This episode had some nice touches but struggled to really get above your typical sci-fi fodder. Mind control is hardly something which has not been used before and there was not much in "The Long Game" which was new and dazzlingly different. Even the title is a bit of a misnomer and does not suggest anything. This is a pity because the idea of journalism and the editor is something which could have provided a lot of possibilities and investigated further. While understandably there are limits in 45 minutes, Dalek certainly did have an epic feel to it. The Long Game felt a bit, well, long and drawn out!

I thought the opening scene was good as Adam collapses in shock at realising he is in the future and looking out upon the world.

At the start, Rose seemed to take everything in her stride and almost took on the Doctor's role as the investigation began. Simon Clegg's portrayal of The Editor was suitably evil but the silly monster was not all that impressive up above. The most thrilling part of the programme was Adam getting the brain surgery and taking in all the information as The Editor discovers who the Doctor really is.

It was a good ending and I thought it was very good for the Doctor to take Adam back home and show him the damage he had done. It was also very neat to have his Mum walk in and snap her fingers. I felt Adam did not offer a great deal in the episode, and it may have been better to have a sinister companion like Turlough.

Throwing the Doctor into a human habitat certainly seems to work very well at this point but tonight's show lagged somewhat. End of the World, which used the same set, was many years ahead, and also miles better than The Long Game. Some more aliens in the space station would have spruced things up a bit.

We have now reached the half way stage with the brand new series of Doctor Who and some of it has been absolutely excellent with the first three episodes and Dalek being particularly impressive.

With next week's episode harking back to Rose's past and changing time, I have a strong feeling that we are set for another rollercoaster ride. The Long Game was fun in places, with some great quips from the Doctor, while Rose also seemed quite settled in her role, but that all looks to change next week.

I felt the journalism idea could have been better handled and, being a journalist myself, I would have loved to write last night's episode! I didn't even think that The Long Game was even scary in places. The old skeletons may have been slightly fearsome but it was hardly anything shocking.

I hope there is much more of the terror element in subsequent weeks. The absence of the Tardis interior in recent episodes has been a bit disappointing but that is a minor gripe!

The Long Game was run of the mill sci-fi and did not have the fast cutting edge of some of the best Who episodes so far in the series. The pace was not so great, and the budget meant that the same set had to be used as in The End of the World. It had the makings of a good story but just did not deliver.

As a Television series progresses, one hopes that it will introduce new ideas and stories whilst tying up old ones. This episode has answered a question that has long plagued me and a few people I know. Why haven't any of the companions tried to gain knowledge for personal gain..? Well, now we know.

Eccleston and Piper have developed such a dynamic that it is amazing how well they play off of each other. The love and care that the characters have for each other develops more as the series goes on. In the way they look at each other, and comments made by Adam as to their relationship.

Simon Pegg was great in the role of The Editor, but I feel that he should have had a bit more screen time. And the creature was just disgusting. At one point it really looked like he was drooling on Rose's head.

The effects department (both SFX and CGI) need to be commended for their work on the new series. The effects seem flawless and unnoticeable.. which is the greatest compliment that one can pay to an effects team.

With six episodes left in the first series, one wonders how it will all play out.. especially with the whole "Bad Wolf."

It was nice to see "The Face Of Boe" turn up in a newscast.

At the beginning of The Long Game, you might be forgiven for thinking, 'Hang on, wasn't this episode screened already?' The sets and CGI shot of the satellite look lifted straight out of The End of the World. Only less expensive-looking. End has been my favourite Davies episode thus far (although Dalek blew everything out of the water), so I held back my worry and let it happen. It wasn't half-bad.

I mentioned in my Aliens of London review that RTD seems to have a tension in his writing between his more radical nature and his love of traditional Who. This was blatantly evident here. The first 15 minutes of The Long Game feel like a McCoy story. With the icy Floor 500, I kept flashing back to Dragonfire. Major problem is that Who has moved on - we really shouldn't be stuck in that mould any more. Thankfully things picked up in the second half, as Adam had a bizarre personality change and became a money-grubbing liar. You have to wonder just what RTD was intending to do with the character - why bother to introduce him (relatively anonymously bar some entirely understandable flirtation with Rose) at all in Dalek if he's going to be dumped in the next episode?

Some of the issues (lightly) touched upon concerning the power of the media and how people will do almost anything if told to were extremely interesting. It was a joy also to see Rose playing the part of the seasoned time traveller, giving new-start Adam his induction. The CGI beastie was one of the best thus far in the series, too. And, of course, Simon Do-No-Wrong Pegg.

But there were problems - mainly in the design. The sets looked like ... well, sets. The matte backgrounds were horrifically realised and it all felt a million miles away from the spectacular spaceship crash in AoF or the planetary explosion of EotW, or even the ethereal Gelth of UD. It was just kind of shoddy.

Also, the Bad Wolf references that were so teasing initially seem to be a bit silly now. It's as if they're just being stuck in any-old-where and it'll take some serious explanation to justify this come episode 12.

Still, a good, solid, standard episode.

What's most annoying is that Davies really is a stunningly good writer, but we just haven't seen that in his Who work so far. He's written a good pilot, a clever follow-up and then treaded water a bit. Every one of his stories has parts that are great. Just not full episodes that are great. Personally, I'd love to see him rework some of the ideas from his old Dark Season children's drama. Dark sci-fi doings in a High School. I'm sure he's got some superb adventures in him for the show. He just hasn't got them to us, yet. Still, at least there was no farting or burping this week, so things are looking up.

The concept for next week's episode is a killer - always rely on Paul Cornell to take a love of traditional Who and shake the concept up a little.

Episode 7 was always going to be the middle of the series, and this is turned out to be in more ways than one. Not that I'm complaining as being middle of the road is no bad thing in the quality series we are being presented.

The story was a risk for RTD (and his team) as it had many areas that could go horribly wrong. The editor could have been played over the top, the monster could have been plastic and the large open sets could have appeared as no more than large open spaces. But this is where Doctor Who is now safe, the clever acting and excellent dress of the editor kept him realistic, the monster was CGI'ed and limited in screen time and the sets were kept busy and were sensibly weathered.

Once again the main and support cast were strong and kept me focusing on the story rather than some poor or obscure acting technique. Chris' Doctor has now truly settled down from his wobbles in AOL and I now feel he has excelled all expectations.

The down side to this story was it felt ninety eighties, I had to keep checking the TV to ensure it wasn't going to be Sylvester McCoy's Doctor in the next shot. Whilst this was not a problem it seemed a little out of place with the other episodes to date.

In summary it was great to see an episode not on earth and a true run of the mill Doctor Who story.

(Did anyone else think it was odd Adam's family home looked current day despite being in 2012. Furthermore Adam's ability to phone 2012 further confuses the Rose's mobile phone issue as discussed by RTD in DWM!!)

Interesting - That was kind of the word that was in my head throughout this episode. But that is a good thing.

We are now at the half way point of the first season and really the first episode that I have seen that I was not aware of the plot. The hype (and that's not a bad word) for the new series has pretty much covered every aspect of the first six episodes but from 7 - 13 I personally know very little. You could say (and I would agree) that this is where Dr Who starts. Rose had (pretty much) the introduction of everything, End off.... had the first collection of New wave BBC aliens, The Unquiet Dead had the first PAST ADVENTURE, Aliens... the first cliffhanger and Dalek, well duh! This episode was BRAND NEW!!!!!

But because of that I found it very difficult to judge either positively or negatively. However I did find it Doctor-lite (is that a word?)

There is no need to continue praising the effects or the production design because they remain spot on. Nor can I fault Billie Piper's performance and the series still seems to be HER story rather than that of the Doctor. Chris Eccleston is however pretty much excellent in this episode and oddly, concidering that it has so much humour in it, has become the most serious portrayal to date. To get it out of the way though, I will say "Max" (because I can't pronounce his name either - see Simon Pegg's attempts in 'Confidential) reminds me of the Nestene in "Rose". Otherwise it's excellent.

I say Doctor-lite because I found The Doctor and to a degree, Rose rather absent from most of the proceedings and certainly had nothing to do in solving the mystery or defeating the Villian. But this certainly showcased the talents of Tamsin Greig, Bruno langley and especially Simon Pegg who stole the whole show. I found him the most captivating character in the series so far. Sorry Doctor - Sorry Rose. Every line was delivered perfectly, his mannerisms and humourous giggly and again although humouroius was played straight and with menace and certainly the best Villian of the series. His on again - off again appearance in the show was publicised in the media and I did expect some Pegg mannerisms but he eclipsed the work he has already done in series such as SPACED and the film SHAUN OF THE DEAD. Bruno Langley hopefully will come back as his character makes a certain foil to the Doctor/Rose team. The additional cast handled their respective roles well.

The plot was thin in the extreme and I'm still not sure what it was all about but this however plaid to the actor's strengths and I even kind of hoped The Editor had survived.

I noticed another reference to "BAD WOLF" on a tv broadcast to which my partner said "Normal people would not have noticed that" He is enjopying the series howver so I'll let him off.

The episode again was easily told in 45 minutes so this seems the perfect length to tell a story in after the (necessary) rush of episodes "Rose" and "The End of...." - Trek - Galactica - Buffy can all do it - So can Who.

Overall though and barring the excellent perfomances and perfect humour (especially the final shot) the episode seemed empty of something so only comes back to me thinking - Interesting.

I came to this story with a certain degree of trepidation. The Unquiet Dead and Dalek are amongst the very best stories the show has ever produced, but the RTD scripted episodes, whilst always well-written and entertaining, have thus far been irritatingly lightweight at times. . . . and so it was a pleasant surprise that for me the Long Game was a solid, entertaining mid-season story with a nice dramatic build up and not too much frivolity in between.

The idea of media manipulation and control, the 1984 style reference to Room 500, Earth's development being impaired by an interfering malevolent alien. . . . familiar territory this but effective nonetheless.

A feature of this series whether people like it or not has been the emphasis on character development and here we have the Doctor's apparent disgust at Rose and Adam sharing the same breathing space, whilst elevating Rose even further up his personal pedestal;Adam's struggle to come to terms with the enormity of the difference between Satellite 5 and his own little world and the resultant almost disastrous consequences of his curiosity and Rose's increasing ability to adapt quickly, almost effortlessly, to whatever extraordinary situation she finds herself in. The acting of all concerned was excellent especially of course from the Editor himself Simon Pegg and the nurse played by Tamzin Greig.

It is becoming increasingly obvious that this season is a resounding success which has restored the concept of family viewing on Saturday night and drawn praise from many non-fan quarters. All concerned deserve every credit for what they are achieving here and the minority who feel it's all a load of empty childish tripe may have to take off their rose coloured spectacles (no pun intended) and realise that their views were no doubt expressed by others about the old series. Roll on the next episode.