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The Tenth Doctor Adventures - Volume Three (Big Finish)Bookmark and Share

Friday, 7 June 2019 - Reviewed by Ken Scheck
Tenth Doctor Adventures Volume Three (Credit: Big Finish)


Starring David Tennant, Catherine Tate, Bernard Cribbins, Jacqueline King, Nicholas Briggs
Written by James Goss, Jenny T Colgan, & Roy Gill
Directed by Ken Bentley

Released by Big Finish - May 2019

David Tennant and Catherine Tate return to Big Finish for Tennant's third and Tate's second boxset, and this time they've brought along some supporting characters from Series 4 as well: Wilf and Sylvia! 

The set opens with No Place, seeing all four characters in a haunted house, with the Doctor and Donna pretending to be newlyweds for some haunted house makeover show. Obviously, this is all in order to deal with whatever alien presence is stalking the house. In all honesty, the opener feels half baked, like they got part of an idea and never truly figured out the details...maybe hoping that the joy of hearing Bernard Cribbins as Wilf again would distract us from the fact that the story isn't terribly great.  And while it is great to hear Wilf and Sylvia in on the action, I can't say I even buy the idea that Sylvia would get involved in this plot.  It's nothing against Jacqueline King, she is good in this...but the way the character had always been written is contrary to her getting roped into a Doctor Scheme. She just wouldn't. And in the end, these are the kind of silly details I focus in on when the story itself isn't terribly interesting. 

Luckily the set bounces back with One Mile Down as the Doctor takes Donna to a tourist trap that was once a beautiful underwater city, but in order to make money with tourism they've encased it in a bubble, with the original fish like inhabitants forced into protective helmets, and essentially be treated as lower life forms despite having built the beautiful city everyone has come to see.  It can be a bit ham-fisted with it's social commentary, but that was the Tenth Doctor era I loved so much!  You've got 45 minutes to an hour to explain your premise, introduce your guest characters, build a world and solve it all for the next adventure...if you want to put in a message, well you just need to shove it in and get the point across quickly.  And I enjoyed this episode!

The set closes out with The Creeping Death, which takes place in Smoggy London in 1952. This was an actual thing that got really bad in December 1952, and a number of people got ill or died due to toxins in the air.  In this story, some minuscule alien lifeforms that live in those kinds of toxins have come to Earth and hope to make the smog last forever, and of course, it is up to the Doctor, Donna, and a small group of people to stop them.  This one has a fun atmosphere, and I enjoyed all the guest characters. It is definitely the best outing for this set. 

As the Tenth Doctor is probably my favourite version of the character, and Donna my favourite companion of his, I'd be hard pressed not to just enjoy hearing Tennant and Tate together again (even out of character the two are always a blast to listen to).  I think despite the lame opening effort, they bounce back and make stories that definitely feel like episodes that could've fit into Series 4.  The only thing that could capture the feel of that era better is Murray Gold's music.  Unlike the first set in which Tennant had to sort of find his Doctor voice again, and the second set in which Billie Piper didn't quite feel like the old Rose, this time Tennant and Tate are rock solid in their performances, and it's a fun ride. 





The Road to the Thirteenth Doctor - The Tenth Doctor (Titan Comics)Bookmark and Share

Wednesday, 11 July 2018 - Reviewed by Ken Scheck
The Road To The Thirteenth Doctor #1 (Credit: Titan / Robert Hack)



"The Ghost Ship"
Writer: James Peaty
Artist: Iolanda Zanfardinoy
Colorist: Dijjo Lima

"The Road To..."
Writer: Jody Houser
Artist: Rachel Scott
Colorist: Enrica Angiolini

Published by Titan Comics in July 2018

Titan Comics can't actually show the Thirteenth Doctor before she debuts on TV in the fall, so they have decided to build to her Comic Book Debut with three one-shot comic books that leads into her debut story.  The first of these, in what is being called "The Road to the Thirteenth Doctor," is this story featuring the Tenth Doctor.  It is short and light doesn't really feel like it is building towards anything.  It isn't necessarily bad, but at this point doesn't really feel like it is on the "road" to anything. 

It begins with the Tenth Doctor and his two Titan Companions, Gabby and Cindy...as they land on a space station and face off with some creepy beings that the Doctor defeats easily, and exposes a creepy plot by the "Earth Corps" to create genocidal weapons.  And that is seemingly it. The conclusion feels quick and easy, nothing to write home about. The fact is the main story is just a regular Tenth Doctor story, which may or may not play into future events for either his series or the Thirteenth Doctor...but either way, it seems odd to build up and market this as a build up to her strips and then just give us an average story with an attached four page short story that is meant to sort of build to her. 

The short story that actually is meant to serve as the actual "Road To.." storyline, just goes back into the Tenth Doctor's first season on TV, where we see the Doctor in between scenes in The Girl in the Fireplace in which he finds something even crazier than 18th Century France on a space station, though it is left ambiguous as to what it is, as the Tenth Doctor races off to save Rose and Mickey before exploring anything further.

One can only hope this is actually going somewhere. I felt this story was too light, too easy an enemy to defeat...but I didn't quite know what it was they were setting up for the Thirteenth Doctor. I only discovered later that only the four page mini-comic had anything to do with the Thirteenth Doctor's eventual debut.  And I gotta say it was too short and ambiguous and relied a little too much on past continuity for me to get too interested. 

The art is nice, and as per usual for Titan, they just nail the characterization of the Tenth Doctor, but this ultimately is just a regular issue of the Tenth Doctor ongoing series, and anything that may be setting up the actual road to the Thirteenth Doctor feels like an afterthought...or something that might work better when the whole story is collected together. Right now, it isn't the strongest start for the big build-up to the new Doctor.





The Day of the Doctor (BBC Books)Bookmark and Share

Monday, 11 June 2018 - Reviewed by Stephen Blenkinsop
The Day of the Doctor (Credit: BBC Books)
Author: Steven Moffat
Publisher: BBC Books
Released: April 2018
Paperback: 232 pages

The 11th Doctor’s entry into the Target books range sees Steven Moffat novelise his 50th-anniversary celebration with two closely intertwined plots in a timey-wimey multi-Doctor tale.  The first plot strand sees the Doctor joining forces with his previous incarnation and the recently introduced War Doctor to thwart the Zygons who, having found themselves in Elizabethan England, hatch a plot to take over the Earth in the future.  However, the second plot strand which sees the Doctor confront his role in ending the Time War is more significant, addressing a major theme running throughout the series since its return in 2005.  This is arguably given even more weight in this novelisation than in the televised version, exploring the pain arising from his actions in a more personal way.  In revisiting the response of his Ninth incarnation at the end of The Parting of the Ways however, this book makes the point that the choice the Doctor faced here is the same impossible choice he has faced on many occasions.

This is the longest of this new batch of novelisations, perhaps understandably given the extended running length of the TV episode and the multiple plot lines, but also given that it covers the brief prequel, ‘the Night of the Doctor’.  Add to these the addition of new material and this feels a more substantial novel than the other recent releases in this range.  It also has a very different feel to it, demonstrating the versatility of earlier entries into the Target range.  Here, each chapter is written from the perspective of a different character, often in the first person, making each one feel fresh while challenging the reader to work out the identity of the author.  This story-telling device is put to particularly good effect when recounting the Doctor’s journey to the Tower from the perspective of each of his incarnations in turn – a journey his later incarnations have obviously experienced before.  It also allows for the injection of some humour at the expense of the Doctor and other characters, the former being variously identified as Bow Tie, Daddy’s Suit, Pinstripe, Grumpy, and Neckwear.  (As a side point, reference to the Tenth Doctor’s ‘tight suit’ would surely become a standard Target description of this Doctor should the range be extended, much like the Fifth Doctor’s “pleasant, open face”).  Each chapter is also preceded by a communication to readers from the narrator, an archivist who seems to be piecing together events in the story.  For me, the style of these interludes seemed very similar to those of Moffat’s DWM Production Notes.  I anticipate that this may grate with some readers and might be expected to interrupt the flow of the story, but for me these did make for refreshing breaks and a lightening of the mood in some of the book’s more serious moments.

Moffat also takes the chance to add to his original story, the most notable addition being that of a small but not insignificant role for River Song, perhaps understandable as one of his most significant character creations.  There is also an extended description of the Doctor’s integration in the Court of Queen Elizabeth and, of course, reference to Chapter 9 which claims to resolve so many of the show’s big questions and controversies is a typical example of Moffat playfulness.  He has further fun with the first two Doctors here being identified as colour blind and the Doctor also refers to the Peter Cushing Dr Who films and is even reported to be consulting with Cushing on a third film.

As one would expect from an anniversary story there is lots of fan-pleasing continuity with references to the great and the good from the show’s past, including Ian and Barbara, The Brigadier, Sarah Jane Smith and Susan.  The grand finale still sees all the Doctor’s incarnations join forces though here it is in a somewhat different manner to the TV episode and a significant addition comes right at the end of the book with a brief postscript featuring the thirteenth Doctor.  And as with many Target novelisations this one also takes the opportunity to extend the roles and significance of supporting characters - here Queen Elizabeth and McGillop are the main beneficiaries.  The absence of the Daleks is though more apparent in this book.  Although they are an important part of the backdrop to the story in terms of the Time War – without the impact of their on-screen cameos they are effectively absent here.

This novel then has more serious undertones than the first two additions to the Target range but is not without its moments of humour, which, as in past multi-Doctor stories are principally in the interactions between the various incarnations of the main character.  It is a book written very much with fans of the series at its heart, but going beyond the continuity this is never clearer than the beautiful moment when the War Doctor promises that whoever hears the wheezing, groaning sound of the TARDIS will know that they are not alone.  While this is of immediate significance to the Doctor in the context of the story, this is surely also speaking to the fans and their relationship with the Doctor.  The Day of the Doctor immediately soared to the top of the DWM poll of TV stories and I’m sure this novelisation will be held in similarly high regard.





The Christmas Invasion (Audiobook)Bookmark and Share

Thursday, 7 June 2018 - Reviewed by Peter Nolan
 The Christmas Invasion  (Credit: BBC Audio)
Adapted by Jenny T Colgan
Based on the original script by Russell T Davies
Read by Camille Coduri
Cover by Anthony Dry
Released May 2018

To begin this review at the end, Jenny Colgan’s Afterword sees her describe her love of the classic Target range. She touches on that old chestnut that in her day it was the only way to relive episodes after their broadcast and, besides, all this t’where fields back then lad, but doesn’t dwell. Rather she weaves a picture of a lovely childhood spent lingering at the desk of her local library. Trying to navigate the torture of rules that meant she could only get out four Targets a month. She concludes with the observation that the first Target she’s ever own all to herself will be one she wrote and notes how mad and wonderful that is.

So, it’s in this context that the novelization of The Christmas Invasion brims with affection and nostalgia for childhood days with your hands propping up your chin and you lost yourself in those curious little tales of Doctor Who. It also means that it’s the most traditional and straightforward adaptation. Russell T Davies uses the Target range’s long-standing custom of inventing entirely new subplots out of nothing but those subplots are very uniquely in his style. The Day of the Doctor, meanwhile, is so gloriously playful in its structure only Steven Moffat could have written it.

But Colgan takes the route of expanding on the script but, nearly always, doing so by giving us more insight into the thoughts and feelings of the various characters as they experience events pretty much identical to those seen on TVs on Christmas Day, 2005. Near the start, there’s a whole set of introductions to the Guinevere One team and their daily routine but once we get going there’s not much deviation from the plot. The Doctor piloting the TARDIS back to Earth from the Sycorax ship, rather than the Sycorax teleporting it down, is about as divergent as it gets.

But honest, believable emotion and character are Colgan’s strong suits, as anyone who’s read her non-Doctor Who books can tell you (yes, boys and girls, you can read novels without spaceships in them from time to time; your hair won’t go on fire, I promise). Her choices here bring the story very much into her wheelhouse and she expands skilfully on Davies’ own ability to make believable a character with only fifteen lines of dialogue. The chief beneficiaries of Colgan’s eye are Guinevere One boss Danny Llewellyn and UNIT operative Sally. On screen they get a brief flirtation – him flustered by a woman so beautiful being nice to him, her endeared by his combination of earnestness and humility. On the page, we lean in to the tragic undertones, as each mentally sizes up the other – imminent death focusing their thoughts on possible futures, possible futures they’ll never have the chance to even dip their toe in together.

The audiobook edition is read by the myth and legend that is Jackie Tyler herself. Or rather Camille Coduri, proving herself to be so much more than just Jackie. It’s easy to fall into the trap, when an actor is just so good at portraying one character, to forget that they have a whole acting range to explore. So apologies are due to Coduri in this review for she shifts effortlessly from one character to another throughout. Even her Jackie should be saluted as she recaptures with apparent ease every ounce of energy in her television performance, flicking back forth from that to her narrator’s voice with ease.

But her Rose is also astonishing. Even though Piper and Coduri have similar voices, and played their roles with similar accents, Coduri proves adept at capturing even that subtle difference. In some scenes of the Tyler women bickering back and forth, you could almost believe Piper had popped in for a cheeky cameo.

Her accents for the Welsh characters are almost as impressive. It probably shouldn’t surprise that a couple of years living and working in Cardiff gave our storyteller a good grounding in those Celtic tones, but it’s still striking that there’s nothing broad or comedic about her Llewellyn, but simply an authentic sounding rich tone. And when her Sycorax leader shows up, it almost blows you out of your chair in surprise. It certainly sent this reviewer into a few tracks of distractedly listening while googling who the second performer was. But, nope, 100% Camille Coduri. Treated and artificially deepened though it is, her capturing of the hard biting rage and disdain of the Sycorax is still note perfect and astonishingly good. With other male characters, she plays it safe and, perhaps wisely, simply throws a nod towards their style of speech though it’s still glorious to hear her Doctor and her Jackie’s take on the “I need…” routine.

Sound design wise, there are some clever choices here. Colgan adds the actual TARDIS departure to the ending, and in the audiobook’s take on that coda the full, lengthy version of the dematerialization sound is given a rare outing.  Its fading swoops and burbles and beeps form a subtle soundtrack to Jackie and Mickey’s thoughts on being left behind. Elsewhere, the soundscape wisely keeps out of the listener’s way but adds just enough background to give a nice sense of space and location.

Meanwhile, the handsome cover by Anthony Dry uses the same, striking pointillist style – each dot painstakingly created one at a time in pen and ink -  that’s dominated his Doctor Who work over the past two decades and has made everything from DVD insert booklets to the mural wall of the Doctor Who Experience so striking. It’s a style that, through artists like Ron Turner, Frank Bellamy and Chris Achellios, has long been associated with Doctor Who and makes for a comfortable fit for the next generation of novelizations.

Some may dismiss The Christmas Invasion as the least experimental, and therefore most disposable, of the new range. But that would be a mistake. Because its also the most successful at evoking that undefinable Target feeling. Of sending you back to days on tip-toes, peeping over the librarian’s counter to ask when you’ll next be able to take it out again. Add to that a versatile reader and sympathetic sound design and you’ve a release ready to stand up proud next to any of them in Target’s Golden Age.

 





The Christmas Invasion (BBC Books)Bookmark and Share

Sunday, 20 May 2018 - Reviewed by Stephen Blenkinsop
The Christmas Invasion (Credit: BBC Books)
Author: Jenny T Colgan
Publisher: BBC Books
Released: April 2018
Paperback: 169 pages

As the second book in the range of new series novelisations (at least in terms of the broadcast chronology) The Christmas Invasion, by Jenny T Colgan, marks the start of the Tenth Doctor’s era.  As such it is a logical choice even though there are arguably many more popular stories from this period, although for me this remained the best Christmas episode for many years until some of the more recent contributions.

This novelisation is a faithful retelling of the broadcast episode with fewer deviations or additional contributions than the novelisation of Rose.  The theme of the story is as much about the Doctor and Rose both coming to terms with the former’s regeneration as it is with battling the Sycorax invasion.  There is a therefore more emphasis on the strength of the relationship that has built up between the Doctor and Rose (and how it is affected by the Doctor’s regeneration) which is explored more explicitly, but there is also a little more background to the Guinevere One team and their relationships.  There’s also rather less continuity here than in the novelisation of Rose although John Lumic, who will crop up in the not too distant future gets a mention, as does the Brigadier.  There are also obvious references to the previous TV episode and with the Doctor’s first encounter with the Slitheen when he last encountered the Member of Parliament for Flydale North, now Prime Minister.

Jenny T Colgan clearly relishes the chance to highlight the threat in this story - the horror of the population literally standing on a precipice around the world is darker here and the shock of those watching their loved ones on the brink is more apparent.  Meanwhile, although he features comparatively little in this story, the energy and enthusiasm of the Tenth Doctor is captured on the page and by the end of the story when he finally “arrives”, that spirit of excitement and the feeling that the show was on the verge of something great really leaps form the page.  She also has fun with the idea that the world of Douglas Adams’ Hitchhikers Guide could be part of the Doctor Who canon (not for the first time in the show’s history).  The book also features some nice attention to the detail of the era here that serves to date the episode but also frighteningly to remind us of the passing of time since the episode aired - see Mickey connect to the internet using a dial-up connection on a laptop with 512Mb of RAM!

Overall this story is written with a light touch that perfectly evokes the episode and its central characters and won’t leave you feeling as if you’ve overindulged on Christmas pudding.  To top it off, some wonderful chapter titles themed around Christmas songs, a rather touching author’s afterword and another excellent cover by Anthony Dry are the icing on this particular Christmas cake!





Free Comic Book Day 2018 - Doctor Who Special (Titan Comics)Bookmark and Share

Saturday, 5 May 2018 - Reviewed by Thomas Buxton
Free Comic Book Day 2018 (Credit: Titan)
Writers: Nick Abadzis, John Freeman, George Mann and Jody Houser
Artists: Giorgia Sposito, Arianna Florean, Christopher Jones, Mariano Laclustra and Rachael Stott
Colorists: Marco Lesko and Carlos Cabrera
Publisher: Titan Comics

FC, 30pp, $0.00
On sale: May 5, 2018

With Titan Comics' regular Tenth, Eleventh and Twelfth Doctor strips each having reached the natural conclusions of their Year Three runs, and their recently-announced The Road to the Thirteenth Doctor mini-series still two months away from its launch, now seems as opportune a time as any for the publisher to take stock and prepare its readers for the adventures ahead. Enter their contribution to this year's Free Comic Book Day line-up, a 25-page one-off Special containing four bite-sized primers for the future of their regular Doctor Who strips, the Road saga and the Seventh Doctor's Titan debut alike.

There's every chance, of course, that the aforementioned annual event - held at comic-book retailers the world over to promote the industry and its physical purveyors - will be over by the time that you're reading this review, yet that doesn't mean you won't find some stores such as Forbidden Planet still housing the odd copy of this much-anticipated strip here and there. Should Titan's most dedicated followers and / or newcomers to the worlds of Who comics make the trip, however, or are they best off waiting for the Doctor's printed exploits to kick off again this Summer and beyond? Let's find out...

"Catch a Falling Star":

For any readers like this reviewer who've yet to finish reading the latest string of Titan storylines based in the David Tennant era, Special's opening tale might well prove rather disorientating at first, though that's rather the point; seemingly deceased companion Gabby Gonzalez seems just as perplexed as she's flung through outer space after the Year Three finale presumably detached her from the TARDIS with considerable force. How better to spend the time, then, than by taking a metaphorical trip down memory line, simultaneously bringing newcomers up to speed on her recent voyages across the Time Vortex?

From Sontarans to Sutekh in his reincarnated form, from Cybermen to Gabby's best friend Cindy Wu stepping aboard the Doctor's iconic Type 40 capsule, it's been one heck of an eventful ride for the despondent waitress-turned-pro artist over the last 36 months. True to form, Giorgia Sposito and Arianna Florean's dazzlingly whimsical artwork splendidly reminds us - alongside the awe-inspired sense of wonder and fantasy coming via the dialogue which writer Nick Abadzis affords Gabby - of the eclectic and unashamedly outrageous tone which made this particular TARDIS team's travels such an instant hit with fans of Titan's licensed Who output.

Naturally, though, few could blame Ms. Gonzalez for questioning her life decisions given her present near-fatal predicament, so that Abadzis briefly explores her justifiable doubts as well comes as a welcome surprise, in many ways enabling us to draw parallels between the character and past companions such as Martha Jones for whom the Doctor's entrance signalled virtually the destruction of their personal lives and family ties. Who wouldn't reconsider the same dilemma as that which was posed to Donna in "Turn Left", namely whether life would've turned out better had their path never crossed with "the man who keeps running, never looking back because he dare not out of shame"? As such, it would seem that Gabby needs affirmation that her story doesn't end on such a somber note, and while we'll refrain from revealing her just how "Catch a Falling Star" concludes, we can say that she might just get her wish and transform the Doctor's future in the process...

“The Armageddon Gambit”:

The best way to summarize the second narrative barrage in Special’s artillery is as an audition piece for Andrew Cartmel and Ben Aaronovitch’s impending Seventh Doctor mini-series, “Operation Volcano”. Unlike that five-part saga, John Freeman takes on writing duties for “The Armageddon Gambit”, but if his remarkably authentic rendition of Sylvester McCoy and Sophie Aldred’s wit-laden, mentor-student-esque banter from their 1980s run as the Doctor and Ace serves as any indication of what to expect from “Volcano” upon its launch next month, then experiencing each issue over the coming weeks should seem remarkably akin to watching a McCoy serial on TV / home video / streaming platforms for the first time.

While Freeman’s relatively standalone narrative – which sees the ever-courageous time travellers chirpily interrupt a band of galactic tyrants standing on the brink of galactic conquest, having bested the Draconians, Chimerions and Voord alike – probably won’t win this year’s Pulitzer Prize for literary ingenuity, his script does at least enable the mini-series’ artistic / colour tag team of Christopher Jones and Marco Lesko to amply strut their stuff. Their bold style, in marked contrast to Sposito and Florean’s tonally befitting impressionistic imagery, does a splendid job of bringing the tale’s characters to vivid life, with Lesko’s choice to embroid the chief Kla-shi-kel clansman with striking golden armour for example visibly setting him apart in military stature and greed-driven ambitions. Look out in particular for their pitch-perfect depiction of the Doctor and Ace’s grand entrance, an instantly iconic raison d'etre for “Armageddon” which easily stands among Titan’s most memorable panels to date.

“Midnight Feast”:

Whereas Abadzis and Freeman both had their fair share of legwork in terms of painting a roadmap for the future flights of the Seventh and one other Doctor here, one can almost hear George Mann’s relief at finding no such pressure exerted upon his Eleventh Doctor contribution by Titan’s head honchos. “Midnight Feast” makes no apologies for its lighthearted tone or completely standalone storyline, then, with Mann instead affirming to newcomers his ability to capture Matt Smith’s zany eccentricity and energetic zest for life, all while re-introducing his ex-librarian companion Alice Obiefune along the way. Yet it’s fair to say that Alice rather laments her inclusion here, finding her travelling companion ransacking the TARDIS kitchen for edible delights before he zips off to the nearest alien restaurant to find alternative inspiration.

Laying many criticisms at the feet of a self-proclaimed “culinary adventure” such as “Feast” would seem rather harsh, especially with Mariano Laclaustra’s diverse menagerie of stunningly-rendered alien patrons calling to mind Star Wars’ Mos Eisley Cantina in its aesthetic inventiveness. The only warning that we’d give, however, is that those unfamiliar with Alice won’t find the same level of introductory exposition here as that which Gabby provided regarding her past in “Falling Star”, largely since the latter’s existential plight gave Abadzis the ideal plot device to justify such nostalgic reminiscing. Since Alice only features for but a few panels here, this reviewer would instead advise anyone wanting to catch up on her entry into the Doctor’s life – between Amy and Rory’s turbulent honeymoon and reunion for the Time Lord’s death in “The Impossible Astronaut” – to check out the first volume of Year One, After Life, ahead of Year Four’s presumed launch later this year.

"And Introducing..."

What of Doctor Who’s fast-approaching return to BBC One with a new face, though? Does Jodie Whittaker’s absence from Special’s multi-Doctor front cover mean that we shouldn’t expect to see her incarnation feature in Titan’s licensed roster for the time being? Not at all – browse past the insightful Reader’s Guide at the end of the strip, which details the various regular strips, crossovers and classic Doctor mini-series currently available, and you’ll find three panels featuring a strange new world, strange new fauna and feathered onlookers, a strange new TARDIS and its strange new occupant embarking on her first ‘canon’ journey, her face brimming with visible passion and already infectious joy at discovering the unknown.

Much as every fan relishes jumping to far-fetched conclusions from even Who’s most basic marketing materials, the rousing thrill that comes with turning the page and witnessing the Thirteenth Doctor in action for the first time can’t possibly be denied. That her increasingly coveted costume and intriguing extraterrestrial surroundings are drawn in such a majestic light by Rachael Stott, the upcoming Thirteenth Doctor regular strip’s resident artist, just goes to show that she’s fully aware of the significance of this watershed moment for the show. The same can be said of Jody Houser’s daringly dialogue-devoid script, aping Whittaker’s reveal video last year in building its structure entirely around the new incarnation’s gravitas-laden arrival.

A tremendous end, then, to a tremendous Free Comic Book Day special, one which accomplishes the remarkable joint feats of setting past Doctors on unexpected new trajectories for the coming months and making the Thirteenth’s debut – both on-screen and the printed page – that much more of an exciting proposition.

Be sure to follow our reviews of Titan’s The Thirteenth Doctor series as it kicks off in tandem with Season Eleven this Autumn…