter. But the Doctor's supreme confidence is all on show throughout this opening chapter. Along with the vanity of calling himself sophisticated and well dressed, he is quite keen to mention Scotland in passing for the most tenuous of reasons.

There is also a sense of competition once the two get on with the task of identifying their new surroundings. The Doctor gets to brandish a specialist magnifying glass, whilst Clara thinks she has coined a new word for a strange new species - but loses her skiing bobble hat in the process to the said 'skunkeys'.

Supporting characters are also commendable here. Natural allies appear in the form of Professor Spector (who has a hairdo similar to Gary Oldman's Zorg in 'The Fifth Element') and her team who work on various sectors of ISEN VI, of which the humanoid/ acquatic Dr Scrofolus is most notable. There is a real sense that we are witnessing a typical day in the lives of this scientific team - until things come to a head, all too typically dovetailing with the TARDIS crew's arrival.

More obstructive is the self-absorbed and greedy magnate Kano Dollar - who is not too impressed by the Doctor's assertiveness and gets to utter that much loved line "Doctor Who?" as a result of his skepticism . There is a media correspondent character who only pops up to deliver exposition on this fat cat/ corporate figure and how ISEN VI has changed but even such a minor character is quite well done by the creative team of Morrison and Taylor.

There seems to be a clear villain in the form of 'Hyperios' and secondary monsters in the form of quirky robots who are vulnerable to the thrall of this mysterious fiery entity. With the nuisance factor of deplorable businessman Kano potentially getting in the way in later chapters, the Doctor has his hands rather full indeed.

So the very early signs of this new comic are most promising. Whilst Titan's other new Doctor Who lines have demonstrated various strengths (particularly the Tenth Doctor line), this would appear to be the ace in the pack.

**
Extras are in the form of a large gallery of alternate covers, with the most notable variants being granted full page sizes.

Cover Variants

Story – Rob Williams, Artist – Simon Fraser, Colorist – Gary Caldwell

It is 1931 in Mississippi and something very strange indeed is at work. Some previously unseen characters are aware of The Doctor - who is in the control of a hypnotic force that ensnares the local community. Events look to be coming to a head and it is left to Alice and newcomer John Jones - who resembles a young David Bowie - to somehow seize control and get the Doctor out of a pickle. The sinister ‘SERVEYOUinc’ corporation are again at play and looking to make life difficult for the people who inhabit the Bayou location – and their big star Robert Johnson.

Matt Smiths portrayal is still relatively fresh in many sci fi/fantasy fanatics’ minds, and many will want further material for such a well-conceived and well-realised incarnation. This series has the potential to take Doctor Eleven down some interesting avenues and so far the overall arc is at least promising something quite good. But the actual stories since Issue 1 do not seem to require the most dynamic side of the doctor: last time also had him captured early. Also lacking was a chance for him to alter events around him before the final confrontation, and his personality did not show the kaleidoscopic range of a good TV episode. This time round it is perhaps even more of an issue, as he is initially presented as possessed, before the story jumps to the initial events chronologically. Although he is restored to normal by the close of this issue he still needs other’s support especially that of a significant new supporting character. This brings back memories of the 9th doctor having others help him save the day; yet that seemed less of an issue due to all the wonderful angst that he held over destroying both his race and the Daleks. But Doctor 11 while perhaps clownish on the surface is very good at assessing problems and getting a solution, so I really hope the creative team get him to be a bit more hands on as the overall arc continues to unfold.
John Jones is an interesting experiment by the creative team in that he is seen to start at the bottom rungs of the career ladder of music. He is a bit daft, a bit precocious as well and somehow is the pineapple topping to go on top of a pizza – clashing but actually a good blend in this adventure. How he gets aboard the TARDIS in the first place though is a bit unrealistic and shows off the normal crew to be rather irresponsible.
As regards other characters – the one off villain in this issue is a triumph of good art portraying a sinister opponent, with his lines most likely being deliberately generic as he is a spokesman for ‘SERVEYOUinc’. But still something about the corporation built up now in two installments just doesn’t feel terribly impressive. I want a real scene stealing villain to be behind the problems the Doctor is facing, rather than some poor man’s Morgus from ‘The Caves of Androzani’. Still, there is time for the stories to get that part fixed.

Robert Johnson is a fun enough character who probably would work very well on-screen. Yet there is a pre-existing relationship between the Doctor and him which could have been perhaps built up to a little better. The other locals of the Mississippi are just making up the numbers but at least do not have any bad dialogue to make them memorable for the wrong reasons. Still for me the best element of the comic is Alice herself. She has more to share with the Doctor over her poor situation back home on Earth, but doesn’t let poor events get in the way of real excitement over the opportunities that time travel grants her. 1980s TV companion Tegan Jovanka is certainly not in her sphere of influence it would appear!
As I await the next stories, I feel something a bit more substantial needs to happen and this particular Doctor needs to be shown off to his best effect. I believe the team can improve their results but they must change the formula a bit.
**

The first bonus strip is a very funny one panel story by David Leach and AJ concerning a classic game for children that the Doctor wants to try out.
The second tag-along is another winner from Marc Ellerby and denoted as ‘Sonic Sleuth’. The absent-minded professor Doctor is at his most incapable, and Amy needs to help him out. Another great insight into the strains of being an odd-time-travelling couple.

"And I'm not sulking. It just looks like I'm sulking. It's special Time Lord Meditational .. thinky stuff" - The Doctor to Alice.

No sooner have our heroes had one odd and rapid adventure does another come their way in this new offering from Titan Comics. It similarly tells a whole story in the space of one issue, with a proper resolution to the particular scenario. This time round Al Ewing is the sole author, but the core art team comprising Simon Fraser and Gary Caldwell is unchanged. This story clearly establishes that the Doctor and Alice have made their next trip immediately, following the drama that culminated in Westminster in London. The tone is again predominately light; yet with darker undercurrents. The key story is set on the world Rokhandi and revolves around a brightly coloured yet eerie theme park which has its employees seemingly all made to work under some sort of hypnosis. An unseen entity is at work in the shadows, aiming to convert new people to its philosophy that the planet is a 'friendly place for all'. This may be positive terminology but the looks that the converts have in their eyes suggests something rather more amiss. The Doctor's original intent was to arrive on this special planet somewhat earlier on in its history - in the range of ten to thirty years - but perhaps his inaccuracy will end up doing some good - if the reader knows anything about the Gallifreyan wanderer in time and space.

Having found the pilot issue for these brand new adventures with 'Eleven' and Alice to be ideal for an establishing story - and with a simple enough plot, my hopes were that this next instalment would add a bit more 'meat to the bones'. However it falls a bit short of what I anticipated. Nothing is inherently poor or boring, but the story is overly straightforward and does not have a strong enough twist. Admittedly a particular antagonist knows a lot about both the Doctor and Alice - and a mysterious third party (!) - having met them at an earlier point in his life. Of course the 'timey wimey' themes of Steven Moffat's stories - especially those featured in his work as show runner - are more than appropriate for Doctor Who in other forms of media. However this doesn't mask the neglect of good ensemble characterisation, especially compared to 'Afterlife'. Almost all the secondary characters are portrayed simplistically - admittedly many of them have been subsumed and deprived of their own individuality, but there could have still been some more intriguing hints dropped through the reactions of the Doctor and Alice. Witty dialogue is prevalent and often well-done, but also a bit predictable after a while.

Thankfully the story is still more than redeemed by consistently strong artwork and a characteristically potent speech by the Doctor concerning the desecration of Rokhandi. A once perfect and beautiful planet with amazing flora and fauna, that would be many a person's conception of paradise - it has become soulless and corporate with theme parks and mining complexes predominately occupying the surface area of the globe. However this thematic depth which dominates a handful of pages only serves to highlight how routine other story beats are - especially later on. Colours are well used again in this issue, yet ironically the particular contrast of shades that feature in the latter sections are markedly limited compared to the kaleidoscope that preceded them. This arrangement almost compromises some of the overall impact of this being an engaging comic book experience.

Nonetheless there is no doubt that this is an Eleventh Doctor and he is right at home here displaying his inquisitive nature; Matt Smith would certainly have relished reading the dialogue featured. Companion Alice Obiefune is still well drawn and continues to show much promise for future stories. Her confident and patient approach in the face of a sporadically moody and unsettled Doctor, and his affirmation that she detects accurately the unsettling happiness doctrine and unreal lack of blemish in the theme park is a very good writing decision by Ewing. Just as with Donna Noble - easily one of my favourite companions of the entire television run - Alice is someone who is relatively mature and practical but can use her empathy to cope with the bizarre nature of the alien or paranormal aspects around her. However she does not suffer fools gladly or get intimidated by secondary antagonists; and thus comes across as a real person whose flaws are the flip side of her strengths.

The actual nature of the particular threat - maybe a monster of the month, maybe something more relevant in later stories is ultimately not particularly distinguished. Although the reader looks forward to a confident solution by the Doctor it somehow falls on the side of 'too easy' which weaker episodes of Doctor Who usually manage to resign themselves to. I almost could not help thinking even a rather disappointing outing like 'The Rings of Akhaten' at least made the final moments feel like they matter. Here the Doctor is just a bit too safe and smug, and normally those adjectives apply to more generic or two-dimensional fictional heroes. Also Alice is reduced to a backseat role come the end stages after a brief bit of initiative in trying to help rescue her friend. Two issues in it is worth mentioning that open ends from issue one have been set to one side - despite a reference in the opening prose recap of the mysterious figure that seems to be from the doctor's home world. The villains that could be coming after the Doctor and Alice before long may turn out to be well portrayed and memorable. With any luck the best aspects of these opening pair of issues are utilised and amplified further.

So a qualified success as regards this issue. It moves along well, looks very nice and has its good moments of lead character development and arc building. Just don't expect a story to come back to time and again.

**
On this occasion there is just the one bonus strip featuring a very comedic tone: Marc Ellerby's 'Unexpected Enemy In Bagging Area'. Now I personally loathe the automatic checkouts which supermarkets and department stores favour so much, everywhere one goes. The Doctor is much of the same philosophy and even compares these soulless machines to his most dread adversaries of yesteryear. A nice clear art style and interesting range of colours in the background make this both a funny and memorable extra to the main comic.

'New Adventures with the Tenth Doctor' -- Issue 2 - Revolutions of Terror (2)

" I just have a knack of turning up when weird things start happening. That's sort of.. what I do" - The Tenth Doctor

The second instalment of this new run of Tenth Doctor stories continues to be written by Nick Abadzis , visualised by art from Elena Casagrande and enlivened by colours from Arianna Florean . The story picks up directly from the initial 'cliff-hanger' with frenetic action as Gabby and the Doctor are quickly acquainted with each other. As with many opening stories this union ties in with the need for the Doctor to deal with a crisis; namely the threat of monsters that have created havoc with the astral plane and with solid matter in 'real world'.

Initial success is achieved as the demonic entity that threatened the Doctor and his new friend is returned back into its original human form with no lasting ill effects. Perhaps this was through nothing more than just blind chance but it would appear that mirrors are not only useful against the likes of Medusa (!). Later Gabby spies on the Doctor's TARDIS; but only the physical outer 'shell'. She quite logically assumes he is some kind of policeman but as events progress and the duo bond further more is made clear about the kind of deep knowledge the Doctor actually possesses and just how dangerous things really are. The potential crisis is not just local to New York but almost certainly the entire world itself. The Doctor is determined to help the benign Pranavores, who normally benefit the world(s) they inhabit, but whose powers are being distorted to evil designs. As the story reaches its latest agonising pause in action for another month, it becomes apparent that something crucial located back in the Laundromat might provide positive answers.

If part one was slow paced and notably focused on characterisation then this second chapter is a big step up in terms of pace and exposition. The Doctor again is not always present in every panel, but nonetheless there is no mistaking the electric, hyperactive.. and yet quiet and contemplative incarnation which David Tennant portrayed so ably. Gabby is every bit as interesting as Doctor Who fans could wish in this modern age of emotional believability.

It is just as well that Part One did such an efficient job at introducing the immediate people in Gabby's life as there is very little direct focus on them this time. The reader will be able to remember enough and share the anxiety that Gabby has over both her own future and those of her loved ones. There is a good tie-in with her fears over feeling pressured to get more out of life with the cruel abilities of the malignant Cerebravores. The new companion even has some exposition of her own to contribute that reinforces the weighty explanations that the Tenth Doctor provides for much of the middle sections. I certainly feel that the character of Gabriella Gonzalez has plenty of staying power to remain as a lead character in this series of comics, and look forward to more character development for her in forthcoming issues.

Also commendable is Gabby's reticence in actually believing in the weird world of the Doctor and that events that are right before her are even genuine. It would seem that the Doctor is quite conscious of this issue and may not even want to subject another new companion to the intense highs and lows - which was especially poignant in Donna Noble's case.

The artwork is just as good if not better than the last issue, as the story can progress and allow for more exciting emotions to be conveyed. Clearly writer Abadzis - being an artist himself on occasion - absolutely knows what he wants out of his visionary material and Casagrande is comfortable with the eventual translation of the concepts and visual motifs. The story feels well-paced but also has its quiet moments which make the difference between a decent story and a good or outstanding one in any media format and era of Doctor Who's narrative.

Also there is enough of a distinctive comic flavour to make this feel like an authentic and distinct spin on the Doctor Who formula. Dialogue can be a little more exaggerated and yet feel believable given the visuals. The only small nit pick I have with this instalment is the Doctor's explanation of some of the Cerebravores' and Pranavores' influences on one another and the world around them. These gets a little 'technobabbly' and convoluted and slow down the liveliness of this comic book format. Yet a delightful pop culture reference to Ghostbusters - perhaps put in due to the 30th anniversary year for that film - helps make such dialogue choices a minimal concern.


Bonus material for this issue comes in the form of numerous alternative covers in nail thumb sizes for issue one, a promotional offer for Alice X Zhang's collectible cover art replicas, and different cover versions for issue two. The humorous mini strips that were in both opening issues for the Tenth and Eleventh Doctor lines are absent this time but hopefully return soon.