I thought it started really well and that it was going to better Army Of Ghosts (4/5), which I loved and rate as RTD's finest work to date. But alas Smith And Jones just went further and further downhill as it progressed.

Positives:
+ Superb dialogue at the beginning with the junior doctors and patients
+ Very good introduction to Martha, the Doctor and the TARDIS
+ Martha appears to be an intelligent companion who can look after herself (something good that RTD has brought to Doctor Who)
+ Fabulous effects (although this is something RTD appears to rate more over storyline. One american critic wrote that the new Who has great effects but the old Who had the great storylines)

Negatives
- More of that annoyingly cheesy, 'operatic' music
- Over the top screaming by people when the hospital lands on the moon (and some dreadful acting by extras), which is just a poor device by RTD to make us like the non-screaming Martha and Doc more
- Aliens that just happen to look like rhinos. Does the new Who team have any imagination?
- The straw - leave it in Red Dwarf please, where it would be funny
- David Tennants stupid dance, as if he could send all the radiation into his shoe. I'm sure an intelligent child would find this embarrassing aswell
- The colossal power required for the plasmavore's device at the end (how?)
- The continual use, by RTD, of major alien happenings on Earth (like the battle of Canary Wharf). Doctor Who is supposed to be on our Earth and in our time (I'm sure RTD would agree) yet such monumental things would change our culture, society - did you see a huge alien ship over London last christmas on the news(The Christmas Invasion - set in 2006)? I didn't - this is why Earth invasions in the classic Doctor Who were mainly covert operations, so that it was feasible
- Martha's family appears to be trash straight off of a Trisha show (not again!)
- Worst season opener to date
- David Tennants stupid dance, as if he could send all the radiation into his shoe. Have I put this one in twice? And rightly so

I have finally lost faith in the new Doctor Who. Even last season had some good episodes but I fear this one wont have any at all. It isn't even Doctor Who anymore, he doesn't appear alien. The only way we know he is alien is because he mentions it often ("I'm a Time Lord", "E's got twin 'earts!"). I'm quite angry as well and I hope RTD leaves as soon as possible to let someone in who has quality control (and doesn't rate soap operas and big brother - and isn't scared of critics. Hmm I wonder why that is Russell?).

Yes, kids, we've finally made it. After months of rumor, speculation, spin-offs of varying degrees of success, and HYPE HYPE HYPE, we're at SEASON 3 and thus, by default, the return of the ONLY REVIEW THAT MATTERS.

So. Martha Jones. Well, right off the bat we know we're not going to be having chummyish visits to the family like we did with the Tyler clan. Or at the very least there's going to be a lot more kvetching and sniping. But enough of that. What we have here is a strong female character, a little bit more take-charge than Rose. Maybe more like Ace or perhaps even Liz Shaw? Hard to tell from just one episode, of course, but then she seemed more than just a little unfazed by two hearts, ending up on the moon, the TARDIS... Sure, she was a little taken aback, but she wasn't screaming in a fit of despair and madness unlike most of the hospital. Which was, incidentally, a pretty reasonable reaction to suddenly being relocated to the moon. But now we have a companion who was a bystander to the Slitheen hoax, the Sycorax, Canary Wharf... her society is becoming a stranger one, and she's trying to embrace it. Or at least, not let it freak her out.

Meanwhile, contrary to popular fan belief, I don't think the Judoon were "supposed" to be the Sontarans, despite some visual similarities. Mind you, my first thought, when seeing the publicity pics, were the Pnihr from the EDA novel Trading Futures by Lance Parkin. But no, their biggest influence is even in the name, kids. These were Judges, the dredd-ful kind if y'all catch my meaning. "Justice is swift" indeed. Maybe a bit one-dimensional, but then, they didn't really need to be much else.

Hey, wow, ANOTHER euphemism for vampire! Well, it was an interesting twist, although not sure about the whole straw thing. And it was nice that they didn't muddy the Doctor's waters further by adding some big Vampire/Time Lord backstory thing. I think going psychotic at the sight of ONE set of villains is good enough.

And just how batshit WAS Tennant in this episode? Definitely a lot more...quirky now than Eccleston's, or even from last season. But hey, he's been through a lot lately. And what was with the circa-2002 Beckham hair anyway? Like the new suit tho. He's still a horrible liar tho. "I prefer to work alone" my arse.

A much steadier, and better, season opener than last one, for sure. And as for next episode, well, I'm calling it now: the Shakespeare + witches episode will make SOME reference, before the ending credits, about how this inspires Macbeth. LOCK IT, YO.

Series 3 had so much to prove. The astonishing departure of Rose, played so emotionally and brilliantly by David Tennant and Billie Piper, and an OK Christmas special meant that the stakes were really high for Series 3: especially with the arrival of a new companion.

So - where to begin? Well how about with the new baddies, the Judoon. Surely these Rhino Police have to be one of the best costume effects ever produced on Doctor Who: with a great voice provided by Nick Briggs (who also makes the Dalek and Cybermen voices: though you wouldn't have known from this performance!). The creatures were imaginative and scary, with just a dash of absurdity - just enough to make me hope that we haven't seen the last of them.

And David Tennant seems to have grown into The Doctor's shoes now. I have to confess I never really liked Chris Ecclestone that much: he seemed to take the whole thing (and himself) far too seriously. I've loved David Tennant from the moment he first spoke: he seemed to have pitched The Doctor's voice exactly write: RP but without the stuffiness. David seems more sure of himself in the role, and seems to know where the boundary is from gurning at the camera to being twinkly-eyed. For me he is probably now my second favourite Doctor (Tom Baker, of course, being the favourite!). This episode wasn't really about The Doctor in any case, but there was enough for me to just feel very happy that we have David Tennant in the role.

And so to Martha Jones. Freema Agyeman is absolutely superb as Martha Jones, a feisty, funny and far more intelligent companion than Rose. I love her warmth (both with her family and to The Doctor) and her sense of adventure and wide-open view of the world. Russell T Davies has done a great job over the last series of letting chinks of light through to the 'Earth' characters, so that we don't have to waste any time getting over their disbelief in Aliens. They've seen spaceships crashing through Parliament, so humans know Aliens exist. Thank God! I miss Rose enormously, but Martha is clearly going to make a great companion for the Doctor, and I like very much that Russell has managed to write a very different dynamic between the Doctor and Martha.

If Episode 1 is anything to go by, Doctor Who seems somehow bigger, better and more confident in itself. After the big, dramatic, emotional ending of Series 2, Russell T Davies seems to have continued confidence: the script for his last few episodes have all been excellent (ever since those last two episodes of Series 2) and I just can't wait for more. No more going out on Saturday nights: Doctor Who is back -bigger and better than ever.

Well that was a long wait over! I've been looking forward to David Tennant's second series with the eager anticipation of my inner (earthly) child. This time the wife and I hooked up with one of my oldest friends to watch Smith & Jones, and had a stimulating conversation beforehand about how we believe Tennant to be the best Doctor since Tom Baker...and how we dislike Michael Grade etc...

But to Ms Jones, and I have to say that while the episode will not go down in my lists of classics it nevertheless did its job. Although we started with the soap element, RTD wisely toned things down compared to "Rose" and we were given just enough to glimpse into Martha's life and why she might prefer travelling in the Tardis to staying earthbound. Martha has a family, and like many families they squabble over the everyday issues...she has grown tired of it all.

So what of the story? It seemed quite light, which is perhaps not a bad idea for the series opener. However I preferred last year's "New Earth". I thought the plot was only worthy of one 45 minute episode, although more details of the alien's crime might have been of interest. I did enjoy the glee on her face whenever she brought out her drinking straw!

I liked the Juddoon, and was pleasantly surprised to find out that they are intergalactic police rather than evil monsters. It lends the otherwise two-dimensional species some character and would also make future appearances more interesting. Indeed of all the new alien races we've seen since Doctor Who's reincarnation, the Juddoon are the one I would most like to see again. I'd imagine a writer on good form could hang a really interesting story on the whole intergalactic law and police operation.

I'm getting used to RTD's brand of humour, and I suspect he's restraining himself a little too. I actually found myself chuckling at times, though I was afraid that the Doctor might fart away the radiation in the x-ray room. I wonder what shoes he'll be wearing next week?

Martha and the Doctor seem to have hit it off well, I do like that Martha is a thinker. I loved the Rose character but Martha is necessarily different and that should ensure her success.

Overall it was light, tea time family entertainment with enough Doctor Who to just about satisfy...perhaps the most satisfying parts were in the detail such as Tennant miming "its bigger on the inside"...I am hoping for better stories in the coming weeks.

6.5/10

The Doctor's back, just in time to combat 'a platoon of Judoon on the moon.'

There was very little I didn't enjoy about 'Smith and Jones'. It didn't overload the real-life portion of the story like 'Rose' or overindulge in camp like 'New Earth'. What we got instead was a solid, rip-roaring adventure that barely stopped for breath and still mananged to warm a potentially sceptical public to new-girl, Martha Jones.

The Judoon were maybe slightly too rubbery-looking, but Nick Briggs' forceful voice work covered that nicely and where others might find the idea of a baddie with a straw a little ridiculous, I felt it was a nice way to sell a vampire at 7pm on a Saturday. The hospital on the moon, air running out ... there was just enough spectacle and danger to keep things ticking along nicely.

As for Martha, well, we got a great sense of her family life without having it rammed down our throats and she seems to be a sparky, confident woman who will question as much as react to the Doctor's ramblings. Definitely not just Rose mark 2. Freema Agyeman does a great job of giving us a woman who stays cool in a crisis (I don't believe I saw her scream once in the entire episode) but who needs an adventure as much as Rose did, not because she has nothing in her life, but because she has rather too much and needs a break. It all helps that Agyeman oozes charm and has a smile that would light up the Satan Pit ...

Tennant settles back in well but seems to pare back some of the manic energy which becamse a bit cumbersome last season. And he still does the 'mysterious Tom Baker stance' against the TARDIS very effectively.

Other little gems were the fact that Marth'a theme certainly echoes Rose's but suggests something new, the repetition of the 'Run!' line coupled with a close-up of the Doctor grabbing Martha's hand (just as he did when he first met Rose) and the Doctor's casual reference to a brother he once had (and that'll be the season baddie setup then ...I wonder who it could be?).

Season 3, while the production crew might rubbish any notion of 'darkening it down', seems to have a fresh, edgier feel to it and I'm really excited about what's to come.

Vote Saxon, indeed.

Taken on its own terms, this was probably the strongest of the three season openers so far. The idea of the huge hospital building suddenly appearing on the moon made for an arresting image (even if the ensuing hysterics didn't really ring true), and the big rhino fellahs looked great and had a real purpose, rather than just being ?baddies' killing for the sake of it. Anne Reid was deliciously evil too - the Doctor sacrificing himself to pollute her essence was an interesting plot point. (The reference to Planet Zovirax will be meaningless to anyone unfamiliar with a very specific British commercial about a cold-sore cream). This was definitely a better episode than the reheated-feeling Runaway Bride, with Martha Jones probably the most tolerable of the three female new series companions so far. The Doctor latching onto the resourceful and imaginative Martha, while rejecting her friend clearly not up to his standards, was nicely done and gave us a good window into his workings.

But there is a niggling feeling of this all now being done to a formula. On a superficial level the story shares a lot of elements with last year's opener New Earth ? the hospital setting, the animal-headed aliens, peoples' essences being passed around and jumbled up; but deeper than that, it just all felt very familiar. It's Russell T. Davies by numbers ? albeit a good, well-made and enjoyable example of Russell T. Davies by numbers ? rather than Russell T. Davies pushing the envelope and tearing down the boundaries. It didn't leave me with that, "wow, I just watched a brand new Doctor Who" feeling. I was a big RTD supporter during the first two seasons, but now it's time to see what else he can do. Could he give us a Robots Of Death or a Warrior's Gate or a Mind Robber or a Carvival Of Monsters? Or are stories about aliens arriving in London or Cardiff and making ordinary people panic as far as his talent stretches? Now I think back to his impressive (if badly concluded) drama Second Coming, it did contain many of the elements familiar from any average RTD Doctor Who story.

Worse still was the "next time" trailer ? yet another historical featuring an iconic figure early on in the run. For a show whose possibilities are so limitless, it seems ridiculous to do it to such a strict template.

That said, there was a lot to enjoy about this episode. The family stuff was kept to a refreshing minimum (though RTD would do well to remember that the UK population isn't comprised entirely of these kind of people, no matter how hard he wants to appeal to the EastEnders-loving masses ? a bit of variety would be nice), and the plot rattled along at a decent pace with some nice twists and turns. But it really really is time to see some worlds of wonder now and less dull ordinary British people. Heck, even a story set in a village would be nice. For all his talents, Russell has an extremely narrow view of the world, the universe and especially Britain.