Shadow Planet / World Apart (Big Finish)Bookmark and Share

Wednesday, 26 July 2017 - Reviewed by Richard Brinck-Johnsen
Shadow Planet / World Apart (Credit: Big Finish)
 Shadow Planet by AK Benedict

World Apart by Scott Handcock

Directed by Ken Bentley

Cast:Sylvester McCoy(The Doctor), Sophie Aldred (Ace), Philip Olivier (Hex), Belinda Lang (Mrs Wheeler), Sarah Thom (Sandy/Captain Karren), Nickolas Grace(Professor Grove), Ben Mansfield (Loglan/Shadow Loglan)

Big Finish Productions - Released June 2017 

 

The final instalment of this unlinked trilogy of double bill releases sees the welcome return to Big Finish’s Doctor Who range of long-running audio companion Staff Nurse Thomas Hector Schofield otherwise known as Hex, played once again byPhilip Olivier. After a decade of regular appearances alongside Sylvester McCoy’s Doctor and Sophie Aldred as Ace, Hex was finally written out of the range in 2014’s Signs and Wonders. He returns alongside his two regular co-stars for two very enjoyable stories set during the early days of his travels before he started to become wise to the Seventh Doctor’s manipulative persona and the beginning of the story arc featuring the black and white TARDISes.

Shadow Planet by AK Benedict finds Ace and Hex ignore the Doctor’s warning about visiting a seemingly innocent planet called Unity which they soon discover has recently been opened to visitors by a group of colonists who have developed psychic technology to separate shadows into separate personas. The Unity corporation is headed by Mrs Wheeler, played a great sinister edge by Belinda Lang. The supporting cast also includes the always excellent Nickolas Grace as Professor Grove and a well-judged performance from Sarah Thom as Mrs Wheeler’s long suffering PA Sandy who is also a central character to the plot as the revelations as to how the planet Unity was colonised are revealed. Aldred and Olivier also get to have fun by playing twisted shadow versions of themselves. Overall a very enjoyable opening two-parter which, in a similar fashion to Alien Heart / Dalek Soul, ends on a neat cliff-hanger which segues directly into the second story.

World Apart by Scott Handcock continues directly from the end of the previous story with the TARDIS encountering a mysterious planet in the middle of the vortex. After landing and discovering that there is no else alive on the planet there is a nice two-hander scene between the Doctor and Ace which culminates in a shock for the Doctor when he learns that they are on a planet called Nirvana. It becomes apparent that they need to leave immediately, but having allowed Hex to go off on his own Ace refuses to leave him behind. Unfortunately, they are then too late getting back to the TARDIS which takes off with only the Doctor on board. Finding themselves stranded on this inhospitable planet provides some great two-handed scenes between Aldred and Olivier which shows just why they worked so well as a companion team and indicates that even now there is still potential to tell more stories featuring this pairing.

Both stories featured in this release are very enjoyable with the second being one of the best of the six two-part stories that have featured over this trilogy, largely due its only featuring the three main characters throughout aside from a brief cameo in one scene. It is a credit to both authors that these stories fit so seamlessly into the existing canon of previous audio adventures, given that neither has previously written for this particular TARDIS team.

The Seventh Doctor and Ace are back alongside Melanie Bush for the next trilogy of releases which resumes the main range’s traditional four-part story format beginning with The High Price of Parking.

 

Shadow Planet / World Apart  is available now from Big Finish and on general release from July 31st 2017






Doctor Who and the World of Roger Hargreaves - Official Launch EventBookmark and Share

Sunday, 23 April 2017 - Reviewed by Matt Tiley

As has been teased for some time, on Saturday 22nd April two mighty worlds clashed. Doctor Who and The Mr Men were put in a same blender and out popped.....Dr Mister....well four interpretations of four different Doctors, all set in the world first created by Roger Hargreaves back in 1971. The idea is to have a Doctor Who story in the Mr Men format, with all of it's simple shapes and colours,  and simple, broad humour, but told in a way that would appeal to both the young and of course - rather cunningly, us fans.

Doctor Who and the World of Roger Hargreaves Set One (Covers) (Credit: Penguin)The books available at the event were the four released, and I must confess that it seemed quite a random choice of Doctors to introduce into the Hargreaves world. We had Dr First (the first Doctor), Dr Fourth (the fourth - oh you get the idea!), Dr Eleventh and of course Dr Twelfth. 

To launch the series Roger's son, Adam (who has continued the much loved series of books since the death of his father Roger in 1988), was in attendance nestled among daleks and weeping angels, on the top floor of the Doctor Who Experience in Cardiff.  

So, I settled down next to a Skovox Blitzer that had defiately seen much better days, and watched the man charm an adoring audience of both young and old. I must confess to being a bit of a fan myself, as a child I was given a new Mr Man book every week, and can remember being rather proud of my little collection. (us fans and our collections eh? - nothing ever changes). 

Hargreaves took questions from both the the host of the event and from the audience while drawing Dr Twelfth for for all to see. And what an eclectic bunch we were, as well as the young, excited children were of course the fans, and they did us proud. There were cosplayers abound. Along with pretty much every incarnation of the Doctor, we had a couple of Osgoods, some Missys and even a Jamie. The cream of the crop though (in my opinion) was a young guy cosplaying as Missy in the full Edwardian dress, make up and varnished nails. He looked stunning.......and very, very tall.

Nuggets gleaned from the Q and A were that Dr Fourth was Adam's favourite to draw, as he loved the scarf and hat. He had drawn (spoilers) a Sea Devil, and took the colours of his Doctors were inspired by clothing they wore. He also divulged that the BBC has quite a bit of involvement in the stories, and the development of how the characters look. Also that the Mr Men books themselves started when Adam asked his Dad what a tickle looked like.

There was a break for lunch, during which a promotional video for the new range was shown, it was quite amusing to see cute little daleks scooting over the green hills of Hargreaves world. A sweet looking weeping angel stalking closer and closer to the camera, and a chunky little cyberman smiling cheerfully while taking pictures. The short film on a loop made me want to read the books, so it was obviously doing it's job.

Doctor Who and the World of Roger Hargreaves (Credit: Matt Tiley)When Hargreaves returned, he started signing. There were a lot of people wanting signed copies, evidently more than expected as the event over-ran slightly. The long queue for autographed copies snaked in front of a stone dalek around a brightly coloured Moffat dalek (urgh!) and all the way back to a wooden cyberman. I have to confess to having a quiet little chuckle to myself, as now and again I did notice Hargreaves give one or two puzzled and mildly concerned looks at some of the more elaborate cosplayers who were seeking his autograph. Welcome to our world sir.

By the time most of Cardiff (or so it seemed) had managed to get their books signed, we moved onto to a special video presentation. It was a reading of Dr Twelfth by none other than Missy herself, Michelle Gomez. Missy (quite rightly) featured heavily in the Dr Twelfth book. It is essentially the story of Missy stealing artefacts throughout time with the Doctor in hot pursuit, until he stops to have something to eat. It was obviously all very Doctor Who and all very Mr Men.

 

Doctor Who and the World of Roger Hargreaves: Set Two (Covers)Finally we had the big reveal - and that was the unveiling the next four entrants into this seemingly bizarre (but incredibly cute) cross over universe. There were clues given for each new Doctor who was to have the Mr Men treatment, the best by far being a road sign that simply said 'North'. The new Doctors were......Dr Second, Dr Seventh, Dr Eighth and yes, you guessed it, Dr Ninth. Dr Seventh with his cute little hat and question mark umbrella seemed to particularly suit this new range. After the announcement, a stunning looking cake was unveiled and the crowd went wild.

So, to sum up, it was a lovely afternoon, spent in the company of a very genial and patient man, who is obviously very proud and passionate about his father's brand. A brand that I'm surethat now, with the involvement of the BBC and Dr Who can only strengthen further.

As people started to disperse I made a quiet exit through the gift shop, and like the marketer's dream that I am, purchased an I.M. Foreman, Totters Yard hoodie on the way out.





Original Sin - Big Finish AudioDramaBookmark and Share

Wednesday, 12 April 2017 - Reviewed by Martin Hudecek
Original Sin (Credit: Big Finish)
 

Written By: Andy Lane,

Adapted By: John Dorney

Directed By: Ken Bentley

STARRING:
Sylvester McCoy (The Doctor), 
Lisa Bowerman (Bernice Summerfield), 
Yasmin Bannerman (Roz Forrester), 
Travis Oliver (Chris Cwej)

WITH: Andrew French (Beltempest), 
Philip Voss (Robot/ Under-Sergeant), 
Amrita Acharia (Rashid/ Computer/ Shythe Shahid), 
Robbie Stevens (Dantalion/ Homeless/ Securitybot), 
Jot Davies (Powerless/ Pryce/ Hater/ Evan Claple).

( Other parts played by members of the cast).
 


 


Written By: Andy Lane + Adapted by John Dorney

Director: Ken Bentley

Sound Design: Russell McGee

Music: Crispin Merrell & Gordon Young

Cover Art: Tom Newsom

Executive Producers: Jason Haigh-Ellery and Nicholas Briggs

****

Available on 2 CDS or Digital Download

Duration: 2 hours approx
 

Big Finish Release: December 2016

General Release: 31st January 2017

The future Earth Empire is truly a bustling and expanding phenomenon. But something very suspect and decadent lies at its core. Two of the law-keepers of the ‘United Kingdom’ – better denoted as Spaceport Five Overcity – start their day assuming ‘business as usual’. One is the experienced Roz, the other the relatively fresh-faced Cwej.

By the end of their run-in with a mysterious little man called ‘the Doctor’ and his unusually informal academic friend Bernice, they will have markedly different views of their identity and the wider cosmos around them. Unstable stasis fields, cybernetic technology, and travels across the stars will all come into play. And a slug-like race known as the Hith will have a chance to restore their reputation, in spite of the sizeable propaganda delivered on the ever-present public newscasts.


Original Sin was a novel that saw the New Adventures range re-calibrate for a different ‘era’. Following the milestone that was Human Nature – a book so remarkable it had a second telling as a Tenth Doctor story in 2007 - more ‘traditional’ adventures across the cosmos were back amongst the status quo. Sporting a very nice cover, the book is now unfortunately hard to track down, and thus for many this adaptation is even more welcome.

I had become a somewhat infrequent reader of the paperback adventures, at the time. Owing to having a multitude of other books to read as part of homework assignments, as well as those tomes given as presents, the net-result was that the Seventh Doctor’s literary incarnation had some serious competition for my escapist affections.

Damaged Goods had already showcased the wonderful duo of Cwej and Forrester, with Yasmin Bannerman and Travis Oliver established as committed and engaging performers. Credit once again to them for managing to convince of the same characters, but this time at an earlier point in their lives; before they had the chance to travel with the Doctor and Bernice.

What is important, and what Ken Bentley so handily delivers in this play, is a credible bonding process between the two markedly different Adjudicators. The listener swiftly cares for their friendship, and it is also important that they relate as well as they do to the Doctor’s present companion; Professor Summerfield.

Supporting characters are especially well done here, a by-product of Andy Lane’s sterling source material and enlivened with panache by the voice talent enlisted by Big Finish. Especially well-characterised is Provost-Major Beltempest, who goes from seemingly heartless military professional to someone more helpful and open- minded, and then a key twist is revealed which ties in with one of the core story strands. Also the psychotic criminal Zebulon Pryce is portrayed in more than broad brush strokes, and together with the Doctor – during a standard moment of captivity for our title hero - has a truly fascinating ethical debate, where some of the ‘Time’s Champion’ burden is fully explored. The only real drawback is the scale of the story, and thus some familiar sounding voices recur as some cast members  have two (or more) roles.

Sylvester McCoy and Lisa Bowerman typically work well together, and this story sees an even better partnership. Whilst their alter egos do split up several times, they have enough audio time together, which perhaps was not the case in a story such as The Highest Science. With plenty of knowing wit and teasing of one another, it is clear they match as personalities, and furthermore it is clear that each would take a bullet/ laser/arrow for the other.

Having a returning villain from the classic series is typical for the Virgin line of books that lasted for much of the Nineties. This antagonist hales from the black and white days of the TV series, and is well-done and authentically acted; thus justifying his/her inclusion. Furthermore, the theme of survival, but at the cost of identity, is nicely combined with this use of Who continuity.

The demented prisoner Pryce is in some ways a more interesting character in the context of the story proper, but I still enjoyed the nod to the past. However the inconsistency over the TARDIS’ internal dimension rules is only re-enforced in the final showdown, so perhaps this area of Doctor Who lore is best regarded as a convenient plot device (along with the likes of the Sonic Screwdriver).

Also I did find the Hith voices an acquired taste, and the timbre also for some reason reminded me of the rather forced third cliff-hanger from The Paradise of Death; a contemporary of the Virgin New Adventures, but rather more solitary compared to the Big Finish audios that followed.

However any quibbles with the production are negated by the truly superlative interludes featuring news broadcasts to the various citizens of the Earth Empire. Often showing just how little humanity has advanced in terms of emotional intelligence and diplomacy, they are a great way to prevent the story proper from ever stalling. Transitioning from one supremely confident anchor to a rather more ‘wet-behind-the-ears’ colleague further on, these ‘excerpts’ of daily life add much to the already competent world building conveyed by the dialogue from the supporting characters, in addition to the exposition the Seventh Doctor so eloquently provides to his dear friend Bernice (who certainly appreciates it in spite of her sizeable qualifications).

The previously released Seventh Doctor audios managed to deftly condense the source material of these often groundbreaking novels, and this latest release is particularly confident, thanks to the experienced and astute writing skills of John Dorney.

A whole-hearted recommendation is awarded to this two-parter. I hope more such adaptations will follow, in due course.


BONUS:

Full and candid interviews are again in supply here, along with some proper explanation of what the production team were aiming for with this re-telling. McCoy in particular has some interesting input, as well as evident enthusiasm that he has so many opportunities to deepen the character, that he first portrayed all those years ago in the final stanzas of the 20th Century.





Supremacy Of The Cybermen - Complete CollectionBookmark and Share

Friday, 17 March 2017 - Reviewed by Martin Hudecek
SUPREMACY OF THE CYBERMEN (Credit: Titan)
Writers: George Mann + Cavan Scott

Art: Ivan Rodriguez, Walter Geovanni, with Alessandro Vitti


Colorist: Nicola Righi With Enrica Eren Angiolini

Letterer: Richard Starkings
And Comicraft's Jimmy Betancourt

Senior Designer: Andrew Leung 

Senior Editor: Andrew James

Assistant Editors: Jessica Burton
& Amoona Saohin

Designer: Rob Farmer

Published :7th March 2017

The most recent incarnations of the Doctor must combat the might of the Cyberiad - an overwhelming force that links the minds of Cybermen through all of time. The Tenth Doctor is forced to use a super-powered, and truly gigantic machine, as part of a combat alliance with Sontarans (who are normally his sworn enemies). The Ninth Doctor is on the back foot as he seemingly loses Rose forever, and his faithful time ship into the bargain. The London of 2006 that was established as relatively safe is now totally overcome by the silver giants. And as for the Eleventh Doctor, both he and Alice face a change of evolution back in the ancient time zone of ‘Prehistoric’ Earth. A change that contradicts established knowledge concerning the fate of the Silurian race.

But it is the Twelfth Doctor who is facing the eye of the storm and discovering what his Cybermen nemeses are intending to do, not only with the wider cosmos, but with the  temporal flow of causality itself. It soon becomes clear that this Doctor’s apparent triumph over Rassilon (in Hell Bent) was only short-lived. The alternately legendary and reviled keystone figure in Gallifrey’s history (depending on when in his elongated lifespan) is now truly betraying his own kind, by allowing the Cybermen to have access to the higher technology of his race. In return for this 'sharing' of superior knowledge, the former Lord President is accepting some Cyber ‘enhancements’ to his own person.


The initial two issues of this arc were separately reviewed on this site last year, and the consensus was that the initial foundations were promising.

So the logical question is: does the conclusion deliver?

In a nutshell - this is a satisfying romp  for the general time required to read through it. And as a collected edition it also perhaps reads in the best way, for one to enjoy such a large scale and ambitious type of story. When this story was first being released every month (or every other month) in the second half of 2016, sometimes the wait between issues highlighted how sparse was the material that most of the starring Doctors were given. 

The key premise of the Cybermen looking to master both space and time is perhaps not new when one is to consider the likes of Attack of the Cybermen and Silver Nemesis, but with all due respect to those 1980s stories, the ideas at work here are that much stronger. Also, the limitless 'budget' of comics is also put to better use than was ever the case with those TV outings’ resources. The Doctor rarely is put under such immediate pressure as in this tale, and it is refreshing to have his other selves being so helpless and threatening to drag down the ‘present’ (Capaldi) incumbent. There are plenty of moments of high drama, with full-on ‘shock effect’ as various associates, or close friends of the Doctor(s) are seemingly slain, or coldly assimilated by the impassive forces of the Cybermen.

The biggest stumbling block for this distinctly ambitious story is that the jeopardy is raised to such intense levels that the final method of bringing things to a close verges on deus ex machina. Yet it does see some welcome character development for one of the main antagonists, that arguably was not the most easy to anticipate based on much of the previous storyline. If one were to look for how strong the conclusion is overall, such as by comparing it with the prior year’s Titan comic event, then it is clear that the ending Paul Cornell devised for his Four Doctors story was just that margin more satisfying and neat.  

Also, whilst it was brave to force the Twelfth Doctor to be the one regeneration to have the key to the puzzle, it is a little frustrating that the Doctor’s various companions are so passive here – again Cornell’s story was mindful of keeping the considerable precedent of the assistant role being crucial to the Doctor’s fortunes. As an introduction to those not so familiar with Doctors of past times – even in the recent decades – this adventure does fine work in maintaining key defining traits. The Eleventh Doctor is as light hearted and unflappable in the face of danger, as the most striking turns Matt Smith contributed on-screen. The Tenth Doctor has those hints of darkness and fury, such is the relatively short period that has occurred since the Time War. The Ninth Doctor’s relatively macho and assertive nature is well captured, and despite the human casualties that assault his senses, he still has that firm core belief in his ability to rescue victory from the jaws of defeat. Titan had also done a fine job in their ongoing regular comic lines to introduce teasers for this saga by having Doctors from the classic era of 1963-1989 pop up , and this is executed well in the main story by having further glimpses of the TV Time Lords of yesteryear..There are also some other pleasing references that operate in relieving the often relentlessly grim vibe – such as the mention of the 'Kessel Run' by the Ecclestone version of the Doctor.

The visuals are mostly effective from the artwork team that contributed to this mini-arc, and the wealth of time and space is no doubt a cause for excitement for both casual reader and loyal monthly purchaser alike.  The main artists – Ivan Rodriguez and Walter Geovanni – are able to put their personal stamp on a wealth of familiar faces, along with those newly introduced for this particular story. There is good further art support from Alessandro Vitti, and the main colouring work from Nicola Righi is typically lively and effective in conveying the mood intended by co-writers Scott and Mann.


Overall, readers can do far worse than give this graphic novel some time and careful attention as they uncover the myriad threads concerning Doctors past and present, as well as the turbulence that is Gallifrey in the future. It perhaps is not up there with some of the very best stories from Titan, but as an adventure featuring the second most recognised monster of the show, and one that makes some interesting use of the different Doctors from television screens in the last 12 or so years, it is definitely worth a look. It remains to be seen if Series 10's concluding episodes make equal or better use of the (potentially infinite) Cybermen concept; one that is now more than Fifty Years of age.





Short Trips - The Hesitation Deviation (Big Finish)Bookmark and Share

Tuesday, 10 January 2017 - Reviewed by Matt Tiley
The Hesitation Deviation (Credit: Big Finish / Anthony Lamb)

Producer & Script: Editor Ian Atkins
Executive Producers: Jason Haigh-Ellery and Nicholas Briggs
Written By: James Goss
Directed By: Lisa Bowerman

Cast: Lisa Bowerman (Narrator)

Or the lost Sylvester McCoy Christmas Special....this festive, but very dark story finds the seventh Doctor and Bernice Summerfield visiting a planet that celebrates Christmas for just two weeks of the year, where mince pies are considered one of your five a day, and Christmas jumpers must be worn ( seven fits in quite well here then!). But in true Who fashion, something is not quite wrong, and the locals are revolting...

 

Now, please reader - don't judge me, I need to start this review by saying that I have never listened to a Big Finish that featured Bernice Summerfield as the companion (I'm still a relative Big Finish novice - but thanks to DWN, I'm getting there!). I was, of course, aware of the character, and it was a pleasant surprise for me to read that Lisa Bowerman has been playing the role since 1998. The character herself was of course created by Paul Cornell as a literary post-Ace companionin the New Adventures back in 1992, but I'm sure that you all know this already! 

 

I was actually blown away by the character of Bernice, someone who in this story has a very established relationship with the Doctor. Lisa Bowerman voices the story very well (have a look at the credits - Bowerman also directs this story!), she gets McCoy's very Scottish 'burr' spot on. Bernice Summerfield is obviously a very feisty character who has no problem taking chances and standing up to the Doctor when the need arises. 

 

The Doctor here is at his absolute most playful and mysterious, the story contains a lot of true to form seventh doctor moments - apparently he uses a toffee hammer to mend his train-set, and only likes
jigsaw puzzles with missing pieces of blue sky. He is portrayed essentially as a child at Christmas, which I think quite fits the character. Bernice is there to make weary excuses for his odd behaviour, and to put him back on the right track, just like one of his broken train-sets. The vocal ticks of the Doctor are excellently realised, and you can imagine them all fitting neatly into a  McCoy episode. "Ah! Corridors!" particularly made this listener smile.

 

The story is cleverly book ended by Summerfield visiting a robotic therapist. She wants the therapist to help her forget the Doctor, to remove all traces of him from her mind. Now with a genius lead-in like that, I was instantly drawn into the story.  I was needing to know what had happened to make Bernice want to erase all trace of the Time Lord from her life. There are plenty of surprises, and beware - the story does veer from fluffy Christmas, to something rather disturbing quite quickly - oh - and the final reveal is a joy.

 

The Hesitation Deviation is written by James Goss, who of course is more than adept at jotting out the odd short story for Big Finish. He knows the material so well, you know you are in safe hands. The running time is a very brief 35 minutes, but this only makes things more tense. Download it and have a listen, I promise that if you are a fan of Sylvester McCoy interpretation of our favourite Time Lord, you won't be disappointed.

 

The Hesitation Deviation is available from Big Finish as a digital download now.





The Eleventh Doctor (Year Two) #10 - First RuleBookmark and Share

Wednesday, 28 December 2016 - Reviewed by Martin Hudecek
ELEVENTH DOCTOR #2.10

 Writer - Rob Williams, Artist - Simon Fraser
Colorist - Gary Caldwell

[Abslom Daak created by Steve Moore + Steve Dillon, appearing courtesy of Panini Comics, with thanks to Doctor Who Magazine]

Letterer - Richard Starkings + Comicraft’s Jimmy Betancourt

Assistant Editors - Jessica Burton + 
Amoona Saohin
Senior Editor - Andrew James 
Designer - Rob Farme


COVER A - DAN BOULTWOOD
Released June 8th 2016

"Of course I knew! I'm not you, Daak! I actually think! I think a lot! I am very, very, very smart! Why else do you think I kept you around! Not for your witty repartee. I had something specific in mind for you. You had to be her bodyguard."

The Doctor chastising Daak for failing to protect Alice.


 

'The Then And The Now ' could not be stopped forever, and at some point in its pursuit was going to cause serious damage. The badly injured Squire lies prone in the clutches of the TARDIS Robo-med, with the Doctor desperate to save the aged warrior's life. And all Abslom Daak can do is speak up and find his Time Lord 'ally' in far from his usual convivial mood.

 

Meanwhile Alice is abroad the diseased TARDIS belonging to the Doctor's nemesis, the Master. She is aware of the importance of getting to a point in the Time War that will solve the current threat hanging over the Doctor. A mysterious amorphous entity may be the key to her accomplishing her mission.


 

This tenth issue in the intricate, broad Year 2 arc skilfully manages two parallel storylines, such that both grip in equal manner, but for different reasons.

The artwork, colours and panelling variety all operate well together, and the issue overall culminates triumphantly with a 'double whammy' cliff hanger.

Alice is being given supremely worthwhile character development, in a plot thread that shows that whilst the Doctor is key to any story, it is not always wrong if his assistant - or, in the case of this run of stories, team -  are vital in finding some kind of resolution to the problem at hand.

We also see a Doctor struggling to accept that Alice is having to fend for herself in some corner of the sprawling mess of chaos that is the Time War. And this was down to his own machinations, except that his plan involved Daak being there to help the rather benign and weapon less Alice. At one point the Doctor shows a dark fury which is welcome, given how sometimes - and certainly in my view - this particular incarnation is overtly clownish.

Further, the Squire's fate hangs in the balance this issue, and it is tribute to the fine work of Rob Williams, (with support from alternate writer Si Spurrier), that readers will be concerned over this potential tragedy. The character is decidedly offbeat and has not appeared in either TV show or legendary comic strips of yester year (as with Daak). Yet it still feels vital that the Doctor can 'pull a rabbit out of the hat'.

In sum then, the arc continues to astound and delight in equal measure, despite entering some rather grim settings and thematic backdrops.


The reviews for the Eleventh Doctor Titan comics will return with a look at the 'collected edition' of the next sequence of issues. So watch this space (!)