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Saturday, 29 October 2005 - Reviewed by Bill Albert

Tom Baker's final story has a really bright and creative idea in it. The planet of Logopolis itself is a really very exciting. The idea of a society that is completely based and has such faith in the power or math is quite good. A faith that is so strong they can actually use it to hold back entropy is such a powerful idea that it deserved to be at the front of this story instead of just the background.

Sadly enough there isn't much else in this four part story to get excited about. Baker's color and charisma were pulled way back for this story and it hurts. It may have worked as an idea to promote the dark and funeral like feel of the story but without the Doctor there are no pick up moments or bright points in the story and it just makes it dreadful to watch. The mysterious Watcher in the background doesn't add much depth to what is going on. Even the TVM regeneration was better than this.

The first wheel spinning episode is incredibly dull. The Master lands his TARDIS around a real police box and disguises it as a police box so the when the Doctor lands his police box he'll actually be landing both around and inside the Master's police box. Then the Doctor and Adric wonder from console room to console room. Soon Tegan manages to get herself into the TARDIS so she can start wondering from corridor to corridor. YAAAAAAAAAAWN! The story never really picks up from that point.

Adric is actually the only credible character in the story. Most of the tale is told from his point of view as he learns more from the Doctor, asks the right questions, and develops quite well.

Tegan has a miserable first start. Janet Fielding gives a way over the top performance that has no credibility to it at all. She was supposed to be a strong independent character but just comes off as being bitchy with personality swings you almost have to duck to avoid. There's nothing wrong, really, with playing a character at 100% but switching from one direction, doesn't believe a word the Doctor says, to another, desperately dependant on him, as fast as lightning is really lousy for character development. She decides that he is her only hope of survival and is counting on him to get her back to Earth so she snaps into action and completely ignores what he tells her to do.

The only character that comes of worse in this story is the Master. For the first two episode he turns it into a slaughter fest and all we get is the Master's hollow laughter in the background. To make evil characters work there has to at least be a reason for them doing what they do but there is none. A policeman uses a telephone from the box and the Master kills him. Aunt Vanesa opens the police box door and he kills her. As the story progresses he goes to Logopolis so he can start killing more people at a time. His evil scheme to finally destroy the Doctor is set in place by killing people at random? Even with that simple of a plan he fails miserably and gets in way over his head. The plan is as flat and as one dimensional as Ainley's performance. He never had the charisma or depth that an actor needed to make the character work and never improved much from his introduction. His message to the peoples of the universe that he tries to send out is so weak and laughable I can't imagine it being taken seriously by anybody who came across it. He's basically threatening people who've never heard of him or know the truth about entropy that if the universe doesn't immediately accept him as their ruler he will allow entropy to destroy everything. Nobody will be shaking in their boots when they get that signal.

After it's all said and done this story is a miserable waste of time. The worst of the regeneration stories.

Skip it.





FILTER: - Television - Fourth Doctor - Series 18