The Eighth Doctor - Ravenous 1 (Big Finish)Bookmark and Share

Sunday, 15 April 2018 - Reviewed by Ken Scheck
Ravenous 1 (Credit: Big Finish)

Written By: John Dorney, Matt Fitton
Directed By: Ken Bentley

Cast

Paul McGann (The Doctor), Nicola Walker (Liv Chenka), Hattie Morahan (Helen Sinclair), Mark Bonnar (The Eleven), Ian McNeice (Sir Winston Churchill), Laurence Dobiesz (Wilhelm Rozycki), Gyuri Sarossy (Jan Ostowicz), Tracy Wiles (Secretary / Ground Control), Beth Chalmers (The Heliyon), Roger May (Cornelius Morningstar / Verdarn), Judith Roddy (Stralla Cushing), Sarah Lambie (Gorl), Jane Booker (Dron / Yetana), Christopher Ryan (Macy), Nicholas Rowe (The Kandyman), Amerjit Deu (Governor), Charlie Condou (Crabhead / System / Jarl), Pippa Bennett-Warner (Ruzalla), Beth Goddard (Ludina Braskell).  Other parts played by members of the cast.

 

Producer David Richardson
Script Editor Ken Bentley
Executive Producers Jason Haigh-Ellery and Nicholas Briggs

Following on from the events of Doom Coalition, the Eighth Doctor and Liv Chenka are attempting to find the trail of their lost friend Helen Sinclair, and they begin a brand new set of adventures to stretch out over four boxsets, this time with the umbrella title Ravenous. It's a pretty exciting new beginning for this Eighth Doctor team, and bodes well for the Eighth Doctor adventures going forward.  

The set begins with Their Finest Hour, which has The Doctor and Liv answer a call from Winston Churchill, who hopes that the Doctor can solve the issue of an invisible ship that is wiping out his Air Force. It's a energetic start to this set, with Paul McGann in his regular fine form as the Eighth Doctor, and Nicola Walker far more settled into the role of Liv. I must admit that while I really enjoyed Doom Coalition, I have never been too excited by Liv as a companion.  She just seemed too low key, but I felt Helen picked up the energy where Liv seemed to drag.  Here, she seems far more comfortable in the role, she just has more energy and her sparring with the Doctor had a good flow to it. At any rate, the opener sets the tone nicely, with World War II and interferring Aliens, a good supporting cast (including Ian McNeice reprising the role of Winston Churchill), and a good mix of action adventure and character moments. 

The second story, titled How to Make a Killing in Time Travel, has the Doctor and Liv again diverted from finding Helen, and this time end up embroiled in a murder mystery and a prototype time machine. This is a pretty fun story, lots of humor and asort of madcap pace. These first two stories seemingly have little to do with the big new arc that will be the backdrop of the coming Eighth Doctor boxsets.  I've been fooled before, they may end up playing a bigger role than I realize...but even if they do not, they were a fun couple of stories that kept me engaged and reaquainted me to the Eighth Doctor and Liv...and they made me appreciate Liv more than I had in the past.  

Helen, along with the Eleven, make their return in World of Damnation. The two apparently crash landed in an asylum, and Helen wreaked some havoc when they arrived, apparently endowed with some powers from the Sonomancer (Listen to Doom Coalition 4).  But now she is just trying to calm the Eleven's psychopathic tendencies, and it is seemingly helping.  Also at the asylum is the Kandyman (making his audio debut), who is distributing sweets to the inmates, which somehow controls their behavior.  By the time The Doctor and Liv arive, the asylum is in chaos, and I rather liked that while the Helen and Eleven storiy is being told simultaneously as the Doctor and Liv arriving, it builds in a way that you only slowly come to relaize that the TARDIS arrival actually takes place some time after the rest of the episode, and that the chaos has been instigated by the Eleven and the Kandyman, who were secetly working together.

Despite having spent so much time searching for her, the Doctor is very suspicious of Helen once they have found her, and he is unsure of her motives throughout most of the finale of the set, Sweet Salvation.  In this episode we discover that hte Kandyman and the Eleven plan to rule over whole worlds by delivering the Kandyman's confections as a mind control device, and it is up to our TARDIS team to halt their plans.  This finale is a great conclusion to the set, as it while the titular Ravenous is only briefly heard and hinted at, I am intrigued about going forward.  

This set is a good start to the new set of adventures for the Eighth Doctor. It definitely helped me warm up to Liv, which is a definite plus, as I really never found her that interesting in previous boxsets. I do find it surprising that they brought the Kandyman back at all, as I don't think he actually worked in his lone TV appearance. But Big Finish manages to make him a more interesting character, with a brand new design on the covers, because I am pretty sure there was some copyright issues with the character design. I should also make special note of Mark Bonnar as the Eleven, who has been incredible in this role since the start of the Doom Coalition sets.

If I have a criticism of this new set, it is that it really cannot stand on it's own. You have to have listened to Doom Coalition to understand major plot points of this set.  Despite carrying on from Dark Eyes, you could have started fresh with Doom Coalition, that is not the case here.  Now, that previous series of boxsets is pretty entertaining, so it is kind of worth it, but those who are not fairly familiar with the ongoing adventures of the Eighth Doctor on Big Finish, you should probably catch up to start this new set of adventures.  Those who are fmailiar?  This seems like a fun new collection to add to a growing list of fun collections for Paul McGann and company.  





The Time War: Volume 1 (Big Finish)Bookmark and Share

Thursday, 1 March 2018 - Reviewed by Ben Breen
The Eighth Doctor: The Time War (Credit: Big Finish) Big Finish
Released: Tuesday 31st October 2017
Running Time: 5 hours

Paul McGann’s Eighth Doctor has enjoyed something of a resurgence in recent years, most notably, in audio, via the Dark Eyes and Doom Coalition sagas.  Now, however, we journey back into a period of The Doctor’s canon that is largely undocumented compared to his classic incarnations, namely the war between the Daleks and the Time Lords, more commonly known as the Time War.

 

1.1: The Starship of Theseus

The eerie opening of this first episode evokes a time when Doctor Who, as a show, was less about the complicated story arcs and more about cybermen with silver foil suits.  However, with cinematic ideals close at hand, we join a commander of a squad of Time Lords on a mission that, at this point, still leaves us in the dark.  After an opening theme with sweeping orchestral tones, we are then hit by the comic relief of ending up in an unexpected scenario.  Specifically, in a broom cupboard with The Doctor and an unfamiliar individual who is, ostensibly, his companion.

As per usual though, the unfamiliarity with characters is quickly surpassed by the potential for comedy, curiosity and confusion, even if things seem to remain unclear for a while.  Eventually, however, the confusing and seemingly tenuously linked threads do converge and not really in the way you would necessarily expect.  Not wishing to spoil anything, the opening story of this box set, whilst it starts off rather mundanely in comparison to some, has a conclusion that is worth waiting for.

 

1.2: Echoes of War

This episode starts out with a rather comedic opening that, like the story preceding it, seems to share vague similarities with The Sirens of Time.  It also serves to make sure that the Daleks are in the foreground, as they rightly should be given the subject matter.  The jungle world that The Doctor and those traveling with him land on is nowhere near as peaceful as they might like.  Various elements of adumbration direct Whovians familiar with Dalek history to a particular train of thought that is unfortunately not explored further or quelled in any way.

Rather than an action-packed chase through the undergrowth, this is an interesting exploration of the impact of the Time War on those not directly on the front line.  Briggs’ delivery of the Dalek lines is almost certainly the highlight of the episode, with the insight into the psyche of The Doctor’s greatest enemy being interspersed with moments of reflection on just how volatile that foe can be.  We also gain a partial insight into the Time Lords determination to eliminate any opposition, regardless of the end result.

 

1.3: The Conscript

Instead of being a standard Doctor and an enemy story, this continuation introduces us directly to the Gallifreyan army and their training regimen.  References to some of The Doctor’s television appearances are very much appreciated, with confident scriptwriting and delivery showing a great difference between those fighting the Time War and those caught up in the chaos.  Whilst plot-wise, strictly speaking, very little actually happens, we as the audience get to see new sides to The Doctor and the Time Lords as a whole.  Regardless of opinions on the actual plot of this episode, the resultant cliff-hanger is worth the wait.

 

1.4: One Life

A so far linear story now takes a turn into the confusing, with the concept of a Time Lord weapon and it’s ramifications on the timeline.  Interspersed with flashbacks of two characters new to the Whoniverse, this final episode is very much the interesting denouement that is expected, even from a first box set in a series.

A well-formulated script, with several interesting twists and turns, combined with a cast who deliver their lines with a flare to bring this story to fruition.  This installment, if nothing else, shows promise for the rest of the exploration of The Eighth Doctor’s adventures during the Time War.

 



Associated Products

Audio
Released 31 Dec 2017
48% off
The Eighth Doctor: The Time War Series 1 (Doctor Who - The Eighth Doctor: The Time War)



The Flood (Panini Graphic Novel)Bookmark and Share

Friday, 19 January 2018 - Reviewed by Ken Scheck
The Flood (Credit: Panini)

Written by Scott Gray & Gareth Roberts

Artwork by Roger Langridge, Michael Collins, Adrian Salmon, Anthony Williams, Martin Geraghty, & John Ross

Paperback: 228 pages
Publisher: Panini UK LTD

This final collection of the Eighth Doctor's run in Doctor Who Magazine is a solid set of stories, but being that they did some standalone stories with the Doctor travelling on his own, and then began a new set of adventures with Destrii that ended up being cut short (though ended nicely in the epic "The Flood"), it just doesn't have the same kind of flow with build up and payoff that the other collections had. The other Volumes really do feel like a thought out season of Doctor Who. The final volume felt like some assorted adventures of the Eighth Doctor with no real running arc, which probably wouldn't have been the case had the new show not returned and probably cut short their initial plans for Destrii as a companion.  She had only really gotten started in the final story.  So there is a bit of disappointment that Scott Gray could never truly finish his storyline there.

Complaints aside, I highly recommended finding a copy of each Volume of the Eighth Doctor's DWM comic run. They a lot of fun to read.  I had enjoyed going through the Fifth and Sixth Doctor's run (though the Sixth Doctor's seemed to run out of a bit of steam in it's second volume), but the Eighth Doctor's was great, no doubt helped by the fact that they were totally free from the show being on the air, and they decided to find one writer to really focus and write the bulk of the scripts at the time.

Highlights in this volume include the opening story "Where Nobody Knows Your Name" which is a short one-off that has the Doctor and a Bartender discussing life, with the Doctor still a tad wounded from Izzy leaving him, and the Bartender helps the Doctor decide to carry on, with the comic revealing in the final panels that neither man knew who he was conversing with, and the bartender was actually Frobisher. Another great little story is the lovely "In the Land of Happy Endings" which is a tribute to the old TV Comic stories of the First Doctor's reign, drawn in that style with original comic companions John & Gillian. It is sort of goofy, but with a poignant ending. The aforementioned "The Flood" is another highlight for this book.

An interesting bit found in the commentary section was that Russell T Davies was such a fan of the strip, that he even offered to let them show the regeneration of the Eighth Doctor into the Ninth...but after certain rules put in place by RTD and the BBC took hold...it ultimately came down to DWM deciding it might be best to just not have the regeneration (they couldn't show Eccleston prior to him being on TV, they could only show him with Rose, and they couldn't even do one story with the current companion of Destrii staying on with the Ninth Doctor)...so they decided against it, and in the end have McGann not regenerate into Eccleston in the strip, instead they have The Doctor and Destrii walk off into the sunset after a chat about the importance of change, and that they really have no idea what could lie just over that hill. It is actually a rather brilliant ending.  It ends this rather consistent and phenomenal run for the Eighth Doctor in the comics (and that run lasted 9 years) very well.

It is a happy ending, one that leaves the potential for more adventures while subtly acknowledging that those adventures do not lie within the pages of the Magazine anymore. And quite frankly, not having the regeneration means we got The Night of the Doctor...and who would ever want to lose that (and having read the script for the alternate ending that they put in this collection...it doesn't hold a candle to what Moffat eventually gave us).  So I am glad they went with the ending they did, I can see this Doctor continuing on to have more adventures, probably going on to meet Charley and C'rizz and Lucie and so on in the Big Finish tales. I'd rather his adventures here lead to more adventures than to a definitive ending. 

While the unconnected stories and the seemingly unfinished Destrii storyline don't make this collection as strong as the previous Eighth Doctor collections, there is still much to enjoy in this book, and The Flood is a fine ending to his excellent run on the strip. 





Oblivion (Panini Graphic Novel)Bookmark and Share

Tuesday, 16 January 2018 - Reviewed by Ken Scheck
Oblivion (Credit: Panini)

Written by Scott Gray

Artwork by Martin Geraghty, Lee Sullivan, John Ross, & Adrian Salmon

Paperback: 228 pages
Publisher: Panini UK LTD

The Eighth Doctor's third volume of his Doctor Who Magazine days is collected in the rather great Oblivion, which kicks off from the moment the strip went to full color, and also features the final arc featuring the Eighth Doctor's companion Izzy, who joined at the very beginning of his comic run.  I have to say, the plotting of story arcs within small stories with big old payoffs at the end, really feel like a forerunner to the format of the show when it finally returned to TV.  Since Davies was a fan of the strip, it's possible he read these strips and saw something of how the show could work for modern TV. 

The major storyline in this book involves the struggles of Izzy, who has her body swapped with an alien named Destrii in the opening story...and when it seems her own body is destroyed in an explosion...she is now stuck as a bluefish lady forever.  This storyline has some great moments, from the colorful explosion that is the opening "Ophidius," to the more subdued and sad "Beautiful Freak" in which Izzy deals with the initial fallout of what's happened. She slowly starts to deal with her condition, but then she is taken by Destrii's family, who kidnap her and take her to Destrii's mother.  The Doctor has to enlist Fey/Shade to try and track down the kidnapped Izzy, and in the hunt discovers that Destrii is actually alive and well and still in Izzy's body.  He takes the unwilling Destrii to her homeworld in hopes of saving Izzy and swapping her back into her own body.

It's an intriguing story and even the stories that seem like a standalone deal in some minor way with the ongoing story arc.  It's a well-crafted set of tales from Scott Gray, I may find the conclusion and elements of the storyline of The Glorious Dead a bit more, but I think that in terms of crafted storytelling, this book has a bit of an edge. It's all leading towards Izzy's exit from the strip, and Gray found a great way to build her character towards an ending that feels like a real reward. 

It is almost a shame to see Izzy go, perfect companion material, but she had a good long run, and her arc really came together beautifully in the end...the timid girl who loved sci-fi and struggled with the fact that she was adopted, and by the end of it she is stronger, is far more confident in knowing who she is, and accepts that her adoptive parents actually love her, they ARE her true parents. I love that early on in her stories there was this red herring of "she doesn't know her real parents" as if that would come into play at some point...but in the end?  She realizes that her real parents are the ones that adopted and raised her and loved her all those years. The final few panels for Izzy is beautiful stuff, a lovely end to a companion that I've really grown to love. And I haven't even mentioned that it was revealed that she was gay, which had been hinted at from time to time beforehand, making her the first openly gay companion in Doctor Who. Her time on the strip lasted about 7 or 8 years, certainly one of the longest-running companions in any medium, particularly of the comics, and it was one heck of a run. 

This book is, as most Panini reprints, wonderfully put together, and the chance to see a well put together storyline in full color makes Oblivion well worth reading.





The Glorious Dead (Panini Graphic Novel)Bookmark and Share

Friday, 12 January 2018 - Reviewed by Ken Scheck
The Glorious Dead (Credit: Panini)

Written by Scott Gray, Adrian Salmon, Alan Barnes, Steve Moore

Artwork by Martin Geraghty, Adrian Salmon, Roger Langridge, & Steve Dillon

Paperback: 244 pages
Publisher: Panini UK LTD

Endgame had been a fresh start for the long-running Doctor Who comic strip, it not only began the adventures of a new Doctor and a new companion, but it just had a cleaner more focused tone than the strip had had for some time. The Glorious Dead is this new incarnation of the strip coming into it's own.  Scott Gray took over the major writing duties from Alan Barnes, who had really just become to swamped with other Doctor Who Magazine work, and the results are top notch.  While I love a lot of what Scott Gray did as the lead writer for the rest of the Eighth Doctor run, I have to say I think the arc featured in this book is possibly his masterpiece. 

It starts with a story called "The Fallen", which is followed up with several stories that build up to the big finale of "The Glorious Dead," and it is a top-notch run of stories that effectively serve as a genuine sequel to the TV Movie, and quite frankly, it is a better story than that movie ever was. We see the return of Grace and what happened to her following on from the movie, and I thought they did a rather good job of reintroducing her to the fold, building what was started in the movie, and bringing some weight to what her lone adventure with the Doctor did to her.

The storyline also reintroduces a Kroton, a Cyberman character that was introduced in the 70s in a couple of "back-up" strips, which were Doctor-less features in the early days of the magazine.  Kroton is sort of an odd character to me.  In his early stories from the 70s (both of which are featured at the end of this book as well), he is a Cyberman that struggles because he somehow has emotions.  The characters were kind of revamped as a wisecracking action hero during the Eighth Doctor's time, and I have to admit that while I still kind of like the character, it doesn't totally work.  It's hard to picture what Kroton sounds like...does he sound like a regular Cyberman? If so everything he says is hard to imagine. But the character is a key role in this storyline, so you take the rough with the smooth, as we so often do with this franchise. 

Another key player is Sato Katsura, a Samurai who had planned to commit an honorable suicide after avenging the death of his Lord, but when he is mortally wounded during the adventure, the Doctor saves his life using nano-probes and inadvertently makes him immortal. The inability to kill himself sends Sato on a very different path, a path that a certain sinister Time Lord takes full advantage of.

That is, of course, the Master, who gets a grand return from his "death" in the Eye of Harmony. His re-introduction is only hinted at in the opening story, but the reveal is subtle and an exciting tease for things to come.  When he is finally revealed to the Doctor in all his glory, it is not only a great story with a fine climax, but it also happens to have some of the best artwork the strip had up to that point.  It should be noted that this book represents the final days of the strip remaining in black and white, as the strip would move to full color following this. 

The major storyline in this Volume just works really well. Everything flows and builds to a grand finale, and I can kind of picture these comics as a series that could've been following the TV movie (though had the show ever been made into a series it would've never been this good based on what ideas those in charge seemed to have in store for the show).  I loved the stories, the art, the spirit of it all.  My only complaint is that they printed some of the stories out of order.  I get that they tried to put all of the major arc stories in the front, and then some of the one-offs that were published in between after, but I think the collection might've worked a bit better as a book if it ended on "The Glorious Dead" as a finale. 

But these DWM comics really seem like a good start to the Eighth Doctor's adventures, and I can kind of picture them taking place before the Audios and Charley and everywhere he has gone since Big Finish got McGann behind the mic. These strips are like the early days of his Doctor to me, this book plays really well as a sequel to the lone TV outing of the Eighth Doctor, and almost as if it was a well thought out season of television, and knowing Russell T Davies was a fan of the strip, it is rather hard to not think that storylines like this had some influence on his modern take on Doctor Who when he brought it back to television. It really is a great book!





Endgame (Panini Graphic Novel)Bookmark and Share

Thursday, 11 January 2018 - Reviewed by Ken Scheck
Endgame (Credit: Panini)

Written by Alan Barnes & Scott Gray

Artwork by Martin Geraghty, Sean Longcroft, & Adrian Salmon

Paperback: 212 pages
Publisher: Panini UK LTD

The Seventh Doctor's tenure in the pages of Doctor Who Magazine had been kind of a mess.  The days during his television tenure were often one-offs delivered by a variety of different writers and artists.  There was rarely a consistent look or a consistent tone.  The best period was really right after the show was cancelled and people who had been involved in the show turned to the comic to continue the adventures of the Doctor and Ace...but once the Virgin books kicked in, those people became occupied with that venture, and the comics again became kind of messy, and they tried so hard to make it fit the continuity of the books that they would often write stories that required some knowledge of what had been going on in the books just to make some confusing detail make any sense. So when the  1996 TV Movie premiered and the magazine was given a brand new fresh Doctor to lead the strip...they managed to assemble a small team that could focus, and they actually made something that was fun to read again. 

Endgame represents the launch of Paul McGann's Eighth Doctor in the strip, and the opening story really showcases writer Alan Barnes and artist Martin Geraghty's plan to put a new stamp on the strip, one that has decided to sever ties with the Virgin line of books (which pretty much came to an end right after the Eighth Doctor took over as well) and it's continuity. They delve back into the strip's own rich history, with the Doctor returning to Stockbridge and reuniting with Maxwell Edison, we see the return of Shayde in the book.

There is also the introduction of another resident of Stockbridge, Izzy Sinclair, the girl who becomes the Eighth Doctor's companion for a good chunk of his run in the comic.  Izzy is a really well-written character, who comes to life immediately as someone who the kind of folks that were probably reading a magazine based on what was then a defunct sci-fi show could relate to.  Izzy is an awkward sci-fi nerd who's adopted and whose closest friend is the middle-aged alien hunting geek Max Edison. 

I think that what certainly sets this book apart from the bulk of the Seventh Doctor run, is that it kind of feels like a season of the show. I'm a big fan of the Big Finish audios that McGann has been doing since 2001, and as such, I've become a big fan of his interpretation of the role.  The comics collected in this book were written before he really gotten a chance to bring that interpretation to life, so they based this version of the character entirely on his one appearance on TV.  What strikes me s that they did such a good job bringing him to life, with a little more depth than the TV movie actually offered up...and they somehow got it pretty close to what McGann eventually really did with the role.  To me, this book plays sort of like a decent first season for his Doctor.  It may be a little rough around the edges, but Barnes stories are pretty solid, the artwork is gorgeous, and there is a decent running storyline featuring the Threshold (a villain which was introduced during the final strip featuring the Seventh Doctor), and we get other great additions like Fey Truscott-Sade, and the great fake out twist that comes for the story that pretty much brings this batch of comics to an end.

Ultimately, there may be a few areas where some fine tuning could have helped, but this is a vastly better set of comics than most of what came during the Seventh Doctor's tenure. The strip felt like it got some of it's mojo back under the Eighth Doctor.  It helps when you've basically been given a Doctor with only one appearance and you have carte-blanche to just do whatever you want with it. There must've been a real sense of freedom after being shackled to the Seventh Doctor and his book line. And it really shows.