We know our place in Britain. We make quirky films and television shows, we make intense dramas and, occasionally, we make the odd caper movie. What we do not do, cannot do and should never attempt is flat out, balls to the wall action shows. We are not capable of making shows that fly along at a breathtaking pace while retaining storyline and character. Most importantly of all we cannot allow shades of grey to colour our heroes and villains.

Someone needs to tell this to the Doctor Who crew because at seven o’clock this evening they ripped upped these rules, set fire to them and merrily danced on the ashes.

Dalek was the best episode of Doctor Who ever. Underline, write it up in bold uppercase. The action was intense, the pace was relentless and the effects faultless. Did Joe Ahearne know this was for television? Christopher Eccleston’s scene with the Dalek was intense and his reaction to Rose’s “death” poignant but he is an ensemble actor, generous in his ability to allow his co-star the chance to shine and she took her chance. Billie Piper is officially forgiven for recording “Because we want”. Goddamned this girl has got some acting chops! Here’s hoping that we get another series out of her because she is going to be a star.

But after the action and carnage, the script, direction and acting that we mere mortals do not deserve the thing that will stay in my mind for weeks to come is the Dalek opening up to experience sunshine.

I pity next week’s show because this ain’t gonna be topped!

I was unsure of whether I would enjoy Dalek. My earliest memories of the greatest Doctor Who villain are from the Sylvester McCoy outing, Rememberance. Seven years old, quaking in my armchair as the white Dalek climbed the stairs towards the Doctor. Awesome stuff. On a repeat viewing recently, I was slightly underwhelmed by the whole thing. The story didn't make much sense. The Daleks were not as threatening, they wobbled and looked slightly rickety. They were still good, but only just. The downfall of rose tinted spectacles I guess. No pun intended.

So, did Dalek dissapoint? No.

Of all the episodes of the new series so far, this has been the standout, even more so than The Unquiet Dead. Good humour, dramatic to a tee and scary to boot. The moment the Doctor first meets his old nemesis is thrilling and downright spooky, the single blue light of its eyepiece looming out of the darkness. A moment to stick in the minds of many a young child I hope. I know it'll stay in mine.

Christopher Eccleston's performance was bang on the nail throughout. He displayed none of the gurning weaknesses that let down Aliens of London and WW3. His trademark "fantastic" was less annoying and more a wonderfully unhinged show of relief. He excels with drama and flounders with the humour at times, so it's nice to see this episode played entirely straight. His fear of the chained Dalek, his hatred of it, chilling. I would have objected to the Doctor rifling through guns with the intent on destroying his foe, but the payoff of this was also part of the episodes finest moment. More on that in a while.

Billie Piper was, as always, good. Not much more I can say. It was great to see her feeling sorry for the chained and tortured Dalek. I'll even admit to feeling sorry for the thing as the scientist was going at it with the drill. The shrieks were another thing that left a lasting impression on me.

I shall be interested to see how Bruno Langley fares. For the first time since the Peter Davison era, the Doctor is now travelling with more than one companion, so it will be nice to see how this dynamic works and if it lasts. Adam has not really had enough time to settle in this episode, so we shall see.

Henry Van Statton was superbly slimy. Perhaps the character was a little cliche, but nicely played.

But of course, what of the Dalek itself? After all these years, is it scary? Yes, and then some. I got cold shivers as it broke free whilst screaming "that" catchphrase. You know the one. Begins and ends with an E. The resulting chaos and slaughter was both shocking and exciting.

More than the action, the emotional content was a sharp slap in the face... In a good way. To see a Dalek in such turmoil is strange. And the high point of the story, the climax, that finest moment I mentioned... Breathtaking. I nearly cried for the Dalek, with its pitiful fading voice and single tired eye. As the Doctor runs in, intent on gunning the poor creature down, and Rose defends it. The roles are suddenly reversed. It is the Doctor who is intolerant and hateful, quite ready to murder as the Dalek is finding itself unable to do the same, vulnerable, alone and confused. A great twist and a great bit of writing. Gravitas, y'know?

This week the tone was just perfect. After the farting, camp and rather pathetic Slitheen, this is truly welcome. This is what Doctor Who should be. A perfect balance of humour, action, suspense and drama. Murray Gold even outdid himself in places. For all the excitement this episode had built up, I did not find my expectations so cruelly shattered.

I would put this right up there with the best of any other Dalek episode, Genesis included. There can be no higher praise surely?

Oh yeah, hooray for the Cyberman head.

LetВ’s face it... Put a Dalek in a Doctor Who story and you are going to get peoples interest. We have waited for over a decade to get these things back on our screens, and by God, did they do it with style!

What we have been treated to is something so much greater than just the return of the Daleks. This story had real body and soul. This is an episode from which all the Doctor Who fans the world over can say, В‘We told you soВ’ with a grin firmly planted from ear to ear.

From the offset itВ’s quite clear that this isnВ’t the script of RTD. No slapstick humour, no grafting on of pointless jokes, no cringe worthy lines of dialogue, just pure and simple sci-fi drama. This was a great flight of fantasy. After all, Doctor Who was not meant to be too intelligent at the end of the day, thatВ’s what В“Sapphire and SteelВ” was about (please can someone bring that back too?). But while it was nail biting edge of your seat stuff (and I assure you I was on the edge of my seat) it had real heart.

In В“DalekВ” we had elements of AsimovВ’s В“RobotВ” and Philip K DickВ’s В“Do Androids Dream of electric SheepВ”. Yes, it really was that good! A Dalek all-alone dealing with emotions for the first time. Long time fans will be amazed how beautiful and emotional tonightВ’s episode has been. New fans will just see why we have all wanted to see the return of this show for so long!

I really must say this. Thanks RTD for bringing back В“Doctor WhoВ”, but there is a big difference between writing for В“Doctor WhoВ” as a fan and writing for В“Doctor WhoВ” for the fans.

The last Dalek television story was ‘Remembrance of the Daleks’ in 1988; a story which, like many earlier stories featuring the famous monsters, ended with the total annihilation of the Dalek species. Unsurprisingly, this is overlooked in ‘Dalek’ and yet the story begins with Skaro’s inhabitants having already suffered a calamity which has left only one surviving example of its malevolent species. This individual soldier is being held captive at an exhibit in a privately owned museum in a Utah of the near future. Initially, the creature is in an sorry state of extreme decrepitude, unable even to exterminate the Doctor when the chance presents itself. However, thanks to the clumsy intervention of Rose the Dalek is able to regenerate itself, recover the power to activate its’ laser and go on the rampage. What then follows are some of the best sequences of the new series so far, with the Dalek doing what is does best and single headedly wiping out several groups of heavily armed soldiers.

There are one or two differences between this Dalek and the more familiar predecessors, but they are mainly in the form of new tricks which it is capable of performing rather than radical re-imaginings of the creature’s character. We all know that the Daleks could fly in the old series, as they did so clearly in ‘Remembrance’ and it was inferred that they did so in ’Revelation of the Daleks’ also (how else did that Dalek fire from such an elevated position in episode two?). The Dalek in this story also flies, doing so at several points in the story. It is also capable of rotating not only the dome on top of its shell, but the central area at which the arm and gun are mounted. The suction cup on the end of the arm is now capable of moulding itself into different shapes—firstly to crush the skull of a scientist and then to hack an electronic keypad. The laser blasts look less like the thunderbolt-look from ‘Remembrance of the Daleks’ and ‘The Five Doctors’ special edition and more like the tradition blue beam of energy from the earlier stories. When the targets die though we are now treated to a stunning x-ray death akin to those seen in the Doctor Who comic strips. Towards the end of the story the bonded polycarbide armour of the Dalek opens up to reveal the mutant inside, probably the longest and most generous footage ever allowed of the actual mutant but very much in keeping with earlier appearances. Finally the Dalek commits suicide using the half-spheres around its base. How exactly these worked is never explained, but they seemed to create some kind of destructive field around the Dalek which completely wiped it out. Other tricks the Dalek displayed in the episode include drawing energy from a television monitor whilst simultaneously downloading every piece of information available on the internet, using it’s casing to set fire to or extrapolate DNA from whomever touches it, and generating a defensive shield around itself which caused all bullets to disappear before making contact.

The writing for this episode was unlike anything yet seen in this series so far. It avoided the irritatingly facetious levity of Russell T Davies’ episodes and allowed for the most dramatic exchanges of dialogue we’ve yet had from the 9th Doctor. The scenes in which he verbally spars with the Dalek are mesmerising and powerful, and even the Dalek’s perspective is given an convincing angle. There are also several surprises thrown in, including the Cyberman head on display in the museum, the reference to Davros and the acquisition of a new assistant in Adam, something I really wasn’t expecting.

One aspect of the story which narrowly avoided being disappointing was the emotional baggage that seems to be passed from one episode of this new series to the next. Like earlier stories, there were gratuitously soppy scenes of Rose and the Doctor facing death and once again telling one another how they’re glad they met each other. I’m getting a little tired of these scenes and am hoping they wont carry on into the 10th Doctor’s era, but clearly the production team think they are necessary. One genuinely moving aspect of the story was the Dalek itself. True, it kills lots of people and shouts exterminate in the voice we all love, but it also demands the sympathies of the viewer. The suicide of the Dalek at the end of the episode could so easily have been derived from the same sentimental trash as that seen in ‘The End of the World’, and indeed I can imagine a Russell T Davies version of this story ending with the Dalek killing itself because it was lonely (as in ‘Remembrance of the Daleks). Thankfully though, writer Robert Shearman comes up with a much better justification of the self destruction: because of Rose’s DNA the Dalek is mutating into something other than a Dalek, therefore it considers itself to be impure and can’t face a none-Dalek future. In short, it is killed by it’s own xenophobia. This theme of ethnic cleansing it one that lingers at the heart of the Dalek legend, featuring prominently in stories like ‘Genesis of the Daleks’ and ‘Evil of the Daleks’ as well as many others. In fact, ‘Dalek’ draws many comparisons to ‘Evil of the Daleks’ in its treatment of the idea of Dalek nature contaminated by humanity. Being about twenty years too young to have seen ‘Evil of the Daleks’ and having only experienced it through the soundtrack and single remaining episode, it was a wonderful opportunity for me to see this adventure—a story which promises great potential for future episodes. Lets hope the next story is just as dramatic.

I think this episode is without doubt the episode everyone has been waiting for since the series started, even before. It doesn't matter whether your a fan of the show or not, watched the original or not, because there's not many who haven't heard about the daleks. Even those who are too young to remember the original series have heard about the Daleks, so expectations for this episode were high.

The episode opened with a cameo from another of the Doctor's biggest and famous of enemies-the Cybermen. Luckily enough for the casual viewer the quick climpse wasn't laboured and full with remarks to previous encounters between TimeLord and Machine. Had this been the case many would have soon turned off put off by the constant remarks to events they know nothing off. Luckily the sequence was quickly over and the Doctor was arrested.

He was quickly introduced to the second villian of the piece, an american billioniare who collects alien artifacts. He wasn't the best of characters to be honest. Whether that was due to poor scripting or acting its difficult to tell but he didn't shine out, he just felt like a plot device to introduce the audience and the Doctor the main enemy of the episode-The Dalek. The Doctor stroded agrogantly into the cage expecting he could help the alien and expecting the alien to be greatful of his help. The last thing he expected to see was his arch rival hidden in the dark and the horror on the Doctor's face was plain to see.

The episode quickly picked up some much needed pace so it could be all over and done with in 45 minutes because of the restrictive new format. This episode could have done with being a two-partner to allow events to be spread out instead of feeling rushed. The deaths could have had more of am impact if the Dalek chasing through the corridors was expanded. It slowly hunting down and killing its captors. We could have seen the fear, horror and tension from the other characters as they fought for their lives and the realisation that there's a better killing machine other than mankind. All these themes and others could have been explored more deeply but let it not be said that this was an excellent episode.

The influence of the new Battlestar Galactica could be felt here. The enemies in that series were once chrome robots who hunted down mankind because they had no other purpose. But the new Cylons are humanoid and have emotions, they have evolved and because of it you feel for them. Their are times when you are on their side or at least you understand their motives. This episode had examples of that. The Dalek, by using Rose's DNA to regenerate, developed emotions as a side effect and by doing so the audience began to feel for it. You sympathised with it, more so than with the Doctor. The Dalek was the last survivor of its race and all it could do was follow long programmed orders to kill but desperately wanted new ones. Meanwhile the Doctor almost became the villian of the piece through his determination to kill without listening to reason or letting emotion come in the way. Even the Dalek pointing out the Doctor was acting more like his species than Timelords didn't really stop the Doctor. It took Rose and the mutating Dalek begging to be killed for the Doctor to realise what he had become.

The episode also confirmed my suspsion that the Daleks were invovled with the great timewar and also hinted that if a Dalek survived other Timelords may survive as well.

Once again Billie Piper stole the show with brilliant acting and the supporting cast were better than some so far although perhaps not as brilliant as one was hoping. Christopher Eccelston improved on previous performaces as the Doctor but he still doesn't quiet feel like the Timelord I have come to know and love thanks to UkGold repeats, VHS and DVD releases due to being too young to remember the original series. This episode gives me hope for future episodes after previous ones failed to engaged or to impress me, bar Wolrd War Three that is.

Well this was it. This was what the fate of the entire series was resting on. Seems a bit odd that they kept it back to episode six frankly, especially after the abysmal effort that was episodes four and five. (I'm so ashamed I can't even refer to them by name any more).

The Daleks are definitely back. Bigger, badder, bolder and bronzer than even Kilroy-Silk. Let's get one thing out of the way. In order to help itself regenerate it needed "time traveller DNA", though how Rose's DNA would have been changed by time travel is a mystery to me. The Dalek knew it needed this but seemed surprised when it, apologies for substituting one dastardly tag line here for another, assimiliated Rose, and got all sorts of girlie thoughts in there as well. For heaven's sake! The bloody thing had assimilated the entire internet. Did it just skim over the websites for Hello! magazine and Top Shop? Frankly if I were looking for aliens on Earth, I'd probably start with Hello! magazine.

I definitely approve of the upgrades and it seems the Mill have finally sorted themselves out with the special effects, and are producing effects, not only that the series deserves, but that viewers want to see.

It was frankly a single premise story but it was very interesting to note the helicopter at the beginning of the episode was referred to as "Bad Wolf" and now with the Grafitti from last week and episode twelve, another big Dalek one, also being called "Bad Wolf" I know this is going to turn into something interesting, and I hope they manage to keep it a secret until the time is right.

It was good to hear more about the time war. frankly anybody with a brain could have figured out it was the Daleks' fault. I sincerely hope they don't just keep referring to it however, and actually show us either it, or some refugees and consequences of it. It's a bit like hearing about Somalia on the radio but never seeing the full horror of it for yourself on TV.

So there you go, my review. I liked it... alot! It was precisely what I've been waiting for and was in my opinion the strongest episode so far. Cool to see a girl from Stargate in it too, never hurts!